Sony a7 Full-Frame Mirrorless Digital Camera with 28-70mm Lens facts, exciting information along with costumer reviews who currently bought and as well best price together with quite good discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that facilitates multiple lenses while forgoing the mirror reflex optic viewfinder featured on an SLR. It has become a popular choice especially among recreational photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Since then it has evolved greatly in the design and features offered, moving towards the better.
This item made by Sony become one of the top recomended Mirrorless Camera since a lot of buyers happy after using this item. In addition to its features, the best price also becomes a factor. This article is a review of Sony a7 Full-Frame Mirrorless Digital Camera with 28-70mm Lens, a product more liked by peoples and have a lot of positive reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Sony a7 Full-Frame Mirrorless Digital Camera with 28-70mm Lens Details and Reviews
252 of 267 people found the following review helpful.
Razor sharp images … With different glass than the kit lens
There are many excellent reviews on here, so I thougt I would focus (no pun intended) on how to get good inexpensive lenses for the camera that will make it shine and give you a well rounded start at your kit without leaving you begging for food on the freeway exit ramp. I purchased the A7K (the one with the 28-70 kit lens). I do semi-pro work with photography and videography. I know good glass, but on the photography side have elected to stay away from the larger 5D MIII AND D800(E) cameras … Just wanted to be more portable and stealthy in my street photography. I own a Sony RX1 with a DXO RATING OF 93 on the that sensor coupled with the excellent Zeiss f2.0. The sensor on the A7K has a DXO rating of 90 so it’s a little less than the RX1. That’s not to say the A7 is not sharp … It is very, very sharp … Just not with the kit lens.
So … I took my excellent Sigma 30mm f2.8 from my Nex 6 and removed the baffle ( a common mod since then the Sigma can cover full frame). And there is a very, very tiny amount of vignetting at f2.8 and is actually very good up to around f4. All the vignetting is so light it can easily be removed in Lightroom. But that lense is absolutely tack sharp in the IQ department. Check all the reviews … This is a $199 lens that rivals the new Sony FE 35mm f2.8 at a fourth of the cost (with the baffle removed … 3 tiny screws and 3 minutes of work).
Then I researched and got the Samyang 14mm f2.8 super wide. This lense retails for around $348 on amazon, and has been tested by different mags and dozens of reviews to be practically equivalent to a $1400 super wide. You can get this lens under the Rokinon branding. The only thing is, of course, is that you have to use this lense with an adaptor to the e-mount. Since I use the inexpensive Sony LEA-1, it does not auto focus (the lens would not support it anyway) … So you have to manually focus. I find that with this lens, the A7 peaking function is a little off or uncertain, so I simply assign the C1 custom button to the focus magnifier function and eyeball it without peaking instead.
But … My star lens is the Sony A-mount SAL50M28 50mm f2.8. I put this beauty on the A7 via the LEA-1 adaptor, and beautiful things happen. That A7 is predictable and dead on accurate. And the peaking is full off until exactly (not almost) in focus. That makes manually focusing with mid level peaking fast, effortless and very accurate … An absolute pleasure to use. This is the only lense I have used thus far that makes me feel just as comfortable shooting as I do with auto focus shooting. Plus (the very best part) the lense is unbelievably sharp and flat across the frame. When I saw that 16 people on Amazon gave it five stars, I was skeptical … But now, I’m a believer. Amazing sharpness and even though, yes 50mm is handy for macro work, this lens is da bomb for street photography. Chances are I will rarely take this lens off my camera. Even for 50mm landscape shots, a 100% crop reveals individual pine needles on a pine tree at 120 yards away … With dead on color and absolutely no noise or optical distortion. The lens is completely flat and is about 1:1.1 or 1:1.2 … In other words, subjects in your images look the same size as what your eyes see.
This $598 sony 50mm just boosted the sharpness of my A7 to what seems to be slightly beyond 5D MIII territory. And finally that lens, with the small Sony adaptor attached is about the same size as the original A7 kit lens. Before, I just had a pro camera … Now I am getting pro images out of it. What a difference! All else with the camera is high quality, pro build and everything I could hope for in manual control functions that are all easily assignable to the many physical controls that are easily and intuitively placed around the camera. So now, with an Nex-6, a Canon T2i, a Sony RX1 and my new A7, I finally feel like things are reasonaby well covered. But the A7 takes me into another league altogether. It’s easy to carry with me, I get pro results, it’s rock solid, ultra configurable to the way I want to shoot, etc. We’re having fun now.
