Pentax K-50 16MP Digital SLR Camera Kit with DA L 18-55mm WR f3.5-5.6 Lens (Red) facts, exciting information and costumer reviews who previously ordered and in addition best price together with pretty nice discount.
A huge selection of hobbyists are desiring for any DSLR, the fact is that they have no clue what it is precisely, if have, just just like “It is like the compact one in my personal pocket, it can be better, it is a huge one. In my way to explain a DSLR, it will be ‘All-Round’, you can use the DSLR for almost anything, taking pictures of wonderful animals, beautiful landscapes or amazing astronomy, recording brilliant high quality video clips. And there is a significant difference on the value too. Simply how much are you ready to pay for a decent camera that suits your needs?
This product produced by Pentax become one of the top recomended DSLR Camera since a lot of customers satisfied after using this product. In addition to its features, the best price also becomes a factor. This article is a description about Pentax K-50 16MP Digital SLR Camera Kit with DA L 18-55mm WR f3.5-5.6 Lens (Red), a product more liked by peoples and have a lot of great reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Pentax K-50 16MP Digital SLR Camera Kit with DA L 18-55mm WR f3.5-5.6 Lens (Red) Details and Reviews
173 of 179 people found the following review helpful.
The Alternative that Isn’t
A simply spectacular tool. I am a Pentaxian for sure, but I have used many other brands including the Big Two, and nothing comes close at this price point. You get a modern update of the highly acclaimed 16 MP Sony sensor in a fully weather-sealed body with a matching (high quality) kit lens for under $700!
The body is unbelievable rugged for being plastic. It makes every other DSLR in its price range feel like a cheap toy. Plus, the grip is hands down the best I have ever felt at any price. It hugs my hand and locks in place–no need for a hand strap. The grip and solid, unyielding body are why I chose this model over the K-5II.
At low ISOs, the older sensor is on par or maybe a little noisier than competing models, but when the lights go down, this thing shines. Zero noise gain when well exposed, but if you have to push say a 3200 RAW image, you will be blown away at the headroom the K-50 has in its 12 bit files. And if you can find noise (by pushing), it’s not that gross banding we are used to seeing with cameras that shoot for marking megapixels rather than image quality. It is a gentle, film-like fine grain in very large prints. And this is for color, if you’re converting to B&W, you can take this thing all the way through its ISO range and make beautiful small prints.
The menu system is as near perfect as I can trust engineers to make it. They either are, or work with photographers. Everything you need is one to three clicks away. I tried using a D5200 recently, and I couldn’t even figure out how to set it to RAW, I had to look it up. Then ISO took me five minutes. It was ridiculous. I guarantee you will not have this problem with any Pentax DSLR from 2010 to today.
The lens is pretty brilliant for a kit lens. It is weather-sealed and solid. The zoom is very well dampened. It feels high-quality. I have used many kit lenses in the past from many manufacturers, and this one is the best. It even beats Panasonic’s micro four-thirds kit lens in build. Image quality wise, it’s about on par with others; by that I mean it needs to be stopped down to shine. But it is very sharp throughout the range when it has plenty of light.
Now for the bad: The out-of-camera JPEGs suck. Pentax has never had great JPEG processing. This sensor begs to be left alone. Shoot RAW and use a calibrated monitor to edit the images (it records in DNG, so there’s no worry there).
Moreover, this body needs good glass. Please don’t be a hipster and buy a high-quality camera and only use the kit lens. This is a serious tool, not a toy, so invest in decent lenses. Luckily, the K-mount has among the most expansive and diverse lens collection in photography (it’s why I shoot Pentax). But you don’t have to break the bank, just go to your favorite flea market or internet auction site and look for old manual lenses. You’ll be surprised and the quality that can be had for under 50 USD.
So there it is. My very first ever Amazon product review. Yes, I love this camera that much. It is not just an alternative brand. And this is not an alternative camera at all because the competition doesn’t come close at this price.
Bottom line: If you are looking for your first DSLR, or if you’re considering switching mounts because you’re growing tired of the half-adding and broken promises the Big Two have been accused of lately, you cannot go wrong with the Pentax K-50.
76 of 78 people found the following review helpful.
Fantastic first DSLR
By B. D. Herman
I’m a relatively new photo enthusiast. Almost a year ago, I got a $300 bridge superzoom (Sony DSC-HX200V), and now I’m hooked. I started learning some of the more advanced features, but I wanted to “get serious” with a DSLR. (I love the Sony for what it is, but the 1/2.3” sensor can only do so much, and it doesn’t have a thread for lens attachments like filters.)
