Buy Canon EOS 7D 18 MP CMOS Digital SLR Camera with 18-135mm f/3.5-5.6 IS UD Lens (discontinued by manufacturer)

Canon EOS 7D 18 MP CMOS Digital SLR Camera with 18-135mm f/3.5-5.6 IS UD Lens (discontinued by manufacturer)

Canon EOS 7D 18 MP CMOS Digital SLR Camera with 18-135mm f/3.5-5.6 IS UD Lens (discontinued by manufacturer) facts, exciting information with costumer opinions who currently purchased and as well best price along with quite good discount.

A large number of hobbyists are desiring to get a DSLR, the fact is definitely that they have no clue what it is precisely, if have, just like “It is like the compact one in my pocket, it will probably be better, this is a huge one. In my way to describe a DSLR, it will be ‘All-Round’, you should use the DSLR for almost anything, taking pictures of lovely animals, beautiful landscapes or amazing astronomy, recording brilliant top quality video clips. And there is a significant difference on the cost too. How much are you prepared to pay for a decent camera that fits your needs?

This item made by Canon become one of the great DSLR Camera since a lot of buyers happy after using this item. In addition to its features, the best price also becomes a factor. Below is a details of Canon EOS 7D 18 MP CMOS Digital SLR Camera with 18-135mm f/3.5-5.6 IS UD Lens (discontinued by manufacturer), a product favored by buyers and have a much of beneficial reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.

Canon EOS 7D 18 MP CMOS Digital SLR Camera with 18-135mm f/3.5-5.6 IS UD Lens (discontinued by manufacturer) Details and Reviews

Canon EOS 7D 18 MP CMOS Digital SLR

  • Amazon Sales Rank: #5779 in Camera & Photo
  • Size: none
  • Color: Black
  • Brand: Canon
  • Model: 3814B016
  • Aspect ratio: 1.55:1
  • Number of items: 1
  • Dimensions: 4.37″ h x 2.91″ w x 5.83″ l, 1.90 pounds

eligible for FREE Shipping on orders over $35.

Estimated Price: $1,299.00 Buy or See Best Price

851 of 867 people found the following review helpful.
4A seriously capable and enjoyable camera.
By Anthony Pantliano
(I’m putting a quick update at the top, for those who don’t get a chance to read all the way through. As of 03/03/2014 my 7D is still working perfectly, and only has slight cosmetic wear on the mode dial, where the rubberized coating is coming off. The camera is a bit over 4 years old at this point and I still love it.)

The Canon EOS 7D is Canon’s semi-pro / enthusiast digital crop sensor SLR. It’s a terrific SLR that shines in photo quality, control placement, speed, and viewfinder size and coverage.

First, let me tell you a little about myself so you can gauge what my expectations for the camera are. I’m strictly a hobbyist photographer and use my camera a couple of times a month at museums, outdoor parks, and vacations. Besides photos of my dog, my photography consists primarily of static subjects. This is my second SLR.

Enough of me, onto the camera. The 7D is a fairly bulky SLR and dwarfs “entry level” models such as the Olympus E-510 (see my photos), though it’s no bigger than Nikon’s D300s. With that said, it’s not uncomfortably large and is easy enough to carry around all day. Build quality is terrific and the camera has a solid, luxury feel to it. The 7D fits very well into my average sized hands and, with the kit 28-135 lens, is nicely balanced. All the buttons are easy to reach and, if you’ve used a Canon camera before, easy to figure out. The magnesium body is sealed against moisture and dust. The shutter button is well placed and has a nicely defined halfway point. A control dial is on the back of the camera and behind the shutter button too. There is also a joystick-like toggle on the back of the camera as well.

A large (3″) and high-resolution (920,000 pixel) screen is on the camera back with a secondary status LCD display on the top (with backlight). The screen is a pleasure to use when reviewing images for focus, and when manually focusing in magnified live view mode. Compared to the 3-inch 420,000-pixel screen on my Panasonic LX3 it’s a definite upgrade, and makes a noticeable difference.