UPDATE: I was so impressed with the leap in IQ from the Alpha A-mount lenses that I purchased the LA-EA4 adaptor. This is the adaptor you want … fast AF and actually much smaller looking and feeling than what the pictures of it on the camera would seem to indicate. If fact, I am so impressed by the auto focusing response and lightness of the unit that I decided to simply make the A-mounts my lens collection. Of course I save a lot of money, but once I research the lenses for 5 star average reviews, I can buy them at around 50 to 60 percent what the FE lenses would cost. So far, in addition to the (not so sharp) 28-70 kit lens that came with the A7, I have the A-mount Sony 50mm F2.8 ($450), the Sony 50mm F1.4 ($550), and a SUPERB Sony 100mm F2.8 ($800). These are all full frame lenses and the pros who have used them are virtually unanimous on their virtues.
At first glance it may seem that I do a lot of macro work since the 50f2.8 and 50f1.4 and 100f2.8 are all hyped as macro lenses. But, even though they seem to be superb at macro shooting, my purpose was use in street photography. Everyone knows the 50mm is preferred by many street photographers, thus the purchase of the two 50mm lenses. But, sometime I don’t want to get too close to my subject so that I can capture the moment without them feeling uncomfortable or ruining the look and feel I am trying to capture. The 100mm f2.8 gives me that bit of telephoto but is still razor sharp like a good quality prime should be. It let’s me be about twice the distance away while shooting and still fill the frame with my subject scene.
IMHO … A KEY TO GREAT IQ ON THE A7 … No matter what you’ve heard about 1/60th of a second being fast enough to freeze the action in street scenes, switch to M (manual mode) on your mode dial. Then set your Aperture to either shallow depth of field (f1.4-3.2, etc) or deep depth of field (f8-16) and put the shutter speed at minimum 1/320th second. With this camera you have nothing to worry about when in Manual mode. Your auto focus still works, you select the aperture you want for bokeh or for focus across the frame with one of the two horizontal dials, then set, and forget, the shutter speed to 1/320 to 1/500th second with the other horizontal dial.
The reason why this setup is key is that the lack of sharpness the A7 sometimes exhibits in images can be traced to too slow of a shutter speed. Now you may be thinking, “Well … DUH?” But remember, in addition to hand steadiness, you can also have camera vibration from the shutter event itself. Your hand may be relatively steady, and your subject relatively still, but camera vibration can still sabotage your shot … even at 1/60th of a second. A fast shutter speed will capture the picture before the vibration “echoes” reverberate through the camera body. Forgive the technical stuff, I’m a scientist by training 🙂 When you leave the shutter speed at this fast speed, you only have to decide which effect you want your aperture to have and set it. THE COOL THING IS … the A7 will continue to set the ISO automatically for you, if you have set the menu selection for ISO to AUTO. So, your shot always turns out! You can even set the bracketing for AUTO ISO in the menu system to make sure the camera does not select an ISO that is too noisy (higher than 3200 or 6400). While the A7 can remain relatively noiseless until around 3200, a shot at 6400 is completely usable in all but the largest print sizes … and 6400 shots are better than missing the shots. That’s why I set my upper ISO limit to 6400. Shots that have a little ambient light usually never take my A7 above 1600-3200 ISO so I’m usually safe.
So, you can see that shooting in M, with the shutter frozen at faster speeds, then simply choosing Aperture for whatever you happen to be shooting that day, can be like an AUTO mode since the camera will make it all right for you with the AUTO ISO. I usually agree with the ISO the AUTO ISO sets, so I’m happy. The end result of this coffee-powered write-up is that, with the shutter speed at 1/320 to 1/500, the 100% crops on my images have improved in sharpness by close to 300% from what they were when the camera selected 1/60th to 1/80th sec shutter speed. Again, I think this is likely due to camera vibration rather than lack of steady hand … though both are important. With the kit lens, I now have a family of 4 lenses, 3 of which produce great IQ, that auto focus fast and produce very good results. It may be a long time before I feel the need to buy any FE lens. I know they will be good, but they are somewhat expensive. With the A-mounts, I spent a lot less getting my kit outfitted (and let my wallet cool off), plus, I have everything I need today … instead of having to wait a year or two. The key to this plan was the LA-EA4 adaptor which only adds about 10-15% to the overall size and mass of the camera plus lens unit. You have a great camera! Enjoy it.
