Olympus E-PM2 Mirrorless Digital Camera with 14-42mm Lens (Red) (Old Model) facts, exciting information along with costumer reviews who already bought and also best price along with very good discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that facilitates multiple lenses while forgoing the mirror reflex optic viewfinder featured on an SLR. It has become a popular choice especially among amateur photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Ever since then it has evolved greatly in its design and features offered, moving towards the better.
This item produced by Olympus become one of the great Mirrorless Camera since a lot of shoppers satisfied after using this product. In addition to its features, the best price also becomes a factor. This article is a description about Olympus E-PM2 Mirrorless Digital Camera with 14-42mm Lens (Red) (Old Model), an item more liked by costumers and have plenty of great reviews. We will give you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Olympus E-PM2 Mirrorless Digital Camera with 14-42mm Lens (Red) (Old Model) Details and Reviews
186 of 193 people found the following review helpful.
Great value for a compact DSLR alternative
By Amazon Customer
I am a photography amateur enthusiast. My other cameras are a Nikon D5100 and a D600 DSLRs with a range of lenses (prime and zooms). I’ve started shooting film back in early 90s on an old Nikon SLR.
I also own a tiny pocket Canon ELPH HS300 point and shoot, which I wasn’t really happy with. The pictures were rarely better than what I can take with my iPhone, at which point as small as the camera is, it’s too big.
I wanted something compact that could still take the breathtaking pictures my DSLR is capable of, and I spent a long time researching the best option. The main contenders were mirrorless cameras with largish sensors (for the form factor).
Against a Fujifilm x100: I have to say Fujifilm’s x100 (and the upcoming x100s) is a beautiful camera, I really like the retro look of it. It also features a great APS-C sized sensor on it, which makes for a great picture quality. The problem with this camera is the sluggish auto focus, which for a compact “walk around” camera is especially problematic (apparently the upcoming x100s is supposed to improve on this). It was also little pricey for what I wanted to spend.
Sony RX100: Is a great little camera, which can take great photos. But I wanted something with a little bigger sensor and interchangeable lenses. You see I want to be able to invest the bulk of my money into lenses as no doubt the camera bodies become somewhat outdated every 2-4 years.
And then I gave the Micro Four Thirds cameras a consideration. See the Micro Four Thirds is an open standard Olympus and Panasonic have created, where you can freely use all m4/3 lenses on any camera body. More companies are joining this alliance each month. As a result m4/3 cameras have the biggest selection of lenses of any mirorless camera competitor.
It’s exactly what this industry has needed for a long time. For companies to put an open standard together. No more vendor lock in and price gauging on lenses. Also you can be sure there will be long term support for this system as there appears to be quite a surge in popularity. More and more wedding photographers for instance are switching to this system, because of the ergonomics offered by much smaller and lighter gear required for all day shooting, as well as the selection of some really outstanding lenses for a decent price.
Just on this alone, the choice for me was clear. All I had to do now is pick a micro four thirds camera.
I’ve never used an Olympus camera before, but I’ve met photographers who have praised these cameras in the past. I read some reviews and researched the specs. I wanted compactness, and no need for a swivel screen.
This narrowed the choice for me down to an E-PM2:
– It uses the same sensor as the top of the line OM-D so technically capable of capturing the same quality images.
– It is small and light.
I really wasn’t into the design of the camera, at first look I thought it was quite ugly, a more retro look would have been better, but that’s just my taste. I have to say the look of the camera is growing on me though.
I elected not to get the kit lens, and I went with the 20/1.7 LUMIX “pancake”: Panasonic LUMIX G 20mm f/1.7 Aspherical Pancake Lens for Micro Four Thirds Interchangeable Lens Cameras lens (immediately taking advantage of the open standard!)
So my first impressions after using this camera for a week (sorry for the long intro):
Wow! In fact I am so impressed that I am actually thinking about selling my DSLR gear completely. I was little concerned that maybe I wouldn’t like the native 4:3 aspect over the 3:2, but it turns out 4:3 is actually much more suited for portraits. In portrait mode it gives you more flexibility. Where it might lack is certain landscapes, but those can often be cropped to 3:2 without much loss in quality. I can’t tell a difference in picture quality between this camera and my DSLR.
