Olympus OM-D E-M5 16MP Live MOS Mirrorless Digital Camera with 3.0-Inch Tilting OLED Touchscreen [Body Only] Silver (Discontinued by Manufacturer) facts, useful information along with costumer reviews who already bought and also best price together with very good discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that facilitates multiple lenses while mentioned before the mirror reflex optical viewfinder featured on an SLR. It may be a popular choice especially among recreational photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Since then it has evolved greatly in its design and features offered, moving towards the better.
This item made by Olympus become one of the great Mirrorless Camera since a lot of customers happy after using this item. In addition to its features, the best price also becomes a factor. This is a review of Olympus OM-D E-M5 16MP Live MOS Mirrorless Digital Camera with 3.0-Inch Tilting OLED Touchscreen [Body Only] Silver (Discontinued by Manufacturer), an item loved by costumers and have a much of cool reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Olympus OM-D E-M5 16MP Live MOS Mirrorless Digital Camera with 3.0-Inch Tilting OLED Touchscreen [Body Only] Silver (Discontinued by Manufacturer) Details and Reviews
443 of 453 people found the following review helpful.
E-M5 review from a previous PEN owner
By Michael Gakuran
I’ve been invested in the m43 format since the launch of the E-P1 in summer 2009, successively moving up to the E-PL2, E-P3 and now the OM-D E-M5. Features have been added and the cameras tweaked with each generation, and it’s safe to say that Olympus have produced their best m43 camera yet in the E-M5. But there is a lot of competition out there, and the robust E-M5 with built-in electronic viewfinder (EVF) may not be the best option for everyone. Let me walk you through my experience using the camera having upgraded from past models. (Note I’m based in Japan, which is why I have the camera early).
[Size and Weight]
My initial reason for choosing the mirrorless m43 (micro four thirds) format was a desire to have a high quality imaging sensor inside a compact camera body. I did not want to carry around the bulk and weight of a DSLR camera, but was tired of the poor performance from point and shoot cameras, especially in low light. The Olympus PEN series met my needs perfectly in this respect, and have retained their small form factor throughout the range, despite consistently improving and adding features.
The E-M5 is no exception – it is the same width as the E-P3, with a little extra height because of the EVF on top of the camera and 50g heavier, weighing in at 425g with battery. In pictures online, it can look rather large, but after holding the camera in my hands, it became clear just how small it really is. The E-M5 is certainly not a pocket camera (although it will fit into large coat pockets), but the form-factor and equally small, lightweight m43 lenses mean it is an excellent choice for hiking and travelling, especially if you value its robust body and weather sealing.
The E-M5 boasts a tough magnesium alloy shell and weather sealing. Videos posted online showing the camera having water poured on it and shooting out in the rain are testament to its high quality construction, although do note that `splash-proof’ is not `water-proof’. You probably shouldn’t submerge the camera in water, and note too, that you’ll need weather-sealed lenses to fully utilise the benefits (as of today, only the 12-50mm kit lens is weather-sealed, with a 60mm weather-sealed macro lens on the way).
The camera has a lovely heft to it when held in the hand and suitably good grip – certainly heavier than most point and shoot cameras, but lighter than most DSLR cameras. In contrast to the PEN cameras, the E-M5 has a slightly protruding thumb `hook’ on the back that really aids stability, as well as a nice grip (with the option of an external grip and additional battery holder available separately to help when using larger lenses).
The biggest departure from the previous PEN models is undoubtedly the bult-in EVF and two dials on top of the camera. The EVF is similar to the VF-2 that Olympus sold separately to complement the PEN cameras and provides a bright and useful display. For users who like viewfinders, this is a long-awaited addition and most people will not be disappointed. The 100% field-of-view 1.15x EVF is, as current technology goes, one of the best (although the magnification is not as good as the GH-2 EVF with 1.42x, providing a larger image).
The two dials on top of the camera allow access to various functions, but most people will use them to change the aperture, shutter and exposure compensation. You can also assign functions such as manual mode or focus zoom to one of 3 function buttons on the camera. The rear control pad is also customisable, meaning it is finally possible to access all of the main settings without having to dive into the detailed menu system.