The viewfinder is huge and bright and has 100% coverage. Coming from the Olympus, which has a very cramped and tunnel-like viewfinder, it was a revelation, and was one of the reasons I decided to step up to the 7D. Also, by using a transmissive LCD on the viewfinder the only markings you see until you confirm focus are for the selected focus method (for instance, a single box when using one focus point, or brackets when using the auto select autofocus method). Moreover, a composition grid can be imposed on the viewfinder. The information display on the bottom of the viewfinder is large and bright and contains lots of shooting and camera information. (Update 05/27/2013: Since I’ve been trying to shoot manual focus more, I’ve noticed that the 7D will light up the focus boxes as you manually focus to let you know what part of the scene is currently in focus, at least it does when using Canon lenses. I can’t comment on other lens brands since I only own Canon lenses. The 7D’s huge viewfinder makes it easy to manually focus.)

The camera is very responsive and turns on almost instantly. The sensor cleaning occurs when you turn the camera on or off but can be interrupted during power up. Focus speeds with the kit lens are very speedy, even in dim light (two 40 watt lamps and a television as the only light sources in a 17′ x 11′ room). The 19-point all cross type autofocus is uncanny at picking the correct subject. If it doesn’t get it right the first time it will the second. I usually set all my cameras to center point autofocus, but the 7D does a great job picking out the subject, so I leave it on fully automatic mode (unless I’m using the 50mm f/1.4 lens, since wide aperture lenses like that can focus shift with such a shallow depth of field). Live view focusing is not a quick, especially in low light, and I only use live view when I need to shoot at a weird angle and I can’t shoot looking through the viewfinder. Live view can be used with a mirror flip or contrast detection. The contrast detection mode is fairly pokey, while the mirror flip mode is quicker, but introduces a brief break in the view. Continuous shooting is available in both a high and a low setting. High is 8 FPS, while the low speed is 3 FPS. The shutter sound is nicely subdued and not nearly as noisy as the Olympus’ is.

Photo quality is terrific. There are various Picture Styles you can choose to alter the contrast, sharpness, color tone, and saturation of the photos. At any rate, 99% of the time, colors are natural, exposure is accurate, and dynamic range is great. At this level of camera, that’s expected though. What I really love about the 7D is the high ISO noise, or lack thereof. The luxury of feeling confident while shooting at high ISO is priceless. I’ve taken a good number of shots as high as ISO 3200 and have no complaints. Of course there is a bit of noise, and the mushiness that noise reduction brings, but for an 18 MP image at ISO 3200, I have no complaints. The ISO speeds above 3200 are OK as well, but I’ll reserve those for emergency use only, they get fairly processed looking. (Updating this section a bit: Since the 7D is over 3 years old at this point its high ISO shooting is not as good as it once was relative to the competition. I have a Canon G1 X and the Fuji X100 and they both do a bit better at ISO 1600 and higher. Having said that I doubt anyone would complain about the 7D’s high ISO results, but you should be aware that sensor technology has gotten better since the 7D was introduced.) The relatively large APS-C sensor not only allows for low noise, but also allows me to produce nicely blurred backgrounds and great depth of field. I couldn’t achieve the same degree of that effect with the smaller 4/3 sensor in the Olympus, and I certainly couldn’t do it with my point and shoot cameras unless I was in macro mode. There is an Auto Lighting Optimizer feature that attempts to correct photos that are hard to correctly expose (e.g. big difference between shadows or highlights in a scene). It works well for the most part, but, depending on the subject, the differences are very subtle. There is also an image highlight tone priority option available in the menu system that limits the lowest ISO setting to 200 and helps preserve highlights a bit, but it too, is subtle. (Update 05/27/2013: Having recently decided to try shooting in RAW and editing my photos using Adobe Lightroom 4, I have noticed that it is worth the effort. If I thought the 7D’s jpegs were good, the RAW files, post-processed, are even better. Using RAW I’m able to pull out details in the shadows and highlights, correct white balance, and remove purple fringing. Anyone who is hesitant to shoot RAW because it sounds intimidating, just go for it. You can always have the 7D shoot a RAW + jpeg together if you’re cautious. Thankfully, even shooting that way the 7D is a fast camera.)