– Autofocus. The speed at which this camera can auto focus and snap a photo is astounding. Way faster than my DSLR. In fact I thought the tap the screen to take a photo was a gimmick, but with such a fast AF, I find I am snapping twice as many photos than I normally do, and they are all in perfect focus. I was totally cough by surprise with how good snapping pictures feels with this camera, because of its responsiveness. There is a certain quality tactile feeling you get when you snap photos almost at the same time you touch the screen. A feature I didn’t think I was going to use became my new favorite way of taking pictures. What’s also great about it, if you’re doing street photography, you don’t even look like you’re taking a photo. So your subjects are not distracted by it.
– Image quality. I shoot raw. And I find photos have good dynamic range, which lets me do a lot with them when I post process in Lightroom. And I find even in low light I can take photos comparable to what I take with my DSLR.
– Size. The camera is small and easy to cary, it fits in a jacket pocket, or a small bag. I can also now put it in my laptop case, and bring it to work with me.
– Great UI As someone new to Olympus cameras, this was a concern. But I felt right at home with the user interface only after a few days of using the camera. I assigned the ‘fn’ key to my ISO settings, I shoot in Aperture Priority mode. Obviously this camera has much less dedicated buttons than the top of the line cameras, but I find E-PM2’s buttons are sufficient for Aperture Priority style of shooting I do.
– m4/3 availability of great lenses, with more 3rd parties announcing new products each month, it’s truly exciting. Even things like pro cinema Black Magic camera coming out this year will feature an m4/3 mount. The adapters can be purchased for all sorts of lenses. In fact you can get a $31 C adapter and a CCTV lens RainbowImaging 35MM F1.7 TV Movie Lens + Lens Adapter for MFT M4/3 camera, fits Panasonic G1 G2 G3 G10 GF1 GF2 GF3 GH2 GH1 GH2, Olympus E-P1 E-P2 E-P3 E-PL1 E-PL2 which can let you create some very interesting effects/pictures. I’ve used my Nikon lenses on this camera and it works great. But the lack of focus peeking feature Sony cameras offer hinders this advantage somewhat.
– None. Really, when it comes to price and what you get for it, I can’t think of a single negative to say about this camera.
Would like to see improved:
– Manual focus. I haven’t yet found the best way to take photos with adapted manual lenses. I have re-assigned my Rec button to let me zoom in. But its not ideal. Though this really can’t be counted against the camera of this price, it would still be nice if it offered something like ‘focus peaking’ Sony cameras have. I think there is a way to use one of the Art filters to help with focus but its not ideal.
– It’s not a pretty camera. This might be just me. But would love a more retro (rangefinder look) at this price range. Like the OM-D without the rangefinder bulge would be beautiful. I went with the silver version. I would have liked the white version better if it didn’t have the weird colored tan grip pad.
One of the best buys in the category. You are not only buying a great camera but investing into a great system with great lens selection. You are also supporting an open standard in an industry dominated by proprietary lock-ins and price gauging.
Edit July 3 2014: I have purchased this camera at the introductory price $500 and it was a great deal then. At the current price, this camera is a no brainer. There is simply nothing on the market that can compete with this value.
192 of 205 people found the following review helpful.
Review of the E-PM2 with comparison to other PEN series cameras
The Olympus E-PM2 is one of Olympus’ 4th generation (digital) PEN series cameras. It shares the same sensor with the two other 4th generation PEN series cameras; the E-PL5 and OM-D. Not surprisingly, the image quality of each of these 4th generation PEN series cameras is almost identical. The E-PM2 is really small and now includes a small grip making handling a bit easier. The camera body is the same size and weight as a smallish compact. The autofocus speed and high ISO image quality is unmatched by any other camera this small. The Olympus E-PM2 is one of very few cameras that can (auto) focus in total darkness, and it does so effortlessly (The Olympus OM-D, E-PL5 & all Nikon SLRs are really the only other cameras that can do this that I am aware). The Menu system is not great on the E-PM2 and appears suited to those who like the camera to make most of the decisions. The E-PM2 is priced at less than half of the OM-D. As such, it is a real bargain for very similar image quality. Obviously the OM-D has many features and controls not found on the E-PM2 including a very good electronic viewfinder.