One of the most pleasing things for me was finally being able to use the camera while wearing gloves (something I could not do easily with the previous PEN cameras). Although it can still be difficult to use the rear control pad while wearing gloves, the main settings assigned to the dials and function buttons are easily useable. Another little tweak that I love is the offset tripod mount (to accommodate for the additional grip the E-M5 is able to use). This means that I can now change the battery while the camera is mounted to a tripod plate. Thumbs up!
The 9fps shooting speed mentioned is without AF and IBIS turned on, but it’s certainly a welcome addition over previous PEN models. I’ve used it for bracketing shots when creating HDR photos. You can shoot a maximum of 7 photos in bracketing mode to capture the dynamic range of the scene and then combine them later in software. Using the 9fps speed, this is done in an instant, and it may even make handheld HDR bracketing possible. It’s also worth noting that the E-M5 is compatible with 3rd party intervalometers such as the JJC TM-J that support the Olympus RM-UC1 remote to do timelapse shooting.
The m43 cameras have made incredible progress in improving autofocus speed since their initial launch and are far better than the sluggish focus of the original E-P1. Previous Panasonic cameras like the GH-2 held the crown, but in the latest generation of PEN cameras and with the new OM-D line, autofocus speed matches the Panasonic models and even surpasses it in some tests. The bottom line is that the E-M5 can hold its own against consumer DSLRs in autofocus speeds, with perhaps two caveats: 1) that AF slows down in low light and 2) that AF tracking when shooting sports is still not quite as good as DSLR rivals. That said, the E-M5 has some big improvements in this area, and can quite reasonably track moving objects while shooting at a respectable 4fps.
[Sensor and Noise Performance]
One of the bigger criticisms of the E-P3 and other PEN cameras was the ageing 12MP sensor inside the camera. While it was still perfectly good for shooting at lower ISOs, its performance suffered when moving up, especially beyond ISO1600. The Panasonic GH-2 arguably had the best noise performance of a m43 camera up until now, but the E-M5 can be said to claim this crown. A new 16MP sensor inside the camera offers about 1 – 1.5 ‘stops’ of improvement in noise performance. Basically this means that if you thought ISO1600 on the previous PEN cameras was acceptable, you will likely be happy with ISO3200 on the E-M5.
As usual, Olympus offer lovely Jpegs with gorgeous colours straight out of the camera for users who do not like to post-process their images in software. But for users who do, the Raw files offer more flexibility and noticeably increased dynamic range over previous PEN cameras (also about 1 – 1.5 ‘stops’ improvement), allowing highlights and shadows to be pulled back. Practically speaking this means less white skies and richer colours! Noise is also very well controlled and easily reduced in software afterwards.
[In-Body Image Stabilisation (IBIS)]
The image stabilisation built into the camera body is, in my opinion, one of the strongest reasons for considering the PEN line or OM-D line over other mirrorless cameras like the Sony NEX series or Panasonic cameras. The previous IBIS system built into the PEN cameras was already good, but Olympus have found a way to improve it even further. Marketing tells us it’s a 5-axis IBIS system that constantly stabilises the sensor, and indeed it does. You can see it kick in as the sensor moves into position when you power on the camera.
The biggest area this offers improvement in is the video mode (although naturally, still shots also benefit). The E-P3 was notorious for its rolling shutter and jellylike wobble when it received even the slightest bump. The E-M5 and its new IBIS system completely removes this wobble and significantly reduces the rolling shutter effect. What this means is that you can take very smooth videos handheld, so much so that you might even have been mistaken for using a steadicam in some cases. It isn’t a substitute for a steadicam however, and walking with the camera will still introduce a minor amount of image `shifting’ as the sensor compensates for the movement. But handheld panning and careful walking with the camera is as smooth as could be.
One of the most interesting and pleasing features of my E-P3 was the capacitive touchscreen. Perfectly implemented with just 3 `modes’ – off, on to focus, or on to focus and take picture. Some might view this feature as a gimmick, but I found it exceptionally useful. Rather than focus and recompose the shot like in traditional cameras, you can simply compose your shot and lightly touch the screen to focus on your desired area and take the shot. I found it very useful for macro work, as well as general shooting when out with friends. The E-M5 continues this feature, and the beautiful OLED screen works like a charm.
