Discount of Sigma DP-1 Merrill Digital Camera with 46 Megapixel, FOVEON X3 Direct Image Sensor, Fixed 19mm f/2.8 Lens

Sigma DP-1 Merrill Digital Camera with 46 Megapixel, FOVEON X3 Direct Image Sensor, Fixed 19mm f/2.8 Lens

Sigma DP-1 Merrill Digital Camera with 46 Megapixel, FOVEON X3 Direct Image Sensor, Fixed 19mm f/2.8 Lens details, useful information and costumer opinions who previously ordered and in addition best price along with very nice discount.

Point-and-shoot cameras are specially designed for amateur and holiday photography enthusiasts who want to capture incredible pictures, but avoid want to get into the technical details. With a compact size, easy-to-use user interface and incredible performance, these digital camera models flawlessly fit the bill. Point-and-shoot cameras are available in both basic and advanced modes. The basic ones are almost completely automated, so all you have to do is merely point and take. However, advanced ones have a few controls such as shutter speed, ISO and aperture that you can certainly adjust.

This item made by Sigma become one of the great Point and Shot Camera since a lot of purchaser fulfilled after using this product. In addition to its features, the best price also becomes a factor. This is a description about Sigma DP-1 Merrill Digital Camera with 46 Megapixel, FOVEON X3 Direct Image Sensor, Fixed 19mm f/2.8 Lens, a product loved by peoples and have a much of great reviews. We will give you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.

Sigma DP-1 Merrill Digital Camera with 46 Megapixel, FOVEON X3 Direct Image Sensor, Fixed 19mm f/2.8 Lens Details and Reviews

Sigma DP-1 Merrill Digital Camera with

  • Amazon Sales Rank: #20929 in Camera & Photo
  • Color: Black
  • Brand: Sigma
  • Model: C77900
  • Released on: 2014-07-24
  • Dimensions: 2.64″ h x 2.52″ w x 4.80″ l, .73 pounds
  • Display size: 3

Estimated Price: Buy or See Best Price

56 of 59 people found the following review helpful.
5Remarkable images from little camera.
By Douglas Henderson
I bought a DP1 Merrill from Adorama during a brief sale a few weeks ago. The camera is small, though a little larger than the earlier DP1s/x Sigma fixed lens cameras. On the DP1 Merrill, the lens no longer telescopes out when the camera is turned on–so no more risk of flexing vulnerable tape-cables. The battery life is indeed short–but Sigma supplies two batteries. I’ve gotten 60 to 70 or more RAW images on a charge from a single battery–by keeping the screen use to a minimum. The screen can be turned off entirely or used with various duration options. The camera will simply shut down immediately after being turned on if the battery is too low.

Image quality is the reason to wade through any perceived limitations of the camera. Start up time is quick. The camera can be turned on without first remembering to remove the lens cap (as required with the DP1s/x). Processing time of files after exposures is what some folks find unsatisfactory–but this is just a few seconds, during which the buffer allows you to take some additional images. I shoot large-format cameras in the field and the set up time and the darkroom work takes a commitment of time–in comparison (image quality vs standing around), the little DP1 Merrill is a miracle.

The amount of well defined detail in enlargements from the files this camera produces is remarkable–more like medium-format film. The images show nice neutral colors and excellent detail in shade with a seeming unique light to shade relationship/quality on a monitor which is hard to define. The image files show excellent highlight value capture and recovery using Sigma’s SPP software (with quite a wide exposure latitude). Excessive underexposure will reveal color noise in the shadows.

Good exposures can be had by just a point and shoot approach–I find setting the exposure compensation to +0.3 or +0.7 at 100 iso usually works fine. I’m not using exposure lock features as often as I tend to do with other cameras. The ability to quickly alter the exposure compensation is nice–but it’s too easy. The only real snafu I’ve encountered so far is the exposure compensation button being near the right thumb when the camera is being held–it is much too easy to unconsciously dial the exposure compensation to its +3 F-stop limit. Either you note the mistake on the screen before taking a photo or you get a white-out image (which the Sigma software will nearly fully recover!).

The camera came with 1.01 firmware installed. Auto focus is prompt and accurate. I’ve played with the manual focus feature and it requires some care. The focus wheel on the lens barrel is fly-by-wire. If wheeled all the way over toward infinity focus, it sets the lens well beyond the infinity symbol on the view screen scale–and the image will be entirely out of focus. Setting the marker directly beneath the infinity symbol is necessary–and for old eyes, not so clearly accomplished. I use manual focus on my other little Sigma DP1s–but with the DP1 Merrill, auto focus is a quick enough, sure thing for landscapes.