The HD movie mode is nicely done as well. You set your focus, either automatically or manually, before you start recording. You can refocus during recording but you’ll definitely notice it. You can adjust shutter speed, aperture, and ISO in manual movie mode as well. There is a monaural microphone on the front of the camera, or you can plug in a stereo microphone. By pressing the shutter button, you can interrupt the movie briefly to take a still photo, similar to Canon’s S series super zoom cameras.

The 28-135mm kit lens is nicely constructed and fairly sharp from corner to corner. Purple fringing is not much of a problem in my photos. The field of view is kind of narrow though. The lens starts at 44.8mm with the 7D’s 1.6x field of view crop factor taken into account. Without a wide angle it’s not an ideal all around lens, but I do feel it’s worth the extra money for the kit with this lens. You end up getting a nice, ultrasonic motor, image stabilized, 4.8x lens for a minimal cost.

The only things I don’t like about the camera so far are that in auto ISO you can’t limit how high it goes (this has been remedied with firmware version 2.0.0 released in August 2012, see below for more details). The other thing I’m not fond of is the fact that when you’re in playback mode the most you can zoom out is a 9-image grid. With such a large high-resolution screen I would appreciate an index grid playback mode that showed more photos. Lastly, I find the process for setting the custom white balance a bit long winded. You have to take a photo of a white reference object then go into the menus to choose that photo as the reference photo. On other cameras, even Canon’s point and shoots, the process is much faster, and it doesn’t save the reference photo to your memory card. It’s not the worst system, and I have become very quick at it, but it could be better.

All in all… a phenomenal semi-pro SLR. The Canon 7D covers all the bases.

12/17/2009 Update: I found a nice case for the 7D which fits the camera with kit lens quite well. It doesn’t fit much more than that, but it’s a good case if you don’t carry too many accessories with you. It’s the Lowepro Topload Zoom case.Lowepro Topload Zoom 1 Camera Bag (Black)

12/19/2009 Update: You can change the depth of field preview button to switch to another autofocus mode when you hold it down, instead of doing a depth of field preview. I find this very useful since I hardly ever use depth of field preview. Now if I find that the autofocus is consistently not picking the right subject for a shot, I simply hold down the depth of field preview button to have it temporarily switch from auto select mode to spot focus mode. Very convenient.

01/04/2010 Update: Just got back from a trip to the American Museum of Natural History in New York City. The 7D was a joy to use. I took about 160 photographs. Of those only 4 or 5 are out of focus due to camera error. The low light performance continues to impress me. I took many photos at ISO 1600 through 3200 and all of the photos are completely usable. In the large “Sea Life” and “African Mammals” rooms I was able to take sharp pictures of these very dim rooms while shooting handheld at ISO 3200 and no flash (see pictures). Anyone who has visited these exhibits knows how challenging they can be to shoot.

10/20/2010 Update: I am still loving this camera. No problems to report. In fact, I was a little miffed when Canon introduced the 60D because it seemed like I could have saved some money by buying that, however, one of the students in my digital photography class bought one, and while it is a nice camera, the build quality and design are nowhere near the standards on the 7D. Still happy with my purchase.

04/05/2011 Update: Still no problems to report with the camera. I took it out after a recent snow storm when it was still flurrying and it survived just fine.

01/02/2012 Update: Still no problems to report with the 7D. I continue to recommend it.