Another reason I chose the m43 format (supported by Olympus and Panasonic, as well as other 3rd party makers) over competing cameras such as the Sony NEX series is the large selection of lenses available. This still continues to be the case. Using a bright prime lens such as the Panasonic 25mm f/1.4 and coupled with the improved high ISO noise performance, I find the E-M5 to be formidable in low light. (If you are on a budget, consider the equally-excellent Panasonic 20mm f/1.7 pancake lens or Olympus 45mm f/1.8 portrait lens).
It obviously will not match a full frame sensor’s performance, but the difference between the E-M5 sensor and the larger APS-C sized sensors like the one in the Sony NEX series is very small. A larger sensor means better noise performance (cleaner pictures), but a smaller sensor means smaller and lighter-weight lenses can be made for the camera. All things considered, I find the m43 system to provide the best balance between all these factors, with the E-M5 and GH-2 providing the best sensor performance among m43 cameras.
I do not have any serious criticisms of the camera, but rather a few niggling complaints that I will list below.
– The camera makes a low fan-like/humming noise when switched on that is audible in quiet environments. This is normal and a result of the always-on new IBIS system. Most users will not be able to hear it in regular shooting. Also note that the noise is lowered and essentially gone when in video mode, meaning it does not affect video. However, it is worth noting as many will be surprised when first turning the camera on and it may prove annoying for some people who shoot often in quiet environments.
– The position of the viewfinder and small size of the camera mean that for left-eyed shooters, you may find your nose slightly squashed against your thumb when holding the camera. If concerned about this, it would be best to check at a store first. I found using my right eye avoided this problem.
– No built-in flash. Although an extra mini flash unit is provided in the box, users who value having a flash built into the camera body may be disappointed. I used to value this feature until I realised I rarely use the built-in flash at all (and quite often it isn’t powerful enough to improve pictures). For those occasions where I need a flash however, I can take the little flash unit with me.
– New battery. The battery used is not the same as previous PEN cameras, meaning you’ll need to buy replacement batteries (I take 2 spares on a heavy day’s shoot). Olympus are usually good with this though, and I think we can expect the new battery will be used across the OM-D line in future models.
– High cost and lots of customisability. This isn’t really a negative so much as a realistic assessment. For many point and shoot upgraders, the E-M5 may be more than you need. Indeed, the camera is larger than other PEN models and offers lots of flexibility to customise controls (meaning the menus are suitably packed with features). Although you can just use the camera in P or iAuto mode, you can find much cheaper PEN cameras that will still offer great image quality in a smaller package. For those who want the best possible image quality and value the EVF and extra controls, the E-M5 will not disappoint.
I’ve never owned a m43 Panasonic camera myself, so it would be unfair of me to compare the E-M5 to the GH-2 (its nearest competitor), but for the image quality I’ve seen online, the two cameras are close, with the edge for the E-M5. You may also find the Panasonic G-3 a cheaper alternative that offers competitive image quality. Similarly, the Sony NEX cameras such as the NEX-5N and the Fuji XPro1 will give you better image quality than m43 cameras, but at the expense of a wide-ranging and small lens selection and at the expense of functionality.
There isn’t a great deal I’m left wanting from the E-M5. Perhaps faster AF tracking for sports and full speed AF support for older 43 lenses when used with an adapter (there does not seem to have been much improvement here between the E-P3 and E-M5). Also, 1/8000 second max shutter speed and ISO 100 (the range begins at ISO200, like previous PEN models) would be welcome. A mic-out port for monitoring video using external headphones and 24p mode would also be nice.
It will be exciting to see what Olympus can innovate next to improve upon the camera. But for the time being, I feel happy awarding it 5 stars when compared to other cameras within the same class. If you feel the niggling faults are serious however, feel free to subtract one.
236 of 244 people found the following review helpful.
Amazing little wonder
By A. Stegeman
First, who I am: I’m an avid street photographer who usually has 1-2 gallery showings a year and occaisionally gets my photos picked up by the papers–I’ve been into photography for alomost 50 years and teach it at the university level. While I bought the camera with the 12-50mm kit lens, most of my shooting has been with the Panasonic/Leica 25mm f:1.4 lens, as I just prefer shooting with a fast, standard focal length, prime lens. I’m just telling you this because some of the things that might wow me might be inconsequential to a novice photographer who just wants to point and shoot (although the camera does that as well).
