Olympus E-P5 16.1 MP Mirrorless Digital Camera with 3-Inch LCD and 17mm f/1.8 lens (Silver with Black Trim) facts, interesting information and costumer opinions who currently bought and in addition best price along with very nice discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that helps multiple lenses while forgoing the mirror reflex optic viewfinder featured on an SLR. It is now a popular choice especially among amateur photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Ever since then it has evolved greatly in the design and features offered, moving towards the better.
This product made by Olympus become one of the top recomended Mirrorless Camera since a lot of customers fulfilled after using this product. In addition to its features, the best price also becomes a factor. This is a description about Olympus E-P5 16.1 MP Mirrorless Digital Camera with 3-Inch LCD and 17mm f/1.8 lens (Silver with Black Trim), a product more liked by costumers and have plenty of great reviews. We will give you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Olympus E-P5 16.1 MP Mirrorless Digital Camera with 3-Inch LCD and 17mm f/1.8 lens (Silver with Black Trim) Details and Reviews
110 of 114 people found the following review helpful.
Great camera! Comparison with OM-D
Just received my E-P5 + VF4 + 17mm lens kit yesterday! I’ve had a chance to try it out some, and draw some quick comparisons to the EM5.
I ALREADY HAVE AN EM5. SO WHY DID I PURCHASE THE EP5 KIT? I got into photography during the digital age, and like many photographers in their 30s, have become accustomed to composing with the screen. In contrast to many others, I upgraded from the EPL1 to the EM5 not for the built-in VF but for the IBIS and improved IQ. I went ahead and got the battery grip as well because I got a good package deal. I’ve done a lot of traveling over the past year. Although I use the landscape grip all the time, I hardly ever use the VF, except when in bright sunlight. Although I love my EM5, I’ve been frustrated with the certain aspects of the handling: the implementation of the bracketing function, the small size of the function buttons. I found that the placement of the control wheels made it uncomfortable to hold the camera without the landscape grip. Another consideration is that my needs have changed. Because of my new job, I won’t be traveling that much over the next year or so, and plan on shooting primarily at family events, at restaurants and bars, and on the street. The ability to fit the EP5 with a compact lens in a small case–together with the fact that the EP5 has a built-in flash–also appealed to me. Finally, aside from the 12-35mm, which I use quite a bit, all the other lenses I use are quite small.
HANDLING: Because of the placement of the buttons and the shape of the front part of the grip (extends further toward the lens mount), I find the EP5 more comfortable to hold than the EM5 sans landscape grip. The EM5 with landscape grip is undeniably more comfortable when shooting with heavier lenses like the 12-35mm. I find the EP5 comfortable enough for short periods of time (which is all I need it for), especially since I tend to shoot with 2 hands. However, if I were shooting events in which I have to hold up the camera for extended periods of time (like weddings), the EM5 would be a better choice.
OPERATION: The 2×2 switch (which allows you to change the function of the control wheels) together with the ability to assign My Sets to the control dial makes a huge difference. If you set up the camera properly, I can see no reason why I’d ever need to dive into those Olympus menus. I use the 2×2 button to switch from exposure control to white balance / ISO. I’ve set up function 1 as HDR bracketing, which allows you to switch bracketing on and off with a push of the button (i.e., you don’t have to hold on to the function button while shooting, as is the case with the EM5), and you can change bracketing settings just by holding down the button and toggling the rear control wheel. I.e., no need to dive into the menus. I’ve assigned focus peaking to the magnify button, flash to the right direction button, and bracketing / timer to the down direction button. Unfortunately, the button assignments carry across all four mysets. It’s impossible to set a function button to do one thing in myset 1 and another thing in myset 2. But I guess that keeps it simpler, and it’s not a problem for me.
One problem with the EM5 is that you have to dive into the menus to change my sets (no way of doing it on the control dial, as with the GH cameras), and it’s easy to forget what functions you’ve assigned. With the EP5, I was able to assign mysets to the control menu in a logical manner that’s easy to remember. For instance, when the camera is in A mode, myset 1 is enabled. The settings are S-AF+MF, max auto-ISO 800. Perfect for landscapes or non-moving subjects, when I can afford to have a lower shutter speed and want to keep the ISO down. In contrast, when in S priority, myset 2 is enabled. C-AF, max auto-ISO at 6400. Again, these settings make sense in shutter priority, so they’re easy to remember.
I intend to make use of the other two my sets, but haven’t yet. All in all, this is wonderful. I can now instantly get the optimal settings for all my common shooting needs just by switching from A to S priority, without diving into menus.
BUILD QUALITY: buttons feel better than the OMD, and the camera in general feels very solid. Although smaller than the OMD, it weighs about the same as the EM5 without the grip. In fact, I remember reading that the EP5 is slightly heavier, although the difference is not readily apparent.
