Discount of Olympus OM-D E-M10 Mirrorless Digital Camera (Black)- Body only

Olympus OM-D E-M10 Mirrorless Digital Camera (Black)- Body only

Olympus OM-D E-M10 Mirrorless Digital Camera (Black)- Body only details, exciting information with costumer opinions who previously ordered plus best price along with quite great discount.

A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that supports multiple lenses while mentioned before the mirror reflex optical viewfinder featured on an SLR. It has become a popular choice especially among inexperienced photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Since that time it has evolved greatly in its design and features offered, moving towards the better.

This item made by Olympus become one of the great Mirrorless Camera since a lot of purchaser happy after using this item. In addition to its features, the best price also becomes a factor. This article is a review of Olympus OM-D E-M10 Mirrorless Digital Camera (Black)- Body only, an item favored by buyers and have a much of beneficial reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.

Olympus OM-D E-M10 Mirrorless Digital Camera (Black)- Body only Details and Reviews

Olympus OM-D E-M10 Mirrorless Digital

  • Amazon Sales Rank: #6218 in Camera & Photo
  • Size: none
  • Color: Black
  • Brand: Olympus
  • Model: V207020BU000
  • Released on: 2014-02-03
  • Dimensions: 3.24″ h x 1.81″ w x 4.69″ l, .87 pounds
  • Battery type: Lithium Ion
  • Display size: 3

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Estimated Price: $449.00 Buy or See Best Price

255 of 267 people found the following review helpful.
5With 25mm f1.8 the EM10 is 95 Percent as Sharp as my Sony A7 with Zeiss 50mm f1.8 …
By stephen
[UPDATE March 18 2014 dpreview just awarded the OMD EM10 its Gold Award]

I pixel peep … a lot … I figure if it’s sharp at 100% crop, it’s sharp period. I do pro street photography and primarily use the Sony A7 with a variety of lenses, but my go to lens is the Zeiss 55mm f1.8. This lens has been DXO tested to be second only to the the $4,000 Otus lens. All that to say … it’s SHARP. I recently got my OM-D E-M10 after comparing the images to the O-MD E-M1 and others costing much more. So … I bought it.

I have a Sony NEX-6 with the excellent Sony G Lens 18-105mm. I use the NEX-6 as a backup to the A7. However I wanted something smaller to carry with me when I was not specifically on a street shoot. I thought about using the NEX-6 as my casual camera. It’s small, but I really wanted something with the full manual control set that was like the A7. The NEX-6, while good, did not replicate the control buttons and dials of the A7. Plus the NEX lenses really added to the size of the NEX-6. But the EM10 used much smaller lenses and was completely customizable, AND had the two control dials just like my A7 … one in the front on the top right, and one in the rear on the top right. I shoot in Manual mode and use the front dial (which I can easily turn with my index finger) to change shutter speed. I use the rear dial (which is placed perfectly for my thumb) to change Aperture for effect or bokeh, etc. Since the A7 has an Auto ISO that functions during Manual mode, it controls my exposure mostly for me. Not every camera has an Auto ISO capability that functions in Manual mode. The EM10 does. And I can set the upper and lower limits for ISO to use so I never get too much noise by going too high in the Auto ISO selection process. So between the two dial functionality being the same between the A7 and the EM10, and the availability of AUTO ISO in Manual mode and ISO bracketing on both cameras, I can use the same controls and the same setup for either camera.

Now for the good part … The image quality on the EM10 is literally 95% of the image quality of my full frame A7 (both using the good glass). I’m talking about at full 100% crop. Now, to be sure, the EM10 is not an exact A7 equivalent. The 95% holds true only in reasonable light. In the lowest light the EM10, though good … and slightly better than most APS-C cameras like the NEX-6, is simply no match for the full frame A7. But, for the money, and with the Olympus 25mm f1.8 lens, the little EM10 is excellent, and even is 95% of the image quality and capability (fast AF and 8fps vs 10fps, etc) of the EM1 to my eyes (in decent light). And the in-camera image stabilization makes it an even better bargain than many cameras. In fact, though I bought the camera to use as a third level camera in my “fleet”, I am absolutely convinced it is slightly better than my NEX-6 with good glass. And I’m a Sony guy that owns an RX100 (by the way, the EM10 is significantly better than the 100 even though I love the little RX100), and an RX1 along with the NEX-6 and A7. I shot with the kit 14-42 Olympus, but it is not in the same league as the 25mm f1.8 Olympus glass. So I simply keep the better lens on the camera. I have found I can crop in on the raw EM10 image shot with the better glass and get the equivalent magnification the 14-42 would have given me by zoom … and the f1.8 image is still better than or equal to the uncropped, zoomed-in image of the kit lens.

