Panasonic LUMIX DMC-GM1KS Mirrorless Digital Camera with 12-32mm Silver Lens Kit specifications, interesting information along with costumer opinions who previously purchased and as well best price with very nice discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that supports multiple lenses while forgoing the mirror reflex optic viewfinder featured on an SLR. It may be a popular choice especially among amateur photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Since that time it has evolved greatly in the design and features offered, moving towards the better.
This item produced by Panasonic become one of the top recomended Mirrorless Camera since a lot of customers satisfied after using this item. In addition to its features, the best price also becomes a factor. This article is a review of Panasonic LUMIX DMC-GM1KS Mirrorless Digital Camera with 12-32mm Silver Lens Kit, a product favored by peoples and have a lot of great reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Panasonic LUMIX DMC-GM1KS Mirrorless Digital Camera with 12-32mm Silver Lens Kit Details and Reviews
164 of 176 people found the following review helpful.
Exeptionally good design tradeoffs; second to no competitor in image quality
To add to other reviews here, let me highlight the differences between the GM1 and the larger Lumix GX7 introduced this year which has the identical, excellent, image sensor. General comments on why I chose the GM1 over other µ4/3 cameras at the end. I’ll borrow liberally from information available in several online reviews.
First, although the sensor is identical (and available image quality identical to the very well reviewed GX7), there are a few differences in capabilities (both better and worse):
1. The GM1 can achieve 1/16,000 maximum shutter speed. The GX7 can do 1/8,000. Although not useful in most shots, it is equivalent to having an extra stop of built-in ND filter for wide open aperture shots in bright light. (There is not built-in ND filter, but such a fast maximum shutter speed achieves the same benefit).
2. The flash sync is 1/50 on the GM1. (In my view this is just not a concern. Anyone looking for flexibility and
performance in flash photography is not interested in a compact camera without a flash hotshoe like the GM1. However, the pop up flash can be held tilted up towards the ceiling, so the most useful application of a flash as bounce fill, in my view, is built right in conveniently.)
3. There is no bulb exposure available (e.g. shutter open for as long as you need). This is because the sensor needs to dissipate heat, and in a small camera body it’s hard for the CMOS chip to dissipate heat for more than a minute. How often do you use exposures >one minute?
4. There is only 1080/60i video, not 60p. Same reason as above–60p generates more heat than the small camera body can effectively dissipate. With that said, you can choose H.264 as a codec and 24p for very easily editable, movie like HD video.
5. The GX7 has in-camera image stabilization that can help with lenses without built-in image stabilization. Almost all Panasonic µ4/3 lenses have built-in stabilization, however, and the GM1 therefore does not have stabilization in the body. This is identical to SLR digital cameras where the lens manages the image stabilization. The GX7 has a potential advantage in this area when used with Olympus µ4/3 lenses without stabilization, but to me the advantage would rarely be useful. In low light scenes where stabilization can be helpful I’m usually taking pictures with people or animals in them. I need the shutter speed to be fast enough so they are not blurred; stabilization in the camera/lens doesn’t stop them from moving. Others may find that having stabilization in a non-Panasonic lens is valuable for their needs.
6. On a significant positive note, the electronic shutter on the GM1 greatly reduces (effectively eliminates) vibrations typical of fully mechanical shutter curtains (on the GX7 and many other µ4/3 cameras) that can (in some circumstances) induce slightly blurring vibrations (of a type that are not reduced by image stabilizing systems). This is not going to be a concern for the vast majority of shots, but the review site Imaging-Resource has concluded:
“With the Panasonic GM1 and its electronic first curtain, though, this vibration problem should go away completely. There’s no first curtain to slam into the bottom of the shutter assembly, and the very light second curtain being driven via the stepper motor should contribute little or no vibration as well. (Given this, we’ll probably swap out the GX1 test body we’re currently using for SLRgear lens tests in favor of a GM1…”
I hope that adds some useful technical information to the basic observation that this is just a smaller GX7 with fewer direct controls via buttons and dials, elimination of the electronic viewfinder, and removal of the tilting LCD screen.
So why choose the GM1 over the GX7? It’s a matter of personal preference and habit, really. My reasons are
1. I travel a good bit and want a small camera bag. With the GM1 I save a good bit of volume in the camera body without losing anything in image quality compared to the GX7 or my Canon 60D SLR.
2. The GM1 looks a lot more like my Leica M6 (albeit smaller) than the GX7 (just in body style, aesthetics).
3. The GM1 (especially the black model not offered yet for U.S. sale) will look just like another point and shoot to most people. This will put people more at ease, let you get it into places that are wary of professional cameras, and enable more intimate photography. The GX7 stands out more (relatively speaking).
4. The GM1 bundled lens is excellent. It is truly excellent. Unless you need wider apertures, it will be a go to lens.
5. I do not have an interest in an electronic viewfinder (even though I happily used my optical M6 viewfinder).
6. I do not have a strong concern to have a tilting screen. If the GM1 version 2 has a tilting screen it would be an improvement in my opinion, but it’s not critical to me.