All of that out of the way, this camera is just plain nuts (in a good way). Unless you’re really splitting hairs, this tiny little camera can pull in virtually the same shots that a big, bulky, pro DSLR can. Honest. I’ve been getting stunning images in the most photographically problematic situations ever since I started shooting with this thing–If you don’t believe me, go to […] and do your own side by side comparisons. Did I say it was small? Not only can you carry it with you all day, but when you hold it in your hands you just know that the magesium frame is going to take all the abuse you can throw at it. This camera doesn’t just look like the legendary Olympus OM-1 & 2 cameras from the 1970’s it’s inheritted the very same strong and sveldt spirit which made them so appreciated by both professional photojournalists and enthusiasts.
Aside from the size and image quality, this camera is also blistering fast with its autofocus–as in how can it do it that fast? But as frosting on the cake, the auto zoom-in of the EVF when manually focussing makes going that route a snap, even for somebody with poor eyesight, like me–way beyond what one can do easily on a DSLR. And while a mere 9 frames per second might just be so-so for a pro DSLR, it’s plenty fast for more than 99% of the photographers out there. I could go on and on.
The worst part of owning this camera now is that every day I have to look at well over $10,000 in my DSLR gear which I haven’t touched since getting this mighy mite.
If you’re serious about photography and want a cary-with-you-anywhere-do-anything camera, and you can afford the serious money that Olympus is asking for this camera, just do it.
190 of 200 people found the following review helpful.
From a Fujifilm X100 Owner: 1 Month Use
By E. Nguyen
SIMPLY A JOY TO USE
I took a leap of faith and sold my precious X100 to buy this camera. I’ve had the EM-5 for almost a month now and I just love it. To me it’s almost the perfect camera. I enjoy using it every time and it makes photography fun for me again.
WHAT I WAS LOOKING FOR
A small lightweight camera with great versatility for outdoor hikes, indoor portraits and low light photography. The X100 was charming and produced beautiful OTC jpegs, but it did not have the versatility of an all-in-one camera that I was looking for to replace my DSLR. Focusing was too slow for taking pictures of my nieces or any action photography, focal length was not ideal for portraits or wild life shots, and video recording features were limited. It did excel at street photography but I wanted more.
WHAT I FOUND IN THE EM-5
Since you can change the lens, the possibilities are endless with the EM-5. Especially when paired with an exceptional lens like the Olympus 45mm or Panasonic 25mm, the Olympus can produce some breathtaking results. There are more controls and settings for movie recording. With lenses that feature MSC, zooming and focusing is absolutely silent. You can also add external mic input with an adapter and there are custom settings galore! It is more of an investment than the X100 with all the lenses but that depends on what you want out of it. IBIS let’s me slow down the shutter speed to 1/20 of a second hand held so I don’t have to stick to 1/60th and crank up the ISO.
Although the EM-5 has a smaller the sensor, the image quality is very high. I would even say that the raw files from the EM-5 are equal or sometimes better than the X100. I still prefer the X100’s beautiful jpeg engine but the EM-5 jpegs with noise reduction off and sharpening tone down are also superb. It’s amazing how much detail you can get out of the raw files with the small 16MP sensor. I was initially worried that I would be sacrificing some image quality jumping into the EM-5 but my worries are non existent now. I don’t hesitate cranking the ISO up to 6400 either, especially if I know it’s not for prints. But do yourself a favor and get at least one tack sharp prime lens for the EM-5 (Olympus 12mm, 45mm, or Panasonic’s 20mm and 25mm) so you can appreciate this camera.
With an MSC lens, focus is blazing fast and accurate. DSLRs might still have the advantage in extremely low light but the size tradeoff isn’t worth it to me. X100 can not compete here at all. 3D Tracking only works with slow moving object but maybe a future firmware will make it more useful.
I wish the EM-5 was made in Japan like the X100 but the build quality is solid. What drove me crazy was dust getting into the viewfinder of the X100, but the EM-5 is dust proof and weather sealed. The paint is not impervious to wear but neither was the X100. They both feel like quality cameras in your hands.