I’m glad I chose the K-50. If this is roughly where you’re at, and your emphasis is on still photography, this is a great choice — especially if you’re into outdoor photography, at all.
The features and image quality just can’t be beat at anything like this price. (If you don’t need weather sealing, I believe the K-500 is basically the same camera, and it is ridiculously cheap.) The value is most obvious with the pro-style features, like dual control wheels and weather sealing; get ready to spend over twice as much for those features with one of the two major brands. (If you want to use it outside much, the sealing is the killer feature. We’re going on an Alaska adventure this summer, so the weather resistance sealed the deal for me.) Another major benefit is the in-camera shake reduction system. This means the telephoto lenses can be cheaper than IS telephoto lenses for the big 2. (Compare the prices on the weather-resistant 55-300mm Pentax lens versus the not-weather-resistant Canon EF 70-300mm f/4-5.6 IS USM Lens.) The burst shooting, 6 fps, is downright crazy.
I made this choice after reviewing just about every online image quality comparison I could find, and I thought the K-50’s IQ was generally better than and very rarely less satisfying than the output of an SL1 or d3300.
Now that I own the camera, I’m already very impressed, and that’s without yet learning how to do much with the manual modes. AF is super fast and very accurate. (If it’s focused on the “wrong” thing, just point it at the “right” thing, half-press the shutter, keep the shutter half-depressed to keep the focus locked where you had it, and frame and shoot as intended. It’s so fast that I can do all of that in about half a second, and I’m still not even a very experienced amateur.) The full auto and scene modes are very good. Right out of the box, if you’re at least kind of knowledgeable about the basics of photography — if you can frame a shot and not work too hard against what the lighting is giving you — you’ll get good-to-great shots right away.
Kit lenses are solid as well. I basically just leave the 55-200mm on for running around. It makes for great portraits with fantastic bokeh/depth of field. (Put everything on auto, set the zoom length to roughly 85-100mm, and then start taking awesome portraits pretty much instantly.) It zooms well enough for kids’ sports and not-super-distant wildlife shots, too. (For our trip to Alaska, my spouse — who’s also pretty good at framing a shot and holding a camera steady — will carry the superzoom for those shots that an SLR can’t get without a ridiculously large & expensive zoom lens.)
There are a lot of fun effects and other post-processing tools, too, if you’d rather do these in-camera than in software. (I wouldn’t recommend that strategy generally, but deleting the bad shots and trying some minor processing is a fun way to kill the ride back from a day’s adventures, and I’ve found at least one effect that’s easier in-camera than on a computer.)
The real viewfinder is also very good; it has 100% coverage — another feature not common in this price range — which helps with framing shots. (For those with slightly diminished eyesight, they have a neat accessory that B&H should but does not suggest: the Magnifier Eyecup O-ME53, which magnifies the viewefinder by an extra 40%. It gets 4.5 stars on B&H, with most of those saying their vision “isn’t as good as it used to be” and it’s helped substantially with manual focus via the viewfinder.)
The Live View is also very good, and if you want to use manual focus with Live View, you can zoom in a lot closer to focus, a feature I’ve already found helpful.
This camera is thus great if you want to learn to take pictures (more) like a pro. A lot of reviews suggest it’s also great if you have film SLR experience and want to feel like you’re getting back on that bike (not least since the mount works with most legacy Pentax lenses; for newbies like me, that just means some fun on eBay down the road). Even if you just want something fairly easy that kicks tail right out of the box, this is a fine choice and a great buy.
Like all cameras, it does the best in outdoor daylight. (If it’s very sunny, shots can get a little washed out, but this is also really true for all brands. Thus, I’d recommend a circular polarizing filter.) It still does pretty darned well in low lighting; images get noisy by 1600 ISO, if not a touch sooner, but the built-in flash is lightyears ahead of what you’ll get out of even a bridge camera. Even with higher ISOs with no flash, though, it still holds its own; for the price, it does better than the competition, but don’t expect it to work miracles in poorly-lit scenes. Here’s where I’ve started to tinker with the more advanced settings. The Sensitivity Priority mode works well, and I can cap the ISO at 800 or 1600, then just be sure to shoot with a steadier hand (exposure will get longer to compensate) and shortest possible focal length (to allow in more light). The short focal length in particular is a sensible compromise; low-light shooting is usually up close (indoors), so just put the 18-55mm lens on and start from there. Again, full auto does fine here, too, but I’ve already gotten even better with just some basic trips into more advanced settings.