7. I have no interest in a hotshoe for attaching an external flash.
8. I have little interest in the 60p vs. 60i or 24p HD video. I will use the video on the GM1 happily; it will be clearly better than my iPhone.
A final note. I looked at a lot of photographs from the GM1 online. The noise at higher ISO looks like natural, fine grain in film: analogue and contributing to the mood and expressiveness of the photograph. The color balance is very well controlled: many Olympus cameras produced more yellow-tinted jpegs in side by side comparisons (although that can be corrected, with time and effort in RAW editing). And the microcontrast and ability to capture subtle difference in color hues reminded me very much of my Leica M6.
I can certainly see that given different priorities and tradeoffs, the GX7 or one of the Olympus µ4/3 cameras might be a preferable choice for someone, but the GM1 is exceptionally well designed by Panasonic to preserve image quality and performance, maintain high standards of construction and durability, and reduce bulk compared to any other µ4/3 camera.
62 of 65 people found the following review helpful.
The Micro 4/3 pocket camera I’ve always wanted
Christmas came early for me when somebody (who shall remain nameless) left my Olympus PEN E-PM1 on the top of my car. Somewhere around 60 miles per hour, the camera shuffled off the roof and into oblivion, which suddenly placed me in the market for a replacement.
I’ve used Micro Four Thirds almost since its inception, upgrading bodies periodically as notable improvements found their way into the system. I have and still use the larger Olympus OM-D E-M5 which I greatly enjoy, but I really like having a smaller body with a pancake lens for family events and other situations where discretion and size win over ergonomics. I also find that a simple camera like the E-PM1 is easier to hand to the family member (who, again, shall remain nameless!) while generating good results from the automatic modes. The E-M5 can be a bit overwhelming due to all of its bells and whistles.
It was serendipitous that the GM1 was announced right around the time of “the E-PM1 incident;” even smaller than the E-PM1, new sensor, touchscreen, wifi, more buttons, flash… the list goes on. I waited for it to come out, and received my order on the very day before we left for our holiday vacation.
Out of the box: good golly, it’s SMALL! I mean, you know it’s small by looking at photos online, but it just really does not do the thing justice. It’s small enough that I can wrap the camera in a single hand, and indeed I normally shoot with my thumb wrapped around the left side of the body and my fingers around the right. The rear LCD is partially obscured by my hand in this configuration but I can see enough to get by, and it’s very secure.
Unlike the other very small Micro 4/3 bodies, Panasonic didn’t totally skimp on the dials with this one. We have a proper focus mode dial, a hard FN key in the middle of it, a convenient on/off switch, and a proper mode wheel. Yay! These little physical dials are minor details that the GF series and E-PM series had been curiously omitting for a while, and it’s good to see their return in this miniscule camera.
The touchscreen is really beautiful and works surprisingly well. A new (to me) addition for the UI is a “FN” menu on the right, which allows you to add virtual FN buttons of your choosing for easy access – I love it a great deal. Very convenient.
I’m happy to report that the kit lens is… pretty serviceable! Subject isolation is very difficult (at 64mm f/11 equivalent, unsurprisingly so), but if you’re just looking for good resolution and detail it delivers. The 12mm wide end is especially nice to have around; in fact, this *zoom* lens is smaller than my 14mm pancake prime I’d been using before, and only a stop slower. It’s pretty amazing what they can cram into such a tiny package. A few things of note: it feels really flimsy when not mounted (it actually rattles a bit), it has to be extended a bit before it can be used, and it has no focus ring (only a zoom ring). Manual focus with the kit lens on the GM1 is only possible using the touchscreen, making it really frustrating to be perfectly honest; you really should stick to AF with the kit zoom.
Oh, that’s no indictment against other lens focusing though; this camera has focus peaking! And the CPU is fast enough so there’s really no lag to speak of. It’s a joy to use this body with your old manual focus lenses.
Other than the diminutive size and the teensy tiny lens, probably the most intriguing thing about the GM1 is its electronic shutter. The mechanical shutter is only capable of speeds up to 1/500, which is inadequate for outdoor shots with large apertures, and if you shoot at higher speeds the GM1 goes into full on electronic shutter mode. I found this to actually be incredibly handy, and found myself using the 20mm f/1.7 wide open in broad daylight with speeds up to 1/16000s! In some cases, you do notice a “rolling shutter” distortion, but 1) it’s not always visible and 2) even when it is, it’s not really a big deal. The compromise the GM1 strikes, with the ability to complete avoid the effect by using the manual shutter at speeds under 1/500s, seems pretty reasonable to me.
The sensor in this camera is every bit as good as the E-M5. Maybe better? To be frank, it’s now irrelevant. Both cameras with a fast prime are good enough that any differences are meaningless. The GM1 does lack in body image stabilization, which is a loss felt mostly in video.