I believe each of the PEN series cameras offer a remarkable balance of portability, automated/manual controls and high image quality. It can be confusing though sorting through all the different yet similar cameras which now is in its fourth generation
The first three generation PEN series cameras essentially use the same sensor. Consequently, the image quality is similar especially for the first two generations (E-P1, E-PL1 & E-P2, E-PL2). One of the problems with the first two generation PEN series cameras is the lack of a focus assist infrared beam; auto-focusing is slow (and sometimes non-existent) in dim lighting. Also, the LCDs on the E-P1 & E-PL1 are not great.
The E-PL1 & E-PL2 each have a built in flash; the E-P1 & E-P2 does not (nor does the 3rd generation E-PL3, E-PM1, nor 4th generation E-PL5 or E-PM2). The built in flash on the E-PL1 & E-PL2 have a great (undocumented) feature; the ability to ‘bounce’ the built in flash for a much nicer flash result similar to an (albeit weak) external flash.
The third generation PENs (E-PL3, E-PM1, E-P3) finally included an infrared focus beam greatly improving auto-focus in dim lighting. The third generation used the same sensor as in previous PENs. However, there was a definite improvement (to the already good) color reproduction including automatic white balance presumably due to an updated .jpg processing engine (the raw files show less improvement). The color reproduction and automatic white balance on these third generation PEN cameras (especially at ISO 1600 and below and when using an external bounce flash) is as good as any camera I have ever used including very expensive DSLRs. Only the E-P3 of this generation has a built in flash but flash bounce capabilities have inexplicably been disabled on this flash.
The fourth (latest) generation (E-PM2, E-PL5, OM-D) uses a new(16mp)sensor providing better resolution and better/faster auto-focusing especially in dim lighting conditions. The real improvement is remarkably clean photos without much loss of detail at higher ISO settings. Although up until ISO 1600 the differences in noise levels are almost imperceptible, above ISO 1600 the E-PM2 (and O-MD) are in a class by themselves even compared to much more expensive cameras. It is truly amazing. Olympus includes incremental ISO settings between stops(ie ISO 2000) on all of their PEN models which is also helpful in not using a higher than needed ISO setting (Are you paying attention CANON & NIKON?).
However, the E-PM2 (and EPL-5 & OM-D) takes a small step backwards from earlier PEN series cameras (especially the 3rd generation E-PM1, E-PL3 & E-P3) when comparing color reproduction and white balance (especially in good light/base ISO settings). Also, The E-PM2 and E-PL5 do not have a built in flash (its not clear why such small cameras would require the use of an external flash).
The included 14-42mm (28-84mm equiv) Kit lens is the same lens bundled with the 2nd and 3rd generation PEN series cameras and is similar (an ounce lighter) to the kit lens included in the first generation PEN series cameras. Other available kit lenses include the 17mm (34mm equiv) pancake prime lens and the 12-50mm (24-100mm equiv) lens included with the flagship O-MD.
The 12-50mm (24-100mm equiv) lens included on the O-MD and available separately is a very versatile lens especially at wide angle. But its image quality is no better than the other kit lenses and it is about the twice the weight. This heavier weight makes the lens unsuitable for the EPM-1 or E-PM2 cameras. The 17mm (34mm equiv) lens is really thin and light and turns any of these cameras (except the OM-D) into a true pocket camera. The f/2.8 aperture is very bright and well suited to the earlier PEN series cameras. Olympus consistently produces very sharp lenses capturing the finest details and each of these lenses are no exception.
Which one to buy? Any of the PEN series cameras will not disappoint. The answer really depends on your needs and budget; If color reproduction and automatic white balance is most important consider the E-P3, E-PL3 or E-PM1. If really quick autofocus, higher resolution and using high ISO settings are important then the E-PM2, E-PL5 or OM-D would be a good choice. If price and a built in bounce flash is important, the E-PL1 or E-PL2.
