Panasonic LUMIX DMC-G7KK DSLM Mirrorless 4K Camera, 14-42 mm Lens Kit (Black) details, interesting information and costumer reviews who previously ordered and as well best price along with pretty good discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that facilitates multiple lenses while forgoing the mirror reflex optical viewfinder featured on an SLR. It may be a popular choice especially among inexperienced photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Ever since then it has evolved greatly in its design and features offered, moving towards the better.
This product made by Panasonic become one of the great Mirrorless Camera since a lot of purchaser happy after using this product. In addition to its features, the best price also becomes a factor. Below is a description of Panasonic LUMIX DMC-G7KK DSLM Mirrorless 4K Camera, 14-42 mm Lens Kit (Black), a product loved by costumers and have a much of cool reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Panasonic LUMIX DMC-G7KK DSLM Mirrorless 4K Camera, 14-42 mm Lens Kit (Black) Details and Reviews
52 of 56 people found the following review helpful.
Great MFT camera, like a mini-GH4 for 2/3rd the cost… Still missing a few features
A great upgrade to the Panasonic G6.
First, I’d like to say that I’ve owned many variations of the Panasonic G/GH line from GH1 to GH2, to G6 to GH4. I wanted to upgrade from the GH2, and I thought the G6 was flawed in many respects (lack of physical AF/MF switch, poor EVF implementation, no constant preview in manual photo mode, lack of higher bitrates).
After using the G7 for about a week on and off… I have to say that the Panasonic G7 is big update & upgrade from the G6, and it will most likely be a great upgrade for any mid-level MFT & APS-C users (apart from the high-end ones who use a GH4, E-M5 mark II or E-M1 for MFT, or Canon 5D/6D/7D for SLR).
*** Pros / Upgrade over past generation:
– Improved EVF on par with GH4 which is so welcome as the G6 was such a lackluster on this aspect. You can now truly pull good focus with the EVF in video mode or MF photo mode.
– Presence of AF-S/AF-C/MF physical switch
– 4K video shooting at higher bit rate & 4K photo shoot modes (allows to shoot stills in different aspect ratios (in lieu of 16:9 only for 4K video) at 4K resolution, i.e. 8MP stills with different ways to capture those stills)
– Constant Preview option in MF photo mode (though it’s weird you need to go to the custom menu to turn it ON)
– Seems to be a little bit better in low light, though still not great compared to full-frame. Probably as good as low end DSLR such as T5i/T6i. Not as good as 7D mark II or even the E-M5 mark II. I’d say OK till 3200 ISO. Anything beyond ISO 3200 gives subpar images with lots of compression, noise, and artifacts especially in low available lighting scenarios (don’t be fooled by tests of high ISO with tons of light which show OK performance at ISO beyond 3200… the real life test is low light with low available light as you will mostly shoot indoors or at night outdoors with low available light when you use high ISO 3200 and beyond).
– Many custom video picture profiles (Cinelike D & Cinelike V included) available & custom functions & physical buttons available.
– Lack of headphone jack input. I wish it was implemented
– SD card slot is still located under the body by the battery which makes it a pain to switch SD card when the camera is attached onto a tripod or stabilizer.
– OK battery performance. I wish they improved it & used the GH3/GH4 type of batteries. Also, as others noted, the battery slot pops out in a weird way, differently from all other Panasonic G/GH4 cameras, i.e. not being as springy as previous cameras. Let’s hope they don’t keep it that way for future cameras, it feels much less robust & more prone to failure.
– Only 1 physical Custom profile on the wheel. The G6 had C1, C2. Now the G7 only has C. And you need to go to menu system to get more C profiles.
– No higher bitrate for 1080p modes. Still limited to AVCHD .h264 28mpbs / 24mpbs max.
– Limitation of 4GB maximum file size for .mp4 movie mode. This is so annoying that you can shoot AVCHD as long as you want, and shoot 4K as long as you want in .mp4 mode, but you can’t shoot 1080p .mp4 file sizes that are greater than 4GB max! This exists for GH4, but it doesn’t exist for the G7…
– Lack of HDMI live view during REC (the GH4 does it and so did the GH2… Since the G7 is between those cameras, I don’t see why not allowing for this).. Maybe I’m wrong but I can’t seem to enable HDMI live monitoring when I record (can only view on LCD/EVF). HDMI feed only works if you are in non-recording mode.