The lens is excellent. Between the apertures of F5.6 and F8, it’s sharp right to the frame of the image. There is a small amount of chromatic aberration which can now be addressed in Sigma software or another image processing software after the RAW file is converted to TIFF. There is also purple fringing on bright edges, depending on lighting conditions that seems more than usual, but can be well addressed in Photoshop Raw adjustment features.

TIFF files from the Sigma RAW post-processing software come to about 85MB. If you save double-sized TIFF files, they come to 338MB. The larger files really slow my Mac Mini. The Sigma software processing, when chewing through the big DP1 Merrill files, is indeed the slowest yet, but with patience, you can get them converted to TIFF files and work further in other software. Usually all that is required in SPP is a slight adjustment to the color balance, exposure and minor use of Sigma’s unique fill feature. I set focus to -0.2 to -0.6–the files are stunningly sharp right from the camera with only minor room for any improvement. Sigma’s SPP 5.4 software isn’t included with the camera, but instead downloaded. For Mac users, the software only works in the Pentium machines.

Images shot with the DP1 Merrill, at least mine, do show a slight green shift toward the image margins (less than with my DP1s). Every Sigma camera I’ve owned will do this with certain lenses. I suspect this is a characteristic of the Foveon sensor in context with a wide-angle lens–the outer field of a projected image from the lens falls on the outer margins of the sensor at a steep angle and the stacked individual sensor layers are refracting?/screening out a little of the red light. Nothing to do but make minor Photoshop repairs, the price for otherwise splendid, easily acquired images. My copy shows no dust on the sensor.

Great lens and sensor in the same small package. I put the wide-angle view finder from my DP1s on the Merrill and this works to both frame the image and hold the light camera steady against my face. A 100% enlargement from an 85MB file looks like a wholly intact, sharp photo by itself. One could make the case that the DP1 Merrill carries within its deep resolution files another camera–equivalent to a Sigma DP2x.

UPDATE 12/22/12: Took the DP1 Merrill to Yellowstone and have two note worthy additions to the above review:

1) Greenish cast margins in the images shot yesterday, many in bright snow, are practically nonexistent–vastly superior to the small DP1s/x cameras I’ve used (took a DP1s along with the DP1m for comparison).

2) Having recharged the battery just three time, there was a spectacular improvement in battery life yesterday–I got 162 RAW file images on one battery from the DP1 Merrill using it in the field. The battery symbol was showing depletion coming (empty of green squares), but the sun went down before I ran out of power.

Point and shoot with auto focus, 100 iso and +0.3 exposure compensation between F5.6 and F7.1 works perfectly for both dim and exceedingly bright light conditions. Really pleased with results.

36 of 39 people found the following review helpful.
5Image quality is the only reason to get this camera
By Teddy W. Raper
If you want a real, modern camera, don’t bother with this one. By all contemporary standards it’s a lousy camera, and a pain in the butt to use. Lousy battery life, slow processing, crummy autofocus, lousy low light performance, only really any good at ISO 100-200. It exists for one reason only: the image quality capable form the Foveon sensor and the superb lens. Be it 15 or 45 MP, makes no difference. Put it on a tripod, shoot it in decent light at ISO 100, make an 11 x 14 print from this camera and any current DSLR, no matter what the megapixel count, and compare the two and you will see what I mean.

I own several other cameras – a Sony NEX 6, Canon G1x, a Nikon D300s with a 17-35 zoom. The Sigma IQ puts them all to shame. While I would never carry it out into the field as my only camera, it always comes along with whichever of the others I take, and if I see that special shot, out comes the Sigma.

So if you can put up with a camera whose solo attribute is outstanding IQ within a limited area this is the one. If you want it for sports, action, kids photos, high ISO work, street, even portraits, look elsewhere. It’s probably best as a landscape shooter.

17 of 18 people found the following review helpful.
5Game-Changer
By Mel R. Scurbica
I had a Nikon D200 camera with a lot of lenses and a Nikon Coolpix P7700. The Coolpix took better photos than the D200. In order to get a Nikon DSLR with the quality that I wanted, it would cost me thousands of dollars that I can’t afford. So I came up with two plans:

* In plan A, I would sell all my DSLR gear, buy a DP-1 Merrill and pocket $1,000. In this scenario, I’d keep the Coolpix to use as a general shooter for times when I want to take family photos, and use the Sigma for landscapes and other outdoor photography.
* In plan B, I would sell all my Nikon gear, including the Coolpix, and buy a Sony DSC-RX100 II. In this scenario, I’d use the Sony for everything and wind up with maybe an additional $100 or $200 in my pocket over plan A.

