Canon EOS 7D Mark II Digital SLR Camera with 18-135mm IS STM Lens details, interesting information along with costumer testimonials who currently ordered and also best price along with really good discount.
A great number of hobbyists are desiring for any DSLR, the fact is definitely that they have no clue what it is precisely, if have, just like “It is like the compact one in my personal pocket, it will be better, this is a large one. In my way to identify a DSLR, it would be ‘All-Round’, you can use the DSLR for almost anything at all, taking pictures of beautiful animals, beautiful landscapes or amazing astronomy, recording vibrant good quality video clips. And there is a significant difference on the cost too. Simply how much are you ready to pay for a decent camera that suits your needs?
This item produced by Canon become one of the top recomended DSLR Camera since a lot of buyers satisfied after using this item. In addition to its features, the best price also becomes a factor. Below is a details of Canon EOS 7D Mark II Digital SLR Camera with 18-135mm IS STM Lens, an item loved by costumers and have plenty of positive reviews. We will give you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Canon EOS 7D Mark II Digital SLR Camera with 18-135mm IS STM Lens Details and Reviews
130 of 136 people found the following review helpful.
A nimble camera with cutting edge AF
By P.K. Frary
Shooting with the 7D MKII was immediately intuitive and natural: operation, balance and appearance are similar to my old 7D. While it felt like an old friend in my hands, the 65-point AF array is what got me to lay down my hard earned cash. Here are my impressions about the 7D MKII after a month of shooting.
CONSTRUCTION is superb: magnesium body, matte black paint and heavy duty weather seals. Appearance is nearly identical to the old 7D save for the small plastic bump topside for the GPS antenna. In hand it feels confident and solid. The thick textured rubber and finger groove make for a secure grip.
The 3.0″ 1,040,000 dot LCD is vivid and clear in most light–save for direct sunlight–but only a minor improvement over the old 7D. It’s disappointing Canon didn’t bump it up to a larger size or add touch screen ability.
The shutter sound is softer than the original 7D but louder than a 6D. Silent drive mode fades operation to pianissimo, but with slower performance, making it ideal for ceremonies.
CONTROLS: Most controls are the same as the old 7D but with some reshuffling and additions. The biggies are a dedicated “Rate” button, a larger and repositioned DOF button and a programable “spring” lever around the joystick. Controls feel solid and can be operated by feel while looking through the viewfinder.
The lever is the most useful new control. At default programming, it cycles through the six AF area modes. Its placement next to the joystick makes switching AF modes and subsequent selection of AF points faster and more intuitive than the 7D and 70D. Like the 7D before it, my preferences are user selected single point or zone focus. Trusting a computer to pick the subject is often iffy.
The 7D2 offers another first: the ability to set up both the AF-On and * buttons so one activates Servo AF and the other One-Shot. Ideal for subjects that move but suddenly stay still, e.g., tracking a bird in flight that lands. This setting is under C.Fn3: Disp/Operation => Custom Controls. Select the buttons you wish to customize, press “Info,” and, finally, make your selection in the “AF Operation” detail. Many other custom AF options are valuable as well.
AUTOFOCUS: The all cross-type, 65-point AF is the headline feature. Frame coverage is huge, besting any EOS before it. Off-center subjects are a snap: pick any AF point and focus is blazing fast and accurate. Low light AF is also vastly improved: locks in murky light the old 7D struggled in, e.g., dim night club and theatre stages. It drove my EF 300 4L USM and EF 70-200 4L IS USM lickety-split. AI servo and iTR effortlessly tracked brides, runners and bikers across the 65 AF points. Metering is tied to the active AF point and effortlessly adjusts to changing subject light. The keeper rate of moving subjects is nearly double that of my old 7D. And with buffering enough for 30 RAW images (fast CF card), that’s a lot of keepers!
The only AF nitpick thus far is my existing lenses needed micro adjustment (calibration) for optimal sharpness. Oddly, most of these same lenses were fine at default on my old 7D.
IMAGE QUALITY: I processed RAW images in DPP 4.1 and was pleased with detail, color rendition and noise control. There is little difference in low ISO noise compared to the 7D. In fact, image quality is very similar to the 7D from ISO 100 to 800, i.e., excellent. At ISO 1600+ the 7D MKII pulls away from the 7D: a level less noise, but that noise is devoid of banding and more grain-like. This type of noise is easier to control with noise reduction plug-ins. I was able to easily squeeze out another stop of acceptable high ISO over my 7D.
VIDEO: Contrast detection AF during video and LiveView is a mammoth improvement over the 7D: responsive, accurate and a camcorder-like movie servo mode. Wish it had a touch screen for focus-pulls. That said, the improved contrast detection AF is a great feature.
VIEWFINDER: The 100% coverage and 1.0x magnification are the same spec as the old 7D but with improved clarity and brightness. Even with a F4 zoom the viewfinder is a joy to use: bright, smooth and vivid. Like an EVF, the transmissive LCD display–transparent LCD over the focusing screen–can display icons, AF patterns, metering patterns, grid and plain matte screens and an electronic level. You can choose not to display most of it. I stick with just the grid and active AF points.
FLASH: The popup flash is fine for fill and snapshots, and functions as a wireless E-TTL master. My 430EX II worked well as a slave bounced off walls and ceilings. Both bounce and direct flash images were well exposed. FEC was rarely needed.