So, it’s a go everywhere little camera that absolutely can replace my full frame A7 in a lot of my work. I’m simply amazed. I think the little EM10 just kicked my NEX-6 out of second place in my arsenal. The best part IMHO is that the EM10 is 90% of the camera the EM1 is … to me. I don’t need the weather sealing and would never knowingly take a weather sealed camera into a downpour anyway. But that’s just the nature of my work I guess. Perhaps some people don’t have an option and must be in the weather. I wanted to shoot a few thousand shots before I reviewed the little gem. The focus speed is virtually identical between the EM1 and the EM10. The same image processor gives practically the same noiseless higher ISO image quality. The EM1 has a slightly better image quality due to the lack of an anti aliasing filter, and the EM1 snaps 10fps vs 8fps for the EM10. The 3 axis image stabilization on the EM10 does about 85% of the work the 5 axis stablization of the EM1 does because the EM10 keeps the 3 most important corrections (yaw, roll and pitch).

The only thing I miss from the A7 is the location of the power switch. I carry my A7 on a wrist strap in my right hand and I always have my index finger on the power switch so that, within a second or so, I can turn the camera on and have it up to my eye and catching the moments. Then I simply switch it back off on the way back down to my side. I have found that when I operate like that I routinely can take over a thousand photographs on a single A7 battery charge. With normal CIPA measurements the reviews have the A7 at around 350 shots before the battery expires. All that to say that the position of the power switch on the lower back right of the EM10 means I cannot be ready quite as fast. BUT … the EM10 has a setting that lets the camera go blank and save power after one to five (I think five?) minutes. Once it goes blank, it is saving power, but a single press of any key brings it back to life instantly … so my situation is mitigated. Therefore, I just leave it in that 1 minute-to-power save mode and the battery lasts good amount of time. Not everybody uses the CIPA method of using a camera with flash and extensive LCD viewing of images. Once you realize just how much of the battery those two activities use, you can change your habits and realize a lot more battery life per charge.

All in all, I am very, very happy with this little camera. I feel it is perfectly capable, in the right light, of producing professional results for output even to large format. I hope an upgrade someday includes an Exposure Compensation dial that works in Manual Mode as well as others and an HDR dynamic range mode that does not disable Auto ISO when in Manual mode. But, even as it is, the little O-MD E-M10 is a breeze and a pleasure to use and carry around. I take it practically everywhere I go. It’s small enough and high quality build enough … with professional features and controls … to be a revolutionary replacement for larger cameras in a lot of DSLR work. But it’s not too small making it uncomfortable to use for pro photography. And the price is right. Great job Olympus!

96 of 101 people found the following review helpful.
5Outstanding compact camera!
By Alex
Over the years I’ve owned several Micro Four Thirds cameras and, in my opinion, EM-10 is the best one. In many ways it is better than even the top of the line pro-level E-M1 model as it is significantly smaller/lighter and has built-in flash.

– VERY beautiful camera. Silver/Black combo is best as it works nicely with silver lenses and accessories (e.g. FL-300R flash)
– High end all-metal build quality.
– Built-in flash, very useful to fill face shadows in the sun or for slow sync creativity
– Impressive Wi-Fi functionality: very useful and great iOS apps for both iPhone and iPad
– Full featured time-lapse mode. Time-lapse made easy!
– Auto HDR mode. I love this feature on Sony cameras and finally it made its way onto Olympus.
– VERY effective in-body stabilization which works for both stills and video. It’s magical and nothing comes close to it on the market right now (either 3-axis or 5-axis)
– built-in viewfinder: it’s bright and large. Even though I mostly use tilting screen to compose, EVF is convenient to better estimate exposure when shooting outdoors in the sun. Brightness is automatically adjusted so it won’t blind you.


– Video quality, while better than any Olympus camera to date thanks to higher bitrate (24 mbps), it’s still behind Sony and Panasonic. It’s apparent when filming moving objects, the movements are not nearly as smooth when watching on HDTV.
– LCD brightness does not automatically adjust like iPhone

It’s really hard to find any serious flaws with this camera, E-M10 is a no-compromise compact camera which almost never happens in photography world. In the world of photography, Micro Four Thirds system is currently in the league of its own offering very high quality lenses for any budget and a full array of accessories including pro-level flashes.

66 of 68 people found the following review helpful.
5Great quality in a very small package
By Moreno Tagliapietra
Hello, I am a seasoned part-time pro and have worked with a wide variety of subjects, equipment and light conditions. Today, I shoot mostly with APS-C gear but use M43 to travel light and an advanced compact which I keep with me at all times. I don’t have anything to add to the many existing and thorough camera descriptions and feature lists but I can offer my two cents about the practical use of the camera. I do shoot with Panasonic lenses (I also have a GH1) and my comments relate mainly to the camera armed with the more than decent 14-45mm 1:3.5-5.6 zoom.