I also think the JPEGs look good out of the box with this camera! Panasonic has been maligned for default JPEG settings which lack “pop” or have weird auto white balance, but I really think you can shoot JPEG with the defaults and get good results with this guy.
Oh, and the thing even has a lil bitty flash. Sync speed is only up to a measley 1/50s, limiting its use as daytime fill, but it can be handy in dim light. The best thing about the flash, though, is that it can be held backward to bounce – a trick that I completely adore from Panasonic’s cameras.
The GM1 also has this crazy wi-fi thing. I decided to test it with my Android smartphone along with the Panasonic image app, and I was surprised to find it potentially useful. Not only can you play back and download captured images (only 10 at once though, alas) with your phone, you can also remotely control the camera with full live view on the phone, which will no doubt be invaluable for selfies and situations where you might want to place the camera in an awkward location.
So! Here are the big takeaways:
* I dig the dials on the top and the customizable FN button
* sensor is quite good compared to the E-PM1
* kit lens? Pretty OK!
* I really like the popup’s ability to bounce. I *don’t* like the paltry 1/50 max flash sync speed, but what can you do?
* I’m not yet clear on what effect the rolling shutter artifacts will have on my life, but at this time I rather like having the ability to shoot at very high shutter speeds!
* I actually really like how the camera feels in hand with the “one hand wraparound” style grip. It sounds like it would be awkward but it works well. Adjusting settings when using this grip requires a repositioning, though.
* Speaking of that, I find the wheel on the back far too inclined to “click” rather than spin. I seem to accidentally hit the directions rather than spinning a good bit. I wish this instead had a thumb wheel like the old E-P2 or something.
* Wi-fi? Maybe not totally a gimmick?
* Price? Well, it’s high, but it’s not *that* high to start at.
I think the GM1 is a winner – it’s the small M4/3 camera I’ve been waiting for, and it should have broad appeal to both casual shooters looking for a P&S replacement and E-M1/GH3 type shooters looking for a no-compromises tiny second body.
After almost five months, this camera has proven to be everything I hoped for. I almost never use my E-M5 now; indeed the only things I really miss from that camera are the in-body image stabilization and the wireless flash capabilities.
I’m also happy to report that the GM1 kit lens has really surprised me in a good way. I initially kept it around mainly for the image stabilization (for video), but it now ends up getting a whole lot of use when the light is good and I don’t care about subject isolation. The 12mm wide end is especially nice to have in something so tiny.
I have read that Panasonic will not release a GF series camera this year. I’m not disappointed by that one bit. If the GM1 is a sign of Panasonic’s strategy moving forward, I can’t wait to see what they come up with next.
16 of 16 people found the following review helpful.
I really loved that camera and debated getting another one for a …
By Ken Dougherty
I was using an RX100ii for around 9 months or so before it was stolen, I really loved that camera and debated getting another one for a while until I came across the GM1… I was won over by the versatility of being able to use any of the lenses in my m43 stable.
I work in documentary/news video production, this little camera is a perfect B-cam if you’re using something like a GH3 or GH4 as your A-cam, also great if you want to grab high quality professional video without being seen or drawing attention to yourself. I carry the camera with me everywhere I go in case I need to shoot something on the fly for work.
Love that it’s so small (yes this thing is TINY, it will surprise you) and yet when I throw a bigger M43 lens on there like the lumix 12-35mm, I cradle the lens in my hand and find the camera still totally balanced and usable, contrary to what some other reviews I had read said. The kit lens is great, and while it does make the camera a little wider than the rx100ii I had grown accustomed to, I still find the gm1 with kit lens to be pocketable in jeans back pocket or cargo pants pocket, and if you throw an oly 9mm body cap lens on there it becomes pocketable even in tighter front pocket of jeans.
Perfect cam for journalist, just a couple days after I got this one a colleague of mine saw it and had to grab one for himself. If you need professional quality photo and video on the fly in a very compact package, I don’t think there’s a better camera out there right now.
favorite lenses for this camera aside from kit 12-32mm: fotasy f1.7 35mm cctv lens (it’s less than 30 dollars and incredible, looks sexy on the classic styling of the GM1), olympus f8 9mm body cap fisheye (makes this camera even more pocketable), olympus f1.8 25mm (great portrait/low light lens, good balance on the GM1), lumix 45-175mm (lots of reach in a small and light package, perfect for the small body of the gm1)
Features of this product
- Timeless iconic design meets modern micro tech
- Encased in reinforced metallic alloy
- Large sensor size leading to cutting edge hybrid quality performance
- WiFi connectivity for instant online sharing
Mirrorless Cameras are Digital Video cameras which provide the photo quality and versatility of professional Digital Single-Lens Response cameras (DSLRs), together with a mobility closer to those of a more common “point and shoot” digital camera. They are also often called Mirrorless Interchangeable Lens Digital camera models simply because that, unique through the common Digital Video cameras for consumer market, they provide a mechanism to change lenses conveniently, as it’s done with professional ones.
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