Canon EOS 70D Video Creator Kit with 18-135mm Lens, Rode VIDEOMIC GO and Sandisk 32GB SD Card Class 10 – Wi-Fi Enabled facts, interesting information and costumer opinions who currently purchased and also best price together with quite great discount.
A huge selection of hobbyists are desiring to get a DSLR, the fact is that they have no idea what it is precisely, if have, just like “It is like the compact one in my own pocket, it will be better, this is a major one. In my way to explain a DSLR, it might be ‘All-Round’, you should use the DSLR for almost anything at all, taking pictures of wonderful animals, beautiful landscapes or perhaps amazing astronomy, recording vibrant high quality video clips. And there is a significant difference on the cost too. How much are you willing to pay for a decent camera that fits your needs?
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Canon EOS 70D Video Creator Kit with 18-135mm Lens, Rode VIDEOMIC GO and Sandisk 32GB SD Card Class 10 – Wi-Fi Enabled Details and Reviews
746 of 803 people found the following review helpful.
Canon 70D First Impressions
By S. Burg
This is going to be short, since I’ve not had the chance to do a whole lot of shooting as yet. Consider it a “just out of the box” impression. I already have a Canon 5D Mk III, and a number of L series lenses. I wanted a “backup camera” for video shooting, and I was intrigued by the new auto-focus system offered on the 70D.
So far, I’m extremely pleased with this camera. The 18-35 mm kit lens gives a lot of range, and I tested the camera out with my other lenses. The L series lenses work very well, and auto-focusing is fast, smooth, and doesn’t search around much even in very low light. The camera is not as heavy as the 5D Mk III, but feels solid enough, and not all that different in the hands. Even with the 70-300mm f4-5.6L IS USM zoom – my heaviest lens at the moment – the camera feels surprisingly balanced.
The crop sensor obviously changes the effect of the lenses, but having a full sensor and a crop sensor both, it’s like having 2 sets of lenses. My 70-300mm zoom now has an effective reach up to 480 mm (on the Canon 70D) due to the crop factor of 1.6. To me, this is kind of a bonus, though not in itself a reason to buy the camera. Smaller sized sensors result in an apparent increase in focal length, and a greater depth of field, but this is a generalization and each lens has its own properties that affect the image as well. Read the reviews of individual lenses when considering how each one reacts to different types of camera bodies.
The main thing to take note of is that while the Canon 70D will accept all the EF and EF-L lenses, it is designed to use the EF-S series lenses as well. In fact, the EF-S series lenses are custom tailored specifically for the Canon 70D and (as far as I know) other APS-C crop sensor cameras made by Canon. These lenses – and the kit lens is one of them – will not work on a full frame camera like the Canon 5D mkIII; the rear element extends back into the camera body in a way that makes it impossible to attach lenses of this series to full frame sensor cameras. Even if they could be attached, I suspect the captured image might suffer from serious vignetting and other problems.
For a thorough understanding of how the APS-C, full frame and other types of sensors interact with various lenses, I highly recommend doing some research on the web. There’s a lot of good information out there, and this is a fairly involved subject that I don’t even want to attempt to dive into here 🙂
One thing I couldn’t figure out before having the camera in my possession deserves a mention. This is my first experience with a fold-out LCD screen on a DSLR, and I had no idea how the display would deal with flipping around 180 degrees. Would it be upside down? This was the first thing I tried, and the screen auto-flips when it is rotated. Maybe everyone else already knows this – but I didn’t! Anyway, the fold-out display is a great feature, and it also folds face-in to protect the display when not in use.
The ability to touch various points on the LCD display while in Live View or shooting video, and shift focus while shooting is – to me at least – worth the price of admission. If Canon eventually updates the 7D and/or the 5D Mk III, this functionality would be most welcome!
Purely as a “gut reaction” – I really like the 70D immensely. And it seems a very good value for the price. This may actually become my preferred “walk-around camera, though time will tell.
EDIT – 10/22/2013: I’ve spent a lot more time with the camera now, so I can add to my earlier comments.
While I purchased the 70D mainly for shooting video, I recently used it to shoot bracketed exposures for HDR (high dynamic range) panoramas. A friend of mine had a nodal camera head (The “Ninja” head) which allowed for precise rotation of the camera to cover a full 360 degree field-of-view. The Canon 70D allows for up to 7 bracketed exposures via the AEB controls. The plates were shot in the RAW (CR2) format, using the kit lens, and stitched together using PTGui software.
After some initial trial runs, where we ironed out the kinks in the whole process, the results were exceptional. For those who may be wondering “why do you want a 32 bit HDR 360 panorama at 10k-16k resolution?” it is used to create realistic lighting and reflections in a 3D/CG software (i.e. Modo or Maya, for example). The 3D scene can be lit entirely by the 360 panoramic image, producing a very convincing result.
At any rate, the Canon 70D delivered terrific results doing something I didn’t even foresee when I bought the camera. I will try and upload some of the tests (where the photographic panorama serves as both background and light-source) if I can figure out how to do so on the Amazon site.
EDIT – 11/9/2013: A note to anyone who intends to shoot green screen (for color keyed composites) or do precise color grading in post production: The video output from the 70D is not YCbCr 4:2:2 compression. This is not apparent to the naked eye when viewing the video footage, but it becomes an issue when attempting to work with the footage in a post environment. The firmware update for the Canon 5D addressed this problem by enabling 4:2:2 color output via the HDMI port to an external recording device (I use the Atomos Ninja 2 for this) but currently uncompressed “clean” HDMI is not enabled on the Canon 70D. I have my fingers crossed this will be dealt with in an update to the firmware.
This is not a huge issue unless you intend to do extensive manipulation of your video footage in post production, but it is something to consider with this camera and DSLRs in general. There are workarounds, of course, but that can entail a fair amount of time & effort, particularly when extracting color key mattes (masks) involving fine edge detail or areas of transparency.