You have to see the E-M10 to believe how small it is and handle it to appreciate its tough construction. Ergonomics is such that, with my average size male hands, I never touch and activate any control by chance which is remarkable for such a small body. The reviews of the optional grip are very positive but I got the camera for maximum portability and the grip would defy the purpose. The EVF is large and sharp, and I find it to be very usable in any light condition. Its ability to vary its brightness depending on the subject is a nice feature. The LCD monitor is also quite functional with good colors, contrast and sharpness. I compose mainly with the EVF but the LCD tilting feature is very useful when my eye cannot reach the EVF. It’s touch-sensitive, a feature about which I don’t care (it’s like sticking oily fingers on your eye glasses). I find the autofocus to be quick and assertive even in low light. The flash is unremarkable but does what it is supposed to do. Minor things that I do not like include the flimsiness of the battery/card compartment door and the rubber cover of the I/O connectors. Pro reviews mention that this camera is immune to the shutter shake blur problem of the E-M5 and E-M1.

The E-M10 controls and settings are an interesting topic. As already mentioned on the web, this is not a camera for the faint at heart. The only controls that I find somewhat difficult to reach without looking are the Fn1 and playback, everything else is remarkably well laid out. The feature set of the camera is mind-boggling though, typically offered by much more expensive models. Hence, setting up the camera to my liking was a (fun) challenge (one can always work in full auto but what a waste!). I had to read the (pdf only) manual cover to cover, which I always do anyway with a new camera, and then spend a few hours deciding what I wanted the individual controls to do and setting them up accordingly. It’s almost too much of a good thing but striking a balance between mass customization and ease of use is very tough. I almost always work in A mode. Right now, I have the rear dial set to f/stop, the front to exposure compensation, F1n to bracket, F2n to ISO and WB, top joystick arrow to f/stop (to be changed as soon as I find out how), right arrow to flash, bottom arrow to drive, left arrow to focus point position. The histogram shows in recording and shadows/highlights in playback.

Learning the physical position and function of each control took its time. In the field (Nature, landscapes, architecture, travel, etc.), I am always thrilled by the competence of this little jewel versus its size. In my living room little product photography studio, the ability to move the focus point and the tilting LCD are great. I am using the timer to let vibrations settle but am going to buy an electronic remote. IQ is great and at up to ISO800 I can make impeccable 24×36″ prints out of well exposed, focused and processed Raw pics. I am still annoyed at Olympus for the lack of an AC adapter. Overall, my shooting experience with the E-M10 has been truly enjoyable. It’s too bad that the tiny Oly 14-42mm F3.5-5.6 EZ power zoom is a mediocre lens, it would make for a perfect companion. I shoot Raw but the Olympus digicams jpeg processing engines are famous for their quality.

I work a lot with my beloved Pentax K5 and DA* lenses and cannot conceive giving it up. On the other hand, the idea of an OM-D body with a set of pro lenses is getting ever more attractive. For photography where portability is an issue (or for people who just want to travel light), the balance of quality, features, ergonomics, lens selection and price of the M43 system is very hard to beat, and this is one of the best bodies in the bunch.

030715 update: for the last month or so I have been photographing ice and snow with my two E-M10 and the two Panasonic lenses I have been aiming for, the 12-32mm f/3.5-5.6 the 35-100mm f/4-5.6 mounted on their own body. I have the Panasonic 14-140mm f/4-5.8 in the car as a spare lens (I used to have Panasonic GH cameras and still love the lenses). I carry the body with the 35-100mm on a sling strap inside my parka and the one with the 12-32mm in the front pocket on a wrist strap. I do climb up and over ice and rocks to get the pics I want and this setup works for me like a charm. I have been working in 0dF, -25dF real feel weather and have not had any problems with the cameras. I don’t know of any system that would give me the same IQ, feature set, build quality, flexibility and portability in the same price range. It’s hard to find any noise in the ISO1600 pics developed in DxO OpticsPro. Bottom line, photography has never been more rewarding. Next lens additions are going to be the Olympus 60mm f/2.8 macro and the 75-300mm f/4.8-6.7 (birds, watch out!).

Features of this product

  • 16 MP Four Thirds CMOS sensor with 3-axis sensor shift image stabilization
  • Up to 8 FPS continuous shooting
  • ISO 200-25600
  • 1080/30 fps HD video (H.264/Motion JPEG)
  • Tiltable 3 inch touchscreen LCD with 1,037,000 dots
  • Electronic viewfinder with 100% coverage and 1,044,000 dots
  • Raw and Raw + JPEG shooting
  • Built-in flash compatible with Olympus Wireless RC Flash system
  • Built-in Wi-Fi
  • SD/SDHC/SDXC card slot

Mirrorless Cameras are Digital Video cameras which provide the photo quality and versatility of professional Digital Single-Lens Response cameras (DSLRs), together with a mobility closer to that of a more common “point and shoot” digital camera. They are also otherwise known as Mirrorless Interchangeable Lens Cameras simply because that, distinct through the common Digital Video cameras for consumer market, they provide a mechanism to change lenses conveniently, since it’s done with professional ones.

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