52 of 52 people found the following review helpful.
A perfect balance between artistry, gadgetry and nostalgia
By Dr JS
As a 20+ years Canon shooter, leaving Canon is one the hardest decision I have ever made. But at the end, SONY’s little Alpha 7 have won me over. Let’s be perfectly clear, this Camera is not right for everyone. Whether or not you like this Camera, will depend on your shooting style, shooting history, and technical competency. Here is a list of pros and cons for me:
* One of the best full size sensor currently on market
* One incredible performer in low light
* A beautiful electronic viewfinder and under most conditions make you forget you are not using an optical viewfinder
* Very helpful focus aid for manual focus shooters (peaking and magnification)
* Professional quality bodies with well thought out designs
* Very small and light (with the right lenses)
* Short flange focal distance means almost all vantage manual focus lenses can be adopted
* Body very aggressively priced at $1700. With discount, it is an even better deal.
* Good WIFI implementation and connectivity to the web and smartphones. A well thought-out strategy for social media/sharing
* Paucity of full frame E lenses and lenses are very expensive
* Battery drains fast
* JPG quality leaves something to be desired
* Doesn’t come with a dedicated charger
* Some control are less intuitive and not as conventional
* AF is still sluggish compared to high end DSLR
* Lack accessories to support studio shooting (ie. wireless flash controller)
While sports and bird photographers will be underwhelmed by the lack of lenses selection and slow AF performance, street and travel photographers would be equally delighted by this camera’s image quality, weight reduction and portability. Case and point, A7 with a 35mm Zeiss prime lens weights a mere 530 g or just only slightly over one pound! For discreet street photography, it doesn’t get any better than this. In this regard, A7 probably best approximate the Lecia M9 rangefinder experience for street photography. Of course, Lecia will sets you back $7000 for body only!
One reason for me to pickup this Camera is its ability to shoot many (or should I say almost all) of the legacy manual focused glasses. Any vantage glasses from the famous last year (Canon, Lecia, Nikon, Olympus, etc) can be adapted to be used on this camera. If you don’t mind working in manual focus mode, these lenses produces very respectable images with classical 60/70/80s flares. Working with these lenses bought me back to the days when I was learning how to take pictures on my father’s Canon AE1. In fact, I took very first few pictures on this Camera with his 50mm FD lenses. Although I bought my Camera with a nicely appointed 35mm Zeiss 2.8 lenses, it left neglected in my covered while I was busy exploring one vantage after another. A7’s ability to use these lenses its full frame glory, is nothing short of a revelation. SONY’s ability to focus peak and magnify view finder on the fly, make using manual focus vantage lenses a joy. In fact, I think this Camera is best enjoyed with small and fast light prime lenses from the 80s. For example, the Canon FD looks to be made for the SONYs both in style and performance. Lecia glasses are simply stunning both in quality and appearance when mated to the A7.
A7 is an extraordinary complex camera with a lot of options. It is a sad thing that SONY didn’t include a manual with the box and the online manual doesn’t help but scratch the bare surface of its capabilities. It will take time, dedication, and no how to master this camera. Even thought some of the control and menu still feels some what less thought out comparing to professional photography tools from Nikon and Canon. With this said, a little familiarization and work is all that stood between hours after hours of enjoyment.
I find working with A7 is a more deliberate picture making process. This is not good or bad, just different. This again reminds me how I used to take pictures shooting film. With this said, A7 has no shortage of modern gadget appeals. SONY has a well implemented WIFI application suite which is sure to please many. Right in the camera, you can establish direct link with smartphone/tablet, upload photos to computer and post pictures to facebook/flickr. The remote shooting application is intriguing and sure to delight my kids’ self addictive generation. SONY also have downloadable applications which you can get/buy to compliment this Camera’s appeal.
To summarize, A7 is a beautifully crafted piece of engineering marvel and a perfect balance between artistry, gadgetry and nostalgia. It may not be a perfect camera, but SONY gets my vote for its forward thinking and innovation.
330 of 359 people found the following review helpful.