The hot shoe is better implemented in the EP5. One problem with the EM5 is that in order to use the hot shoe, you had to take off two separate protective covers, and the bottom one (silver colored in the silver OMD) is fiddly and difficult to remove. As a result, I found it impractical to attach a flash quickly in the field. If I anticipated needing fill in flash, I would attach it in advance, which made the camera bulkier. With the EP5, the flash is built in. And if you want to use the hotshoe (e.g., to attach the VF4), there’s only one piece to remove. It’s made of rubber and comes off easily. I can remove the hotshoe cover and attach the VF4 cover in just seconds, without needing to put the camera down on a bench or table.
Although some people might not use the built-in flash at all, I find it useful both for fill-flash (especially outdoors) and to trigger another flash. And sometimes, there are occasions where there’s simply not enough available light to shoot without flash. Although you obviously need an off camera flash for optimal IQ, there are occasions when flash is required to “get the picture,” and for casual shooting purposes, the results are acceptable.
VF4: As I mentioned above, I rarely used the internal VF in the EM5. Partly because I had become accustomed to shooting without a VF, but also because I found it uncomfortable to look through grainy electronic VFs. In contrast, the VF4 is amazing and does not feel like an EVF. The image is huge, clearer, and not at all grainy. My eyes don’t get tired using the VF4. And, as I mentioned earlier, it locks into place securely and can be taken on and off very quickly. One annoying thing is that Olympus did not see fit to include a pouch for either the VF4. In contrast, the external flash that came with the EM5 did include a little pouch. Not a huge deal, but should have been included.
I haven’t shot enough to come to a definitive conclusion, but from everything I’ve read, the IQ should be similar to the EM5. The good news is that according to one article I read, you don’t sacrifice much dynamic range at all by using ISO 100 on the EP5, although the EM5 as a whole has slightly more dynamic range than the EP5 across most ISO values. However, the difference seems pretty negligible. See […] (google the tech radar review).
17mm LENS AND CONCLUSION: When I purchased the kit, my original intention was to sell off the 17mm lens to get the overall price down to $1,000 (a new 17mm lens goes for $499). However, I love the fast autofocus speed of the 17mm, and decided that the pictures were sharp enough for my purposes. Although I found the 20mm slightly shaper in the corners, that’s not an issue for me, since I plan on using the lens mainly for human subjects rather than landscapes. I just sold the 20mm lens yesterday on Craigslist for $300. Although not quite as compact as the 20mm lens, it’s compact enough to fit in my leather case (pictured above) while attached to the EP5. And even with the 20mm lens, the EP5 will not fit in jeans pocket, and would be uncomfortable even if it did, due to the weight. One further advantage of the 17mm is the snap to MF feature: if you pull the manual focus back (into the lens), the camera will automatically switch to MF mode. I.e., without having to change any settings on the camera itself. The snap to MF mode also works great in conjunction with FP! The only issue I had is that the infinity mark on the camera is slightly off. On my lens, if I want it to focus to infinity, I turn the MF ring so that it’s slightly shy of the infinity mark. But in practice, this is not an issue once you’re aware of it, especially if you use focus peaking.
55 of 56 people found the following review helpful.
Review from a pro.
To qualify myself I have a successful photography business and I have shot every level of camera out there. I shoot weddings, commercial work, event photography, family portraits, and much more all with M43 cameras. Was a Nikon guy until 3 years ago but 3 Nikons with back focus issues pointed me towards the M43 revolution. I have never looked back and I have owned about every Olympus M43 camera they make. I currently shoot with the E-M1 and E-M5 and my results have been beyond stellar. There are currently no APS-C cameras nor Full Frame cameras that interest me in the least bit because my results with Olympus has been so spectacular. The sharpness in focus with these cameras are second to none. That brings me to the E-P5. I have to say after several days use, it is my favorite M43 camera ever and that says a lot being that I own the E-M1. This camera is amazingly solid, controls are very logical and everything works as a rangefinder style body should. This camera even more so than my other Olympus cameras truly puts the fun back in photography. This camera is just plain sexy and the image quality is amazing. I love hearing people say but when I zoom in 500% the 43 sensor just doesn’t cut it. I say you are so beyond anal and need to focus on artistry not pixels. Why are photographers so afraid of grain? Remember when you used to pick a film for its graininess to add to the artistic value? That being said, the grain is so extremely well controlled and has an amazing film quality to it. This has been the case with about every Olympus camera I have owned. I am so glad I picked this camera over the GX7 and the VF-4 is a must. Buy this camera if you want the best bang for your buck with unreal IQ and portability. To show you what these cameras can do search Brock Best Photography on Google to see my work. If you buy this camera you won’t be sorry.