06/13/2012 Update: The camera still works wonderfully. I’ve purchased the Canon 24-105mm f/4 L IS USM lens to replace the kit lens as I was looking for something sharper and a bit wider, and the 24-105 does indeed deliver. Build quality and sharpness are much higher than the kit lens. Canon EF 24-105mm f/4 L IS USM Lens for Canon EOS SLR Cameras

07/05/2012 Update: I picked up Canon’s new pancake 40mm f/2.8 lens and it makes a great addition to the 24-105 lens. It’s small, sharp, and quick to focus. It really does make a huge difference in the 7D’s weigh and size and makes carrying the camera on a long hike easy. Canon EF 40mm f/2.8 STM Lens

08/15/2012 Update: I just installed Canon’s firmware update version 2.0.0. The update improves many things; maximum RAW burst of 25 images, in camera RAW editing, JPEG resizing, image rating, maximum auto ISO setting, audio level adjustment in movies, GPS compatibility, file name customization, faster scrolling of zoomed images, and quick control screen during playback. The firmware was easy to install and download and took only a few minutes.

08/20/2012 Update: I just picked up Canon’s 50mm f/1.4 lens for low light shooting, and it is indeed a great low light friend. The angle of view is a bit tight, but it produces sharp photos with shallow depth of field and nicely blurred backgrounds, especially at f/2.0 and wider. Also, the camera is still working like new and I have no mechanical problems to report. However, a bit of the rubberized coating is coming off of the mode dial. It’s very subtle though, and completely cosmetic. Canon EF 50mm f/1.4 USM Standard & Medium Telephoto Lens for Canon SLR Cameras

10/25/2012 Update: I got Canon’s 60mm EF-S macro lens and it’s a great macro lens. Sharp, small, and quick to focus. I recently took the 7D and my 4 lenses with me to Walt Disney World, took over 1000 photos, and the camera and all the lenses performed great! Canon EF-S 60mm f/2.8 Macro USM Lens for Canon SLR Cameras

04/25/2013 Update: I’ve also purchased Canon’s 28mm f/2.8 IS USM lens and it’s a nice compact option that gives the camera a normal view (45º) and has the benefit of an image stabilizer. It makes a great all around / museum lens. It’s very sharp and quick to focus. Canon EF 28mm f/2.8 IS USM Wide Angle Lens

05/28/2013 Update: I purchased Canon’s 70-300 IS USM lens and it makes a decent telephoto option at a great price. It’s not as sharp as Canon’s L series telephoto lenses, but it’s a great option for those who don’t do frequent telephoto work. Canon EF 70-300mm f/4-5.6 IS USM Lens for Canon EOS SLR Cameras

P.S.: Sorry for the long review. There is a lot to cover, and even so I may not have gotten everything. If you’d like to know something I didn’t cover, feel free to leave a comment and I’ll answer it as quickly as I can. Also, I will update this review as needed based on any new experiences I have with the 7D.

1306 of 1352 people found the following review helpful.
5Does the 7D beat full frame cameras?
By Abdulrahman Aljabri
No, but it’s so good that one starts to contemplate this question, which was never the case before the 7D was introduced. Both systems, crop and full frame, have their pros and cons and place in photography. But before I get into that let me say I have not been as excited about a camera since the introduction of the 5D MK I four years ago. That’s because the 7D raises the crop camera bar to the point where crop users will not feel at a disadvantage to full frame camera users, especially if coupled with awesome ef-s lenses such as the 17-55 f2.8.

How so? The 7D sets a new standard in four major ways.

1. It produces whopping 18MP pictures, which are just 3MP shy of the current top of the line full frame Canon cameras. Just few years ago most pros were producing stellar results using the 1Ds MKII 16MP camera. Now you have more MPs in a crop sensor, that’s a major achievement. This achievement translates into bigger prints and, perhaps more importantly, cropping power. Out shooting wildlife with a 300mm instead of 400mm? You can crop the 7D files down to 50% of their original file size and still obtain sharp pictures. It’s just not that easy with the 1D MK III 10MP files.