Here are the disadvantages for this camera, none of which compromise my core purposes for acquiring it.
1. It’s loud as heck, by contemporary camera standards. The AF motor makes a real ruckus, and you could record the shutter to use it as a sound effect. If you put it on fast burst mode, it sounds not a little bit like a machine gun. If stealth street photography is your thing, this is probably not the camera you want. (I even went with the red model; makes it easier to find me at a parade.)
2. Out-of-the-box at least, the video is just passable — a bit worse than what I’ve seen from budget Nikon SLRs and definitely not as good as Canons. I think I can do better once I learn more — and buy some extra gear, like an external sound recorder (good idea no matter what SLR you use) — but I still have small hope that I’ll ever get GREAT video out of it. Don’t fool yourself that a $1,000 SLR kit will match a $1,000 video camera, of course, but this is definitely a still photographer’s camera.
3. People complain about the battery life being less than with other brands. I haven’t even had that experience at all; I took about 1200 daytime shots in about 3 hours on one charge, many of them using LiveView (the screen is plenty bright and clear for most angles, even though it doesn’t articulate) and many in rapid-fire bursts. Apparently, other brands can do even better than this. In any case, I bought the off-brand backup battery and it works perfectly as well.
4. The kit lenses have different barrel thread sizes. You’ll probably want to get a 49-52mm step-up ring so that you don’t need to buy two sets of filters. 49mm is the size on the longer zoom lens; accessories are somewhat easier to come by in the 52mm size. If you’re in the city, I found a new one in B&H’s Used department in store. For two dollars. The website lists the same device starting at seven.
135 of 143 people found the following review helpful.
The perfect first time DSLR
I just finished 2 years of shooting all over the world with my Canon EOS 60D. That camera was the best DSLR that I had handled in a long time, and bested Nikons 5200 by a long shot in my opinion. I now shoot wildlife and outdoor sporting photography and needed something that could stand up to the elements and provide high quality photos. This Pentax K30 and K50 series of cameras fit this bill perfectly, and after much consideration I went with the K50. I also purchased another WR lens in 200mm to accompany this one. The K50 body and both lenses have proven to exceed my expectations of a camera and lens system in this price range. These products easily compete with Canons and Nikons that sell for twice the cost. All specs aside, the focusing is fast and precise, the options are very extensive but lack in some areas compared to other makes, and the end result has pleased me over and over again without fail. If you need a camera to take on a rafting trip, rainy day, or want something that can hold up to dust storms in Iraq/Afghanistan, this is the clear choice for you. As a military contractor and avid amateur photographer, this camera suits my needs perfectly, and produces images at equal quality to my EOS 60D which cost me $1200. I paid $450 for this kit because the seller sold me a returned product and Amazon provided me with a 20% refund due to that. My point and shoot cost more than that, so I am beyond happy with this purchase and look forward to years of shooting with this very competitively priced and engineered marvel of a DSLR.
Features of this product
- 16 MP APS-C CMOS Sensor. A high performance 16 megapixel APS-C CMOS image sensor strikes the perfect balance between resolution and image quality. DA-L 18-55WR lens included
- ISO Speeds up to 51200. High sensitivity shooting up to 51200 ISO range improves noise performance throughout, even in low lighting.
- Eye-Fi Card Compatibility with Eye-Fi wireless SD cards, the user can send images to a smartphone. Users can enable automatic transmission of images to a smartphone for sharing. Users can even select favorite images and resize before transmission.
- Innovative In-body Shake Reduction (SR) Mechanism. The PENTAX in-body, sensor-shift Shake and Dust Reduction technology ensures sharp, image stabilized, auto-leveled, and dust-free imaging with any mounted lens.
- Weather-sealed, Dustproof, Cold proof Design. With 81 weather seals your K-50 ensures use in any weather condition, be it rain or sand. The K-50’s rugged, cold proof design is also made for use in freezing, wet, snowy winter conditions (-10C, 14F).
DSLRs are usually larger than Prosumer cameras. However, DSLRs in many cases are equipped with a convenient hand grip which makes it possible and easier that you can hold your camera when by using a heavy lens. DSLRs are equipped with bigger sensor hence enabling you to get larger objects. The sensor also uses a low-noise sensor technology so the images produced are clearer. Due to the large sensor size, the cost is generally expensive.
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