This camera has truly become my favorite Olympus camera. I have put thousands of images through it (professionally) and it has been ultra reliable never letting me down. You would not believe the rave reviews it gets from people on looks and it strikes up conversations everywhere I go.
25 of 26 people found the following review helpful.
Excellent, Versatile Camera
By J. Greenberg
I’ve had the e-p5 for several months now — long enough for a medium-length trip to Europe and a short jaunt around Cape Cod. The e-p5 is a wonderful kit. The camera feels solid, the controls are intuitive and the LCD is a revelation. I previously owned an e-pl2 with a VF2 viewfinder and virtually never shot without the VF2. So I hesitated to buy the e-p5 since it does not have a built-in evf. But I’m delighted in my choice because the tiltable lcd on the e-p5 is fantastic. It’s clear and bright enough for most daylight situations and using it is a bit like the old medium-format cameras where you frame your shot by looking down at a viewfinder rather than holding the camera to your face. It’s quite nice! There are some situations where the VF-4 (yes I bought that too) is superior but not as many as I had assumed. What’s nice is that the e-p5 without the VF-4 is a very unobtrusive piece of gear.
The camera feels an order of magnitude faster than the e-pl2 and actually as fast as any of the DSLR’s that I’ve handled. It starts up in a flash, focuses quickly and with a fast SDXC card it can shoot JPEG+RAW with no delay. The Olympus menus are a challenge but the touch screen on the e-p5 helps out a bit here and once you figure out how to use them the flexibility is fantastic. For example you can bind saved settings (“mysets” in Olympus-speak) to positions on the mode dial. That means that I can set the camera up so that switching to ‘P’ gets my favorite settings, but switching to ART gives me P-mode + exposure bracketing (I never apply ART filters in-camera). I can leave iAuto unaltered for my wife or times when I don’t want to fuss with a lot of photo-geekery. Nearly a perfect setup.
Some have found the battery life too short but I’ve spent a long day taking several hundred shots and not run out of juice. If you are a pro or you just like to shoot 350+ shots on a charge, you probably need to carry a spare battery. Not an issue for me. The 5-axis stabilization is amazing too. I have taken handheld shots at 1/15s and had them come out tack-sharp. The built-in WiFi lets me transfer pictures to my iPad for review without messing with cables (and my SDXC card doesn’t seem to get along with the iPad camera adapter). It also allows for GPS tagging but this is my only real complaint about the e-p5. I wish it had built-in GPS and didn’t require the OI.Share app to do the tagging. Tagging via OI.Share can fail in several ways. First the camera must be set to the correct time — not trivial if you are switching time zones. The camera appears to update its time when it’s WiFi connected but I’ve had cases where I’ve changed time zones, shot and THEN connected the camera to OI.Share. At that point the time tags on the photos don’t match the data logs and the photos won’t geotag. I’ve also had times where OI.Share just stops logging for no apparent reason.
I hope some of these issues can be fixed by software updates because the trend for most manufacturers is to omit GPS from the camera to save battery life and use your phone. So there isn’t an alternative but I wish it would be more foolproof.
A last word isn’t really about the e-p5 but about the micro four thirds system. The lens selection for this system blows away competing mirrorless formats. Especially the small, fast primes from Olympus and Panasonic. I’ve walked around cities at night with the e-p5, a Panasonic 20mm f/1.7 and an Olympus 45mm f/1.8 in my pocket and gotten amazing shots using available light. These lenses are small, light, pocketable and amazingly sharp! Using these lenses and the e-p5 (usually without the VF-4) I have a lightweight system that doesn’t look like I’m on a safari but I can capture a huge range of clear, beautiful images.
Features of this product
- 16MP CMOS Four Thirds format sensor
- Twin control dials (front and rear) with ‘2×2’ dual-mode option
- 1/8000 sec top shutter speed, 1/320 sec flash sync
- ‘5-axis’ image stabilization with automatic panning detection (‘S-IS Auto’)
- ISO ‘LOW’ (100 equiv) – ISO 25,600
- Up to 9 fps shooting (5.0 fps with continuous AF)
- Focus ‘peaking’ display
- Intervalometer and Time Lapse movie creation
- 1.04m dot 3″ LCD touchscreen display – tilts 80° upwards and 50° downwards
- Built-in Wi-Fi for remote shooting (iAuto only) and image transfer to smartphone or tablet
- Optional VF-4 electronic viewfinder: 2.36M dot LCD, 0.74x magnification (equiv), eye sensor
Mirrorless Cameras are Digital Digital cameras which provide the photo quality and versatility of professional Digital Single-Lens Reflex cameras (DSLRs), combined with a mobility closer to regarding a more common “point and shoot” digital camera. They are also known as Mirrorless Interchangeable Lens Cameras simply because that, unique through the common Digital Digital cameras for consumer market, they provide a mechanism to change lenses conveniently, since it’s done with professional ones.
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