2. Many worried that extra MPs in small crop sensors would translate into nosier pictures, but the amazing thing is that this camera produces images with what seems to be less noise than the 1Ds MKII. The noise level is very good. At ISO 1600 I still prefer pictures coming from my 5D MKII, but below ISO1600 they are very close. Frankly, I can go with either camera because most of my professionally shot portraits and product pictures are shot at ISO100. At ISO100 both produce very clean files and are practically indistinguishable.

3. Focus is the one area that was lacking on the previous 1.6 crop Canon cameras and this camera changes that. It’s not a 1D in focus speed and accuracy, but it’s the next best thing compared to them. It’s faster than the Canon 5D MKII, which is known to be slightly faster or around the focus performance range of the 50D and 40D.

4. The drive chain is fast, so fast it’s beyond anything I needed in my professional work in portrait, commercial, and product photography. Going through pictures taken at 8fps produces very little difference from frame to frame. One probably has to shoot a very fast moving subject/object to see the advantage of such fast drive system.

There are obviously many other things that I have not covered in this review. But based on the above, all I can say is that this camera has really raised the bar for all cameras and made it much more affordable to obtain a professional level camera for all types of photography. If you were considering buying the 5D MKII as an upgrade give this camera a test because it might be all you need.

As for the advantages of crop cameras I always find it odd that casual users who shoot many things but focus on landscape think they need a full frame to realize their potential. Crop cameras such as the 7D and 50D are fine for most users and offer many advantages including:

1. greater depth of field at lower aperture for landscape photography

2. greater tilt and shift effect because of sensor size relative to effect (8mm in shift is greater in effect relative to a 22mm sensor compared to a 35mm sensor)

3. greater magnification with micro lenses and extension tubes because of smaller sensor (1:1 in full frame equals 35mm, 1:1 in crop equals 22mm)

4. smaller lighter lenses with wider aperture that achieve greater reach (such as the 17-55 2.8 vs the 24-70 2.8 similar reach but much lighter and smaller)

Traditionally the three areas full frame cameras outshine crop cameras are a bigger brighter viewfinder, shallower depth of field for portrait photography, and better ISO performance, which on the last point the 7D has proven not be an issue anymore.
And for the second point really, most beautiful low depth of field portraits are done around f2.8-2.0 in full frame (going wider will make depth of field too narrow to place two eyes in focus). Hence, if one is using a wide prime, a crop sensor will produce the same depth of field at 2.0-1.4. Considering an affordable 50mm f1.4 lens on crop has the same field of view as 85mm lens on full frame there is really no reason to discount a crop camera any more as the 7D levels the playing field.

578 of 607 people found the following review helpful.
5Canon EOS 7D
By Richard
Well after much deliberation between this and a 5d Mark II i decided to opt for the 7D and spend the extra I save on some nice wide angle lenses. First of all for anyone who is expecting a 1.6 crop camera’s image quality to be better than the 5d mark ii you can forget it. The 5D mark ii is a full frame sensor camera and the 7D is a crop, different cameras for different purposes. I know three people who own a 5d mark II, wedding photographer, cinematographer and a landscape photographer. As you can tell, they all need wide angle and good low light performance. The 5D Mark II/other full frame cameras are targeted towards users with wide angle needs. So if you find yourself in a crowded room with little light during a wedding the EOS 7D may not be for you, less you put on a 10-22mm EFS lens which is the widest Canon Zoom Lens for a APS-C camera. (Or 8-15 F4L Fisheye).

Image Quality from this camera is amazing, I’ll put up some pictures once it stops raining where I live. Detail is very good, and the 28-135 lens accommodates this cameras ability very nicely, however, starting off at 28mm will probably be too long for most people in everyday situations such as those for street photographers. Picking up a 17-55 2.8 lens will probably be highly recommended by many.