– Body feels even more plasticky than the G6… No weather sealing like GH4/GH3. Probably cutting corners on materials to make it as cheap as possible.
– Have to buy it with the 14-42 lens. No body only option as of this writing.
For video, the G7 is almost as great as the GH4 except it lacks some of the higher bit rate modes in 1080p, and lacks some of the physical inputs like headphone jack. The sensor is a bit old on this camera, but at least the Venus engine is upgraded and low light performance seems on par with GH4 for both video & stills.
For photo, the G7 is an good upgrade from G6 and old MFT line. Panasonic has always had weird JPEG colors so you might find your JPEG to be a little different from say Canon, Olympus or Nikon JPEG. But you can always fix that in post if needed. Low light performance is better than previous iterations, and coming close to being as good as their olympus counterpart.
Overall, I think the Panasonic G7 is a worthwhile upgrade from GH2, G6, and any Panasonic MFT cameras (except for GH4), and is a great B-cam to the GH4. I only wish Panasonic had the desire to implement IBIS at some point for their G/GH lineup, and use better sensor technology like Sony does (Back-light sensor) to get better low light performance, and even why not create a line with say 12MP stills & higher photo-cells to eeke out better low light like SONY did with its A7S camera.
In the end, choosing the Panasonic G7 or GH4 over say a Canon 7D mark II (higher photocells, heavier bodies, video not as good/versatile as G7) or E-M5 mark II (lackluster 1080p but great IBIS & better low light performance) will depend on your needs. Since I have been using MFT professionally now for the past few years, I see benefits in having lighter bodies & lenses… The G7 like the GH4 isn’t ideal though as it still lacks in low light performance, AF focusing speed/accuracy vs the full frame bodies & higher end APS-C cameras (anything beyond ISO 3200 is still mushy when light sources are not nearby – a limitation of MFT 4/3 inch sensor size).
If you’re trying to choose between the G7 and E-M5 Mark II like I did, I’d say, decide whether photo or video is your priority. If photo is your priority, I think the E-M5 mark II is going to give you better results. If video is your priority, and you don’t need IBIS, then the G7 is the clear winner. Since the E-M5 mark II price has gone down dramatically, it’s a tough choice between the G7 and E-M5 mark II, in the end, I personally decided that I preferred Panasonic’s button layout & Menu navigation system, as opposed to Olympus cluncky layouts. IBIS was nice on the E-M5 mark II but didn’t manage to convince me to give up on ease of use of Pansonic MFT because of the lackluster 1080p quality on E-M5 mark II.
At the price point, it is a very capable camera & one worth buying. I will keep it with me as my B or C-cam in my multi-camera shoots. And for travel, I love its form factor and light weight. It’s a great mini-GH4.
52 of 57 people found the following review helpful.
Beyond my expectations!
By Joram Bierdeman
The G7 is a solid upgrade to the G6 in nearly every aspect. The body feels better in your hands, the buttons and wheels give better feedback, and the layout is far more natural. It is a little bigger and a little heavier than the G6, but you only notice it during a direct comparison. I also was surprised at how much I favor the new angular design, which I feel aids in a more professional look.
The pictures are about the same quality as the G6 but the video is an immense improvement. Even using the kit lens, the 4K video is mesmerizing. The 4K burst photo mode works well but seems more like a gimmick than something I would use every day. *The screenshots I have included were all captured from 4K video.
The battery/SD card flap doesn’t open up as easy, lacking the quick spring of the G6. Also, the strap holders are no longer imbedded in the sides of the camera, but rather hang off the sides like earrings (and since I never use a strap, this just gets in my way). Beyond these little complaints, however, there is nothing I dislike about the G7. I have undeniably found my new favorite camera and I am holding onto it for a long time.
30 of 32 people found the following review helpful.
The G7 is one HECK of a nice camera!
By David Ruether
I recently received a Panasonic G7 from Amazon, and I have already shot over 20,000 frames with it during the seven weeks I’ve had it (with many different lenses, and with mostly using the electronic shutter), plus a few video tests. Since I already own the Panasonic G5, and GH4 (and I also had the G6), and have shot over 125,000(!) photos with these MFT cameras, I was familiar with Panasonic cameras, and also with the menu settings changes I generally make to get what I want in the images. The G7 fits “neatly” between the very small and light G5/6 bodies and the considerably larger and heavier GH4 (although that one is still relatively compact compared with most dSLRs, and its MFT lenses are also generally very compact and light – and this gear is FUN to carry and use!). I value the GH4 for its excellent EVF, great grip (it is easy and secure to use one-handed), its excellent set of useful external controls, its wide range of useful options in its easily-used menus, the excellence of its stills-quality (with selected type and sample of lenses, and with customized menu settings), and its great video capabilities. I value the G5 for its sharp EVF (the one on the G6 has better color and contrast, but it is not as sharp), its miniscule size and weight, its very good external controls and menus, and the excellence of its stills and video (although the G5, unlike the G6, has no external mic input, and it is without focus-peaking).