116 of 125 people found the following review helpful.
From a photo enthusiast’s point of view
The Olympus E-PM2 camera, which I ordered for $100 off on black friday arrived. First things first: The quality of raw images of E-PM2 rivals many APS-C cameras, and it’s the best in mu4/3 realm. Plus the camera is tiny compared to a DSLR. Does it deliver on the promises? Some thoughts after a month of use:
* Low ISO images have certain depth and clarity that I only used to get with a DSLR (I’ve previously owned Canon DSLRs including Rebel Xti, 40D, 5dMkII).
* Colors & auto white balance of images are pretty good. Rich yet natural.
* Autofocus with Olympus 45mm f/1.8 is impressive. Initial acquisition is very fast in good light. Allows me to take pictures of our 1yr old toddler while he’s on the move (mind you, he’s not a sprinter).
* The camera is pretty fast in high speed mode. Shot-to-shot blackout time is short. Writing on SD card is quick.
* Touch-shutter works really well. I either use the center-point focus or touch shutter, both of which are fast and effective.
* The camera itself is good looking compared to most alternatives (I ordered the white one).
* User interface has a long way to go to become photographer friendly.
— Changing the aperture in aperture-priority mode is inconvenient (dial only controls exposure compensation; changing aperture requires several button pushes).
— Small fonts are difficult to read (especially ISO).
— Settings like ISO, aperture, exposure time are not displayed in image preview, unless you go to the detailed view which shrinks the image to 1/4 size.
* In low light, camera is slow to focus with my favorite Panasonic 20mm f/1.7; AF tends to hunt (Panasonic GF3 doesn’t do that).
* According to some web reviews & my experience, sensor-based image stabilization on E-PM2 is not effective. At best, gives half a stop to 1 stop improvement. Some says it’s best to keep it off. That’s what I do, after finding a few blurry images that shouldn’t have been blurry based on shutter speed.
* Clip-on flash makes it inconvenient to pocket even with prime lenses—Panasonic GF3/GF5 are a lot more pocketable.
* JPGs at 100% view are disappointing in high ISO (very grainy). Raws are better.
* Colors on LCD screen are way too warm compared to what I see in actual images on my calibrated monitor.
The best features of E-PM2 are fast operation, fast AF in good light and best-in-class sensor. The images it produces are a notch above what I get from Panasonic GF3 in depth and clarity. On the down side, the user interface is clearly designed for the point-and-shoot user, not for the advanced amateur. Do I recommend E-PM2? If you get a good deal on the price (like how it sells these days—$450/$500 for the body/kit) and if you don’t mind its other, relatively minor, shortcomings, I do recommend it.
After discovering the extensive menu system, I was able to solve my main gripes with the user interface. Now I can use dial for controlling aperture. I can control the degree of noise reduction. I can turn off warm auto white-balance. There are a thousand other customizations you can make, which makes shooting a lot more fun. I’m very impressed by what Olympus offers here. The camera is nearly as capable as OMD (the $500 more expensive, ‘pro’ model) in a much smaller package. As for slowness of 20mm f/1.7 AF, I’d suggest checking out Panasonic 25mm f/1.4 (mine is on the way). It reportedly focuses a lot faster.
Features of this product
- 16MP CMOS Micro Four Thirds sensor
- 8 frames per second continuous shooting
- 35-area contrast detect AF with touch focus
- ISO 100-25,600
- 1080 HD video
- 3.0 inch touchscreen LCD with 460,000 dots
- Optional electronic viewfinder accessory
- Raw and Raw + JPEG shooting
- SD/SDHC/SDXC card slot
Mirrorless Cameras are Digital Cameras which provide the photo quality and versatility of professional Digital Single-Lens Response cameras (DSLRs), along with a mobility closer to regarding a more common “point and shoot” digital camera. They are also otherwise known as Mirrorless Interchangeable Lens Digital Cameras simply because that, distinct from your common Digital Cameras for consumer market, they provide a mechanism to change lenses conveniently, since it’s done with professional ones.
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