Sony made a 5 star revolutionary camera
By T. Hosford
I picked up my a7 directly from the Sony Store on November 15th in Hong Kong. The first one I received was okay except it had a mushy delete/c3 button (it didn’t click when pressed), so I refused it and had to wait until the next day to get another one. The second body had all buttons and dials working properly, so I took it home with a giant smile on my face. I purchased the camera, body only. I also purchased the Zeiss 35mm F 2.8.
Why I chose the a7 over the a7R.
1. It has less megapixels. Yes, you read correctly. 99.9% of the photos I take live in iPhoto. The only thing 36mp does compared to 24mp is take up more drive space. Also, I have a 20” x 30” blown up photo in my living room that I took on my old 12mp D300 and it looks amazing. So, 24mp is way more than enough for me.
2. It has Phase Detection Auto focus (PDAF), and the a7R does not. I wanted this faster focus because I will mainly use this for photographing my 6-month old growing up.
3. It has the low pass filter. I don’t want to have to remove moiré in photoshop or GIMP. I don’t even want to deal with photoshop or GIMP except for maybe that .1% of photos that don’t live in iPhoto. Also, this camera is also the home camcorder, and it is very difficult to remove moiré from video. (however, from test shots I have been seeing, the a7r doesn’t appear to have significant moiré problems, so this may not be all that important.)
Now that you understand where I am coming from, here is my review.
This is by far the best camera I have ever owned. Just in case you got here by accident, this is the smallest and lightest full frame changeable lens digital camera ever made. Full Frame just means that all the lenses out there for 35mm film cameras will look the same on this sensor. The pictures are amazing, the autofocus is lightning fast, and everything just feels like it should. It makes taking pictures very easy and fun. I moved to Sony NEX because I would often leave my Nikon D300 in the hotel, or at home because it was so darn bulky and heavy.
You can stop reading now. It is a 5 star camera. The rest of the review consists of my comments about the various features on the camera.
FIT and FINISH: The a7 feels extremely well put together, and exudes quality. The a7 has two differences from the a7R build. The a7 has a polymer front plate instead of magnesium, and it has polymer dials instead of aluminum. But, I cannot tell the difference between this camera and the a7R. They feel the exactly same to me (but this was only a showroom examination). If you owned both for a while, you could probably determine the difference, but it is really hard to. The a7’s weight is about 1/3oz more (9g).
CONNECTIONS: This camera has a standard mic in port, headphone out port, micro USB, and a micro HDMI out. It also has Sony’s new MI hot shoe. This is based on the standardized hot shoe size. There are extra contacts at the front for using all sorts of attachments, but it will also fire off a regular Nikon or Cannon flash (you will need to use manual mode, though). It also takes the regular SD cards (but will also accept the Sony memory stick type). It uses the same battery as the NEX-6, which is the Infolithium-W, so all those accessories or AC adapters and battery chargers will work here.
BATTERY: This camera does really burn through the battery. It depletes noticeably faster than the NEX-6. You should buy an extra battery and a wall charger. The camera is designed for “in camera” charging using the USB cable. However, this means your camera is out of commission while the battery is charging (which is 310 minutes in the camera according to the user manual). The wall charger is a must… and ONLY buy Sony batteries, and only from a big box store, a Sony store, or reputable camera shop. There are fakes even on amazon (many are only “fulfilled by amazon”). The last thing you want is a fake battery melting inside your $1,699+tax camera. Six months ago one of mine (marked Sony and bought through amazon) did melt, but it melted in my wall charger and not my NEX-6. Thank goodness.
HOT SHOE: This camera uses the new style Sony hot shoe. So, if you have a lot of “auto lock” accessories, you will need an adapter. But, the good thing is that the new hot shoe is the standard kind, so it will fire even off brand speed lights (although, you will need to use the manual metering mode on the flash… it only receives the “fire” command from the camera, not all the settings). It is the same hot shoe as the a99 and the NEX-6, and is the shoe Sony will be using on all new products that have a hot shoe.
SHUTTER SOUND: Some have complained about the “loud shutter.” It is louder than the NEX-6, but not by much. I would not consider it “loud.” The a7 has the electronic front curtain shutter, so it is quieter than the a7R. Anyway, this is NOT the camera to bring to the gym locker room to take illegal pictures of your fellow members, but it’s not so loud as to get you ejected from a friend’s wedding.