GOTCHAS: Not many nitpicks but battery life is 300 or 400 images less than my old 7D, even with GPS disabled. I assume the upgrades to 65-AF point array and Dual DIGIC 6 image processors demand more power. Carry a spare LP-E6 or two.
FINAL BURB: The 7D MKII is a marriage of “classic” 7D form factor with a tweaked 70D CMOS and cutting edge 65-point AF array. Toss in GPS, Movie Servo, a large buffer and that’s the 7D MKII in a nutshell. It’s a pleasure to use and difficult to make it miss focus or get a bad exposure. While the 7D MKII is more like the 7D than different, it’s a significant upgrade over the original 7D in AF performance, noise control at high ISO and weather sealing. It’s the real deal for sports, BIF and adverse weather shooting.
177 of 189 people found the following review helpful.
Worth The Price of Admission
By peter epkarek
This. Camera. Does. Not. Miss. Focus.
I do not have the resources to pick up a 1D body, I have instead thrown that cash into lenses. The 85 1.2L on my 70d gave me about 30% keeper rate, today I had a 95% keeper rate on my 7dm2 Body. Simply amazing.
My 70-200 IS 2.8 v1 also would miss on many shots @ f2.8 on my 70d and 5dmk1…that is long gone. The focus system on this body is everything it has been hyped to be.
High ISO Performance: Images at ISO 2500 look as good as images at ISO 800 on the 70d.
Battery Life: Buy the grip. Or have several spares with you. **UPDATE** With the BG-E16 grip and 2 3rd party batteries (BM Premium 2-Pack Of LP-E6 Batteries For Canon EOS 60D, EOS 70D, EOS 5D II, EOS 5D III, EOS 6D EOS 7D, EOS 7D Mark II Digital SLR Camera + More!!) I shot 2900 images in the cold, and only ran down to 50% on the batteries. I killed a LP-E6N with 500 shots.
Buffer: Have a fast CF card if you want the full rate of 31 RAW before slowdown. UHS SD card will get you 24 (advertised 26 but thats not what I’m getting)
With a fast CF Card (komputerbay 128GB 1066x) I am getting FORTY-SIX (yes 46) Full size RAW files before a big slowdown. SD Card performance is poor, with a 95 M/Bs card I am not doing any better than 24 RAW files before slowdown.
One Last Thing: Its not in the box, but you can download DPP 4 from Canon, and I find that it gives vastly better results than DDP 3. Too bad you can’t use it with any other APS-C bodies other than the 7d2.
The image of the Gorilla was shot with the 70-200 at 2500 ISO, no edits.
124 of 136 people found the following review helpful.
Results of two days hands on experience + hours with BIG manual + watch tutorials
On Sunday I had my 7DII for two full days. I got one day shipping. The 7D replaces my 60D.
I found the photos from the 7D are sharper then the same scene shot with the 60D. (I mounted my 70-300 mm L lens on a tripod, then switched cameras to shot the same scene.) The viewfinder is brighter and has more contrast.
One of the first thing I found was that the controls for navigating the various menus are very different between the 60D and 7DII. The menus are very similar but the means of navigation are different.
The 7DII is not a point and shot camera. I spent considerable time going through the 550 pages full instruction guide. Since I shoot landscapes I could skip much of the manual. That is the pdf version that comes on the CD. Not the 180 page BASIC instruction guide. How someone could spend 45 minutes in a store during which he bought a card and battery then gain command of this camera indicates the quality of his effort. The auto focus is very complex since it supports still and moving subjects. It is easy to see why the camera would not focus well right out of the box. The problem is not the camera but rather the operator.
The 7DII is a very customizable camera. It can be tuned to the particular type of shooting a user does – wildlife, landscape, etc. But a very tunable camera requires study. However, the basic 180 page manual shows you how to simply take pictures
The 7DII is so customizable that Canon has prepared 6 tutorials to explain these capabilities: http://www.learn.usa.canon.com/galleries/galleries/tutorials/eos7dmarkii_tutorials.shtml. If you are really into photography and want to create your own camera, the 7DII is the way to go. The customization is really oriented toward fast action shooting. Practically every setting is viewable in the viewfinder and can be changed with a push of a customized button. It seems to be junior version 1DX.
All in all I found the 7DII to be a substantial upgrade from my 60D.
One difficulty with this camera is that Adobe does not yet support it. (Canon may have been unwilling to pay Adobe enough.) I shoot RAW. To post a picture here I must first process the photo using DPP, etc. Just not worth the effort. However, I could compare the CR2 images using Windows Photo Viewer. I could examine the comparable photos at 200% in DPP.
Features of this product
- 20.2 MP CMOS sensor and ISO 100-16000
- High speed continuous shooting up to 10.0 fps
- 65-point all cross-type AF system
- Stunning Full HD video with Custom Movie Servo AF (speed and sensitivity)
- Dual Pixel CMOS AF enables you to shoot video like a camcorder
Digital slrs are usually larger than Prosumer cameras. However, Digital slrs are often equipped with a convenient hand grip which makes it possible and easier that you should hold your camera when using a heavy lens. DSLRs are equipped with bigger sensor hence enabling you to capture larger objects. The sensor also uses a low-noise sensor technology so the images produced are better. As a result of large sensor size, the price is generally expensive.
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