The G7 is a nice combination of the good qualities of both the G5/6 and the GH4, at a lower price in size, weight, and cost compared with the GH4 – although it is without weather-sealing and high data-rate and slow-motion 1080 video options (but it does have 100Mbps 4K-24/30P video plus “4K-Photo” options). The excellent EVF is similar to the one in the GH4, the grip is almost as good, the external controls (both buttons and knobs) are unusually numerous and useful, and the menus are similar to, and consistent with, those of the other models in the line. A few items have been added to what the G5 had: 4K-Photo/Video, the tone-curve adjustment shared with the GX7/8 and GH4 (I find this very useful!), “Diffraction Compensation” (I briefly tried this and decided to leave it “Off” – it progressively sharpens the image as the lens is stopped down to its smallest stops to offset the softening normally resulting from diffraction, but this can result in excessive noise even in good light – and this sharpening can be done better during editing), and an external mic input similar to the one on the G6 (but missing on the G5 and GX7). Using the G7’s electronic shutter, leaving the EVF and camera always-on during shooting sessions, and using no flash, I get well over 600 JPG highest-quality frames per battery charge.
As for color and other photo characteristics, I appreciate having the ability to adjust EVERYTHING on these Panasonic MFT cameras (color balance and saturation, contrast, color-curves, sharpening and noise-reduction levels, etc.) – and I also appreciate being able to match surprisingly well the EVF’s characteristics with those of my reference computer monitor so that I get very useful and accurate previewing while using the EVF (with a floppy wide-brimmed hat worn while outdoors to shade the EVF). These cameras are a “tweaker’s” (read, “perfectionist’s”…;-) dream come true…!
Overall, I have no real complaints with the G7, although a few things bothered me very slightly at first. As with the GH4, the rear “dial” (which on the G7 is a circle of buttons as with the G5, rather than a wheel as with the GH4) gets somewhat “hidden” below the rear surface of the camera toward the “dial’s” upper right – but this is to keep it from being unintentionally pressed/moved by the right hand gripping the camera. It took me a bit of time to remember the new way to access exposure bias adjustment (I generally use A-Priority, setting the aperture for best lens performance with each lens and/or for best DOF for what I want in the image – and I often adjust exposure-bias as I shoot, using the excellent EVF as a guide), and it required a button-push to access this on the G7 (the G5/6 and GH4 can be left with the rear thumb-wheel needing only to be moved in order to adjust exposure bias). But, I discovered that with going into “Dial Set” in the menus, I was able to enable exposure biasing with a simple turn of the rear wheel (no button press required!;-). Also, the image resolution is very slightly smaller than that of the other Panasonic cameras I’ve used, but this is of little practical consequence. And, as others have noticed, the G7’s (and also my GH4’s) serial number tends to “evaporate” – and with my G7, there is now no trace remaining of that number. Panasonic has recognized this issue, and if both the box label with the serial number and the purchase invoice are retained, and if the camera is registered with Panasonic, the warranty will be honored.
Bottom line: this is one HECK of a nice camera, at a very decent price! Highly recommended! (A few photos taken with the G7 are attached…)
Features of this product
- Superb DSLM image quality without the bulk and weight of traditional DSLRs
- Never miss a photo with three unique 4K Ultra HD Video pause and save 4K Photo Modes
- Fast and precise auto focusing tracks the subject
- Class-leading, ultra-compact, interchangeable lens and accessory options
- Unwire Your Creativity with integrated Wi-Fi sharing
Mirrorless Cameras are Digital Video cameras which provide the picture quality and versatility of professional Digital Single-Lens Reflex cameras (DSLRs), together with a mobility closer to those of a more common “point and shoot” digital camera. They are also known as Mirrorless Interchangeable Lens Digital camera models simply because that, unique through the common Digital Video cameras for consumer market, they provide a mechanism to change lenses conveniently, because it’s done with professional ones.
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