VIEWFINDER: The viewfinder is beautiful. Also, the sensitivity for detecting your eye is better implemented than on the NEX-6. Now, it will usually stay on the rear LCD and only change when your eye is against the finder. On the NEX-6, it would often think anything nearby is an eye and turn off the LCD. Also, Sony has done something with the lens in the finder. I find the screen to look VERY sharp and VERY easy to see. It is a large improvement on the NEX-6 (and I love that finder).
ERGONOMICS: The ergonomics of this camera are simply amazing. The only downside is that the shutter release may feel a bit high (it is on the camera top, not the grip top like the NEX-6). I thought so at first, but now it feels normal. I love the two dials and the rear wheel. However, it is easy to accidently hit the rear wheel and change your ISO. You can lock this wheel and require hitting the “fn” to unlock it, but I haven’t found it to be that disruptive.
MENUS: I love the menus. They are not the NEX style menus, but a single menu screen with all of the various groupings across the top. It is very easy to navigate to find what you are after (I still forget where certain things are on my NEX-6, with its awkward menus). There is an option to overlay the NEX style “tiles,” but that is just a top screen. Once you are past that top screen, the menus are the same.
THE MODE DIAL: Sony took the mode dial from the NEX-6 and fixed the two complaints I had about it. They added 2 custom slots to store all settings. So, if you are shooting and have everything set up perfectly for a common situation, just hit memory in the menu and set it to “1” or “2.” Now, when you turn the mode dial to “1” everything is exactly as you had set it. The second thing they did is get rid of having 2 different “auto” settings. Now, you have just one “auto” slot and pick if you want it to use “intelligent auto” or “intelligent auto+”. And… if you thought that two autos on the mode dial was a good idea, you can always put the second auto in one of your custom slots. So, everyone is happy.
AUDIO: This camera lets you adjust your microphone input gain. It also shows you your recording levels, so you can see if you are getting your volume blown out or have your gain set too low.
VIDEO: This camera has a dedicated “movie” location on the mode dial which you can set up any way you like. You can also press the movie record button from any of the other modes to record a video. The advantage of the movie mode is that the standby time is optimized for video. So, you can see your audio levels and have zebra striping on before you start recording.
CUSTOMIZABLE BUTTONS: This camera lets you customize almost all buttons. I think “menu,” “play,” and up on the click wheel are the only buttons that don’t allow some level of customization. C1, C2, C3, and left, right, down, and center on the click wheel are 100% customizable. The Fn menu is customizable, but the Fn button always will go to this menu. The shutter release is customizable to remove AF and AE on 1/2 click (stop the camera from trying to refocus and re-meter when you snap a shot). The AF/MF – AEL button is fully customizable. Movie button can be turned off while not in movie mode. And the main front and back dials can be swapped between aperture and shutter speed. The rear click wheel is customizable, but I think the default of ISO is the best.
LENSES – NON-SONY: The wonderful thing about the mirrorless camera is that the film plane is much closer to the lens mount than the SLRs. This means that you can fit an adapter in there and run old SLR lenses exactly how they were meant to be (i.e. the distance to the sensor is the same as the lens makers designed the lens for). I have an adapter for Nikon lenses, and love using them on the camera. Just make sure the adapter is “full frame” compatible because some adapters were designed for NEX’s smaller sensor and will block light around the edges. One cool thing is that Metabones makes a smart-adapter for Canon lenses that allows full electronic control and focus of the Canon AF lenses. Most adapters require manual aperture and focus, like the one I have for Nikon (but the camera still works just fine and meters perfectly). And all the leica rangefinder lenses are manual, anyway… so it works just the same (but with TTL viewfinding and focus peaking and focus zooming!!!).
MANUAL FOCUS: Because adapted lenses will mostly be focused manually, manual focus is important. Sony has a brilliant system for this. They use a thing called focus peaking which puts a highlight on hard edges (you can chose white, yellow, or red). Anyway, if something is in focus, it will get this highlight (I use yellow in general). Also, it has a focus zoom function that will give you magnification into a very small part of the picture. So, if you are focusing a portrait, you can zoom in so that the person’s eye fills the whole view finder. You can get that focus sharper than you could ever hope for using an optical view finder. It almost feels like cheating.