I weighed the pros and cons over pretty carefully. In the end, the Sigma kept calling to me. So I went to Plan A.

Before I go any further, let me say that I am completely happy that I bought this camera. Now…

If you are looking for an all-around camera that you can use to take nice outdoor photos and also use for things like indoor family photos in low light, grandma blowing out the birthday cake, and fast-moving sports photography where you can bang off a series of shots, then DO NOT BUY THIS CAMERA. You will not be happy.

If you primarily shoot in daylight, are looking for a camera that has an incredible sensor that rivals cameras that sell for more than five times the price, don’t mind bringing a few extra batteries along, and aren’t going to whine that you can’t do RAW conversions in Lightroom or Photoshop, this is the camera for you.

Frankly, I am amazed by this camera. Right off the bat, you need to know that the camera eats batteries because it needs the juice to process the super-high resolution images. It is not a camera that you can use to take a quick succession of photos with, because it has to write large files to the memory card. Having said that, I have not noticed any issues with having to wait for the camera before I could shoot again because of the nature of they way that I shoot. I’ll say it again: you can’t use this camera to shoot a rapid succession of images.

Think of this camera they way you’d think of a 4 x 5 view camera and you’ll be happy with it. If you think of it as a snapshot camera, you’ll want your money back.

I had been using the D200 to shoot RAW. Even using RAW, photographing a high-contrast scene meant that the highlights would blow out to the point where they weren’t recoverable. Photos taken with the D200 were noisy, even at low ISOs.

I just did some test shooting with the Sigma, and I can’t believe it. Shooting in the early afternoon glaring summer light, in a high contrast situation where there was shadow and white objects, the sensor on this beast was able to record all of it. I didn’t think it was possible. It is amazing.

The criticism that this camera is an unergonomic brick is completely valid. However, do a search for Richard Franiec and you’ll find his website. This guy sells a $37 custom grip for the Sigma DP1/DP2/DP3 Merrill that transforms the camera into a new camera that fits your hand. This grip doesn’t add bulk and it looks exactly like the material the camera is made of. You will love it. (I have nothing to do with this guy or his company. I’m a customer.)

The one complaint that I have with the camera is there is fringing evident from the lens. But you can deal with that in post-processing.

So, if you know what you’re getting into with this camera, you’ll be happy you bought it.

You can see a few of my images in the customer image gallery. They’re the ones of the gazebo and the park area with the trellises.

Features of this product

  • Foveon X3 Merrill Sensor: The Foveon X3 direct image sensor captures all primary RGB colors at each and every pixel location with 3 layers, ensuring the capture of full and complete color. Since color moire is not generated, the use of a low-pass filter is not required, meaning light and color are captured by the sensor with a 3-Dimensional feel.
  • Dual TRUE II Engine: The dual TRUE (Three-layer Responsive Ultimate Engine) II image processing engine dedicated to Foveon X3 direct image sensors improves the processing speed and overall quality of the final image.
  • Exclusively Designed 19mm F2.8 lens: The high-performance 19mm F2.8 lens has the equivalent angle of view of a 28mm (35mm equivalent focal length) lens as has been designed exclusively for the SIGMA DP1 Merrill to maximizes the sensor performance.
  • Advanced User Interface: The custom quick set menu and the metallic command dial are incorporated to improve usability. The diaphragm, shutter speed and menu can be changed quickly using the command dial. It allows photographers to change the menu content and the order depending on their preferences.

A place and shoot camera is small enough to fit in a pocket or small bag. It has a fixed lens with mechanical and digital zoom options. Most of the leading digital point and shoot cameras give you a generous viewing area on the back, lots of manual and computerized settings. Some cameras allow you to choose your aperture, speed and related film settings as well as a whole host of features to control the look of your pictures.

All you should know has been revealed so we are highly confident which you won’t find any problem to determine to purchase this product or not. We supply you with the facts but you are the one to generate a judgment. In case you have hesitation or there’s any worry about the cost or other, why don’t you take a look other reviews regarding the similar products? You can compare them and with more details you can easily find what you need with the economical for the money. That’s what smart shopper really is.

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