The EM-5 feels more compact to me and has the perception of a more compact camera (unless you stick a giant telephoto lens on it). I like the layout of the X100 better and it feels less cramped. But with the optional hand grip or a half case, the EM-5 would be perfect. Buttons on the X100 feels a bit more responsive and I loved how you can add your own custom shutter button. However, the EM-5 camera setting don’t get bumped around in your bag like the X100 since the dials are not notched to specific values. (There were times when I had exp compensation set to +/- 1 without noticing.) You can pretty much customize everything on the EM-5 which was something users complained about on the X100. (Took them a year to update the firmware just so you can set the raw button to something else useful.) Both the EVF and tilting OLED screens display images beautifully, and I’m usually not a fan of EVFs. The touchscreen is great advantage for selective focusing and quickly changing settings. The X100’s hybrid viewfinder was extremely cool but the EM-5’s EVF and tilting screen combo is much more practical. I do miss the X100’s aperture ring on the lens, intuitive controls, and quiet leaf shutter with 1/2000 flash sync, but overall the speed and customization of EM-5 wins over the X100. Both of them have convoluted menus but with the EM-5, once you’ve customized everything, there’s very little need to go back.
LOOKS AND FEATURES
X100 is gorgeous and has a classic look but my silver EM-5 is a close second, especially with a silver lens… stunner. EM-5 has features out the wazoo! More than you’ll ever need probably. I especially like the diorama art filter and being able to take 3D photos. X100 is simple and their classic film filters will be missed, but the EM-5’s 5-axis IBIS and 9fps shooting is killer.
QUIRKS ON THE EM5
IBIS humming is there and noticeable indoors. The EVF auto switch sensor is very close to the lcd screen so sometimes it switches when you’re touching the screen. Left side ports are hard to get to without first tilting the lcd screen out. I don’t mind these few quirks since the X100’s list of quirks was much longer and annoying.
I do not regret selling my X100 or my Canon DSLR at all. With the right lenses, the EM-5 does everything I want/need it to. Image quality is superb and almost all the settings can be customized. Everything is packaged in a nice compact and weathersealed body that’s reasonably priced for what it delivers. It lets you shoot photos without getting frustrated and gives you more creative freedom than most cameras on the market. I did not care for the m4/3 system before but the lens selection is awesome and is still growing. The EM-5 made me a believer that you can have everything you want in a camera without lugging around a 25lb kit. Unless you want to shell out for a Leica or need the quality of a medium format camera, I see no reason to get anything else until Olympus makes and EM-6.
P.S. I don’t compare the EM-5 to the original OM series. I think it’s irrelevant and snobby. They both great photographic achievements in compact photography during their time. I hate useless reviews like on DigitalRev.com where all they talk about is how it’s not like the original OM series… rubbish. The EM-5 is like nothing else in it’s market and should be commended for it. Yeah the Nex-7 and X Pro 1 has APS-C sensors but how many lenses are available for those systems? X Pro1 focusing is still slow and it’s a clunky camera that’s not really compact anymore. The Nex-7’s EVF, although crispy, is quite laggy, not as enjoyable to use overall. The Panasonic GX1 might have a 16mp sensor but it’s what you do with the sensor that counts. If you’re looking at this camera, it’s really a no brainer when you get features here that you only find in top of the line DSLRs.
Features of this product
- 16.1MP CMOS Micro Four Thirds sensor
- 9 frames per second continuous shooting
- 35-area contrast detect AF
- ISO 200-25,600
- 1080 HD video
- Articulated 3.0 inch touchscreen LCD with 610,000 dots
- Electronic viewfinder with 1,440,000 dots
- Raw and Raw + JPEG shooting
- Flash hot shoe and Olympus Wireless RC Flash system compatible
- Weather-sealed body
- SD/SDHC/SDXC card slot
Mirrorless Cameras are Digital Cameras which provide the photo quality and versatility of professional Digital Single-Lens Response cameras (DSLRs), along with a mobility closer to those of a more common “point and shoot” digital camera. They are also otherwise known as Mirrorless Interchangeable Lens Cameras simply because that, distinct through the common Digital Cameras for consumer market, that they provide a mechanism to change lenses conveniently, as it’s done with professional ones.
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