Build Quality is superb. This “tank” of a camera is no light weight and one of the first things you notice when you pick up the camera is the hefty feel you get. Very ergonomic grip and a robust feel all around. Don’t expect to have it hanging around your next too long though. Weather seals are improved and you can notice that the area above the viewfinder is much larger thanks to a 100% coverage pentaprism.

Autofocusing, now I’ve read some issues about the 7D’s new focusing system such as softness from auto zone focusing and I am also getting some mixed results with that as well, some images ranging from very soft to some being as sharp as single AF select. I will update later as I take it out for more situations. However, with that being said, the camera’s autofocusing with the 28-135mm lens is very quiet, very fast and accurate for the most part especially with using the cameras single AF select mode.

Battery Life: still on the first charge off the box, taken about 500 test shots and a few seconds of 720p recording, battery life is about halfway.

ISO performance. Now here is where many have a bone to pick. I am not afraid to use high ISO as my prints rarely go beyond 11×14. More than often I found myself using nothing higher than ISO 1600 on my girlfriend’s 500D/T1i. With the 7D I feel very comfortable using 3200 with about ISO 4000 being my cut off point, that’s where the trade offs between detail and noise will become apparent and start to bother me.

Overall this camera is a very impressive and I’d give it a rating of about 90/100. It has alot to offer being a HD video DSLR. It’ll provide many rebel users enough room to learn and grow. However, I cant stress enough that if you find yourself needing wide angle capabilities and low light performance, saving up for a full frame, it will definitely be worth the wait in the long run. In fact a few 5D Mark I cameras are available for cheaper than the 7D. Without a doubt this is one of the top crop cameras of the market right now. You won’t regret buying this camera.

*Update* First of all, I’ve been using the wireless flash with a 430ex II for some portrait photography, it works fine and comes in very handy. Secondly, I’ve finally had a chance to customize all the settings of my camera, READ THE MANUAL! It’s about 250 pages but you’ll need to in order to make the most of your camera. Most of it is the usual, but because this camera offers so many different options, reading the latter pages is a must.
Firmware release 1.0.9 is out so dont forget to update if you still have 1.0.7.
For those of you still wondering if the 7D is worth the upgrade or worth buying over a full frame, keep in mind that Canon just release rebates for some EF and EF-S lenses including the 10-22 and 17-55 2.8; as well as some very popular L lenses. So for those of you debating between a 7D and Mark II, getting a kit and using the money saved for a wide angle will pretty much cover all the focal lengths you will really need.

Features of this product

  • 18.0-megapixel CMOS Sensor and Dual DIGIC 4 Image Processors for high image quality and speed
  • Kit includes 18-135mm f/3.5-5.6 IS UD standard zoom lens
  • Advanced HD movie mode with manual exposure control and selectable frame rates
  • Intelligent Viewfinder with 100 percent field of view; 19-point, all cross-type AF system equipped with dual diagonal cross-type sensors
  • Capture images to CF Card Type I and II, UDMA-compliant CF cards (not included)

Digital slrs are usually larger than Prosumer cameras. However, Digital slrs tend to be equipped with a convenient hand grip which makes it possible and easier that you can hold your camera when utilizing a heavy lens. DSLRs are equipped with greater sensor hence enabling you to catch larger objects. The sensor also uses a low-noise sensor technology so the images produced are clearer. As a result of large sensor size, the cost is generally expensive.

Everything that we have shared above is all you need to know about this product. Right now, you can decide whether it be a right product that you really need or not. Still, the decision is still on your hand since we only can provide you to information and recommendation to your best choice. For the important thing for you, price would not be an issue especially if the product is basically suitable for your require. We also have many more articles or reviews relating to to similar products that is suitable for you to generate a comparison. You can explore and ensure that what your right selection is. We hope that’ll be fruitful for you. Have a wonderful day all and a lot of thanks for stopping by and reading our write-up.

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