LENSES –SONY FE-MOUNT: The a7 / a7R are the first of a new line of cameras. So, native FE-mount full frame lenses are limited. In fact, there were only 2 when I bought this camera. The kit zoom, and the Zeiss 35mm F2.8. The Zeiss 55mm F1.8 will be out by Christmas. And, a Zeiss 24-70 F4 and Sony 70-200G F4 are coming in Q1-2014. So, there will be 5 native lenses in a couple months. Sony has published a roadmap and will have 15 lenses out in the next two years. However, you can get the Sony adapter so you can use all the Sony A-mount lenses (with full autofocus!). That adapter is about $400, and the one without the special autofocus motor is $300. One thing to be warned about is that all of the native lenses are… um… kind of pricy. Some would say, overpriced.
LENSES – SONY E-MOUNT: The camera is also backwards compatible with all of your NEX lenses that were designed for the smaller APS-C sensor. By default, the camera will use those lenses exactly as they appeared on one of the APS-C cameras, by cropping down the full frame image. (On the A7, pictures will be 10.5MP, on the a7R it is 15.75MP) This means you will use only an APS-C sized section of the image sensor. You can turn this off and use the whole sensor, but you will get heavy vignetting because those lenses were not designed to cover full frame. (Note: The SEL 10-18 zoom is one lens that will cover the full frame at 16mm-18mm. No other SEL lenses will cover the frame that I know of, but all will actually cover more area than APS-C… you will just need to manually crop the image later and decide how much vignetting you will accept.)
1. I have the PAL version of the camera, but set it to NTSC video mode. For some reason, the camera gives me a warning “Running in NTSC” every single time I start the camera. I mean, every single time. This is annoying. Sony needs to come up with a way to disable this alert. If you buy from USA Amazon, you should not have this issue unless you switch to PAL mode (I assume).
2. If you are wearing glasses , the viewfinder has to be up to your eye in just the right way before it will recognize your eye and turn on. It works flawlessly with contacts or no glasses. I wish there was a “glasses mode” that would make it more sensitive. However, I still prefer this to the over-sensitive NEX-6 which thinks everything anywhere close to the back of the camera is your eye.
COMPATIBILITY WITH ACCESSORIES – (That I have actually tested)
Stereo Microphone – ECM-XYST1M: The Sony web page says this is compatible, but it is not really. If you put it on, it will record sound. But, under the current firmware, you are unable to adjust audio levels. You can see my Amazon review for this microphone about its way too sensitive auto setting that will crank up the microphone during silence so you always get a low hiss in the background. I thought this would be resolved with the a7’s ability to adjust input gain… but for some reason, the audio levels feature gets disabled when you attach this microphone. The menu item just grays out! Do not buy this for use with the a7. (I have notified Sony about this and will update here if a firmware update solves this issue)
MI Shoe External Flash – HVLF20M: This is the small one, not the giant speed light that is larger than the a7. I really like this flash. It meters through the camera and is small and light. It folds down out of the way (which also turns it off). It can only point forward or bounce off the ceiling, but that is okay for most needs. If you want more than that, you probably need to get creative with tape and a 3×5 index card to direct the light where you want. For what it is, it’s great. It takes AAAs. But, be careful… there is an identical looking version that is for Sony’s old style hot shoe and it will not fit on the a7 without a separate adapter. Be sure the version you get is for the MI Shoe (you can just copy and paste the item code I mention above).
Features of this product
- 24.3 MP full frame CMOS sensor
- Up to 4 FPS in Speed Priority Continuous shooting
- ISO 100-25600(AUTO ISO 100-6400)
- 1080/60p/24p HD video (AVCHD/MP4)
- 3″ tiltable LCD with 921,600 dots
- 1/2-inch XGA OLED color electronic viewfinder with 2.4M dots
- Raw and Raw + JPEG shooting
- Multi-interface shoe (optional external flash sold separately)
- Wi-Fi and NFC connectivity
- SD/SDHC/SDXC/Memory Stick Pro Duo card slot
- Compatible lenses: Sony E-mount Full Frame, operation with Minolta/Konica Minolta Maxxum A-mount lenses confirmed via optional LA-EA3/LA-EA4 adapter
Mirrorless Cameras are Digital Video cameras which provide the picture quality and versatility of professional Digital Single-Lens Reflex cameras (DSLRs), combined with a mobility closer to that of a more common “point and shoot” digital camera. They are also often called Mirrorless Interchangeable Lens Cameras simply because that, specific through the common Digital Video cameras for consumer market, they provide a mechanism to change lenses conveniently, as it’s done with professional ones.
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