That being said, the footage is nevertheless beautiful. And I suspect this technical point should not be an issue for most people considering buying the Canon 70D. The CR2 (camera raw) files are not at all affected by this, it’s a factor limited to the HD video.
301 of 324 people found the following review helpful.
By Michael DiDomenico
I just received my new CANON 70D a week ago. I have been reading every review that has come available on the Internet and also You-tube. I have also talked to a few Professionals who use CANON equipment to get their view. I will not bore you with all of my talk, but I will give you some things that I have found out since receiving my unit.
This is a huge jump from my 60D. It has the 7D – 19 point AF and all cross point. It makes for a fast AF and cleaner photo’s. I am amazed at how many more AF points lock onto a subject when using the auto focus sequence.
DUAL PIXEL, LIVE VIEW
I would think these go hand in hand, and they work quickly and well. The camera is quick to focus, acquires moving subjects and allows for great photo’s. Very impressive upgrade from the LIVE VIEW on my 60D.
I shot a video today while at the zoo and the clarity was excellent, so was the color saturation. Full HD is by default and it is excellent for what I will use it for when traveling. I also was not using one of the new STM lenses and when zooming in and out, there wasn’t any noise on the video. I was not using an external mic.
I have tried all of the scene modes and found them to be a good selection. I like the HDR mode and also the multiple photo mode, something I guess people have been interested in seeing from CANON. I have been very impressed with the camera. It is a good upgrade from the 60D, it has much more to offer and the higher PIXEL Count shows up in the photo’s, as does the increased FPM. 7 FPM seems so much faster than the 5.3 of the 60D.
I have already recommended this to a couple of my friends who are looking into upgrading their equipment.
I wanted to let people know that I am getting about 950 photo’s and about 25 minutes of video per battery charge. I am not using Wi-Fi right now.
went to the NUCLEAR COWBOYZ show and shot over 45 minutes of video and about 150 stills. Many of my video was at ISO 6400 as this was an indoor event. Outstanding quality with my 24-105mm, f/4, ‘L’ lens. Most of the stills were at ISO 6400-12800 and shot in sport mode for high speed. The quality is very good in the stills [I do not blow up to 10 times], and the video’s were very good. I was amazed and the people who watched my video’s in HD were surprised. Once more I know that I have a very good camera.
326 of 356 people found the following review helpful.
Nice update to an already strong predecessor for semi-pro photographers…video functionality is unreal
By Josh Webb
Background info on my experience/use: semi pro portrait/event photographer, professional landscape photographer. Cameras past and present: canon 5D mark III, Canon 7D (owned currently), Leica M3 35mm film, Canon 60D, And Canon t3i
The nitty gritty on this camera after a week of use:
Its a solid update to the popular 60d dslr. Smaller profile than its predecessor however the grip and feel of the camera still remains solid. And much more girth than its younger siblings in the Rebel series. The redesign of button locations on the rear of the camera make for a fluid interface to the menus screens while maintaining the appeal that higher quality SLRs have had with dedicate Aperature and Shutter speed wheels. The added perk of the New touch screen technology from the T4i and T5i have greatly improved the speed to many obscure functions sometimes needed in the depths of software. Its actually pretty fantastic to say the least.
With the addition of the newer Digic 5+ processor the picture quality is only gradually enhanced from the previous Digic 4 of the older generations and 60D. What you will notice a difference in is the rate at which photos can be shot and processed. 7 fps puts this camera closer to the 7D in respects of action photography. I did have high hopes for better low light photos with a new processor since the 60D essentially used a 4 year old unit but unfortunately they look almost identical. It seems you will need to step into a full frame like the 6d or the 5D mark ii & iii to get a substantial difference in quality above 1600 ISO that only a larger sensor can provide.
What really sets this camera apart from the rest of the line up(except the 5D mark III) is its incredible ability to process video (and with touch screen focus!!!) Its active autofocus tracks well with lenses. Multiple modes allow you to change focus settings quickly thru simple strokes on the screen. This camera has built in stereo recording unlike the mono of the 60D. It does however lack a good amount of creative features within the camera for video recording. But lets me honest, most of us who do photography and cinematography often do all of our editing from computer software outside of the camera ie lightroom/photoshop etc. With the STM lenses its fairly quick in its focusing and extremely quiet since they were design specifically for camera bodies like the 70D, t4i, and t5i in a video application. Most of my lenses are USM or L series which make for much quicker focusing than even the STM but do sacrifice a bit of more noise (still much better than the cheap kit lens tho).
Overall this camera is a solid performer. It is a jack of all trades. Photos to video, it does a dang decent job on it all with a big emphasis on the video side of things. In short. If you need an all around camera this is it. If you need a camera for only still photography you may be better off buying a 7D or full frame camera for the money even tho it does do a “pretty good” job much like the original 60D. Either way you cant lose. I promise.
********To anyone using Lightroom 4.4 or lower this camera is not compatible with the CR2 aka RAW files for editing. If you shoot RAW you will need to buy the new Adobe Lightroom 5 and update it to the 5.2 version to even get it to view. Anyone shooting in jpeg will be fine.
Features of this product
- Canon EOS 70D w/ 18-135mm Lens
- Rode VIDEOMIC GO
- Sandisk 32GB SD Card Class 10
DSLRs are usually larger than Prosumer cameras. However, DSLRs tend to be equipped with a convenient hand grip which makes it possible and easier for you to hold your camera when utilizing a heavy lens. DSLRs are equipped with larger sensor hence enabling you to get larger objects. The sensor also uses a low-noise sensor technology so the images produced are better. As a result of large sensor size, the purchase price is generally expensive.
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