Cheap Sony Alpha a7II Mirrorless Digital Camera – Body Only

Sony Alpha a7II Mirrorless Digital Camera - Body Only

Sony Alpha a7II Mirrorless Digital Camera – Body Only facts, exciting information along with costumer reviews who previously ordered as well as best price with really good discount.

A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that supports multiple lenses while mentioned before the mirror reflex optical viewfinder featured on an SLR. It is now a popular choice especially among inexperienced photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Since then it has evolved greatly in its design and features offered, moving towards the better.

This item made by Sony become one of the great Mirrorless Camera since a lot of purchaser satisfied after using this product. In addition to its features, the best price also becomes a factor. Below is a description about Sony Alpha a7II Mirrorless Digital Camera – Body Only, an item loved by buyers and have a lot of beneficial reviews. We will give you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.

Sony Alpha a7II Mirrorless Digital Camera – Body Only Details and Reviews

Sony Alpha a7II Mirrorless Digital

  • Amazon Sales Rank: #837 in Camera & Photo
  • Color: Black
  • Brand: Sony
  • Model: ILCE7M2/B
  • Released on: 2014-12-11
  • Dimensions: 3.78″ h x 2.36″ w x 5.00″ l, 1.32 pounds
  • Battery type: Lithium Ion
  • Display size: 3

eligible for FREE Shipping on orders over $35.

Estimated Price: $1,698.00 Buy or See Best Price

339 of 351 people found the following review helpful.
5Nothing Else Like It.
By C.S. Michael
[[VIDEOID:9f639483bcfb7f38536e78bc556b035d]]Sony is first and foremost a technology company, and they are doing things with the A7 series that are currently unequaled. This camera is unique in the marketplace. As of this writing, there’s literally nothing else like it from Sony’s direct competitors Nikon, Canon, Panasonic, Olympus, Fuji, & Pentax. If you want a full frame mirrorless cam (and don’t want to trade your car for a Leica), you’re getting an A7. The only question is which A7.

(NOTE: For more detailed photos and video, check out the A7ii review on my website

The original A7 was named “camera of the year” for cramming a 24MP full frame sensor into a compact mirrorless body. How does Sony top it with the A7ii? By improving ergonomics, focus speed, video capabilities, and delivering a groundbreaking IN BODY image stabilization system – the world’s first 5-Axis stabilized full frame sensor. This illustrates a couple of admirable characteristics about Sony’s imaging division – they listen to customers, and they relentlessly innovate. When Sony updates a camera (which they do often), they deliver significant design changes that translate to real world improvement – not just megapixel boosts.

A note about lenses: the lens situation is improving. At the time of this writing, the best native prime lenses for the A7ii are the brilliant Zeiss 55 f1.8 and the Zeiss 35. I’ve heard the Zeiss 16-35 is outstanding but have not tried it yet. At Photokina Sony announced a number of new E-mount lenses that are expected to hit the market in 2015. I feel the sub-100mm range will soon be pretty well covered, especially once these new lenses hit the market. Of course with an inexpensive adapter, you can use just about any lens you please with an A7, and that’s what makes these cameras so wonderful.

I bought my A7ii here on Amazon and got it the first day of release. In this review, I’m going to assume you know the basics about the A7 series, and go straight to the pros and cons of the new camera. For more files and video about the camera, check out my site.


*In Body Steadyshot – This is the marquee feature and for good reason. Now ALL of your lenses have image stabilization – including those 40-year old Nikkors and Leicas. It’s amazing and it works. Of course the stabilization is more helpful with lenses towards the telephoto end of the spectrum. I’ve tried it with my 105mm and 300mm Nikkor primes with impressive results. With native E-mount lenses that deliver focus distance information, you get full 5-Axis stabilization. If there’s no electronic communication with the camera to transmit focus distance (as with older legacy lenses) you get 3-Axis stabilization. Note that for legacy lenses, you’ll want to manually specify the focal length to ensure the best results. And yes, Steadyshot works a treat for handheld video too. Shortly after the A7ii hit the market, Sony released a firmware update (version 1.1) that improved the in camera Steadyshot and squashed an annoying bug – if you get an A7ii, MAKE CERTAIN that you are running the latest firmware!

*Shutter release – The shutter release has been moved forward on the camera body to a more natural location. It’s now right where your finger expects it to be. Alas, it’s flat across the top like most DSLRs, so there’s no possibility of a cable or soft shutter release.

*Better Grip – The new hand grip is thicker and easier for my hand to grasp. The new grip extends about 10mm further from the body. The new grip contributes to the apparent size increase in the A7ii.

*Improved Autofocus – Sony is claiming 30% better autofocus performance. While many were hoping for AF as fast as the a6000, unfortunately it’s not there yet. But Sony has improved the focusing algorithms to elicit noticeably better performance. I’ve had good success with facial recognition, eye focus, and object tracking. A7ii autofocus is good; I have no major complaints, but it’s not as fast as a DSLR or the a6000 (a camera I also own and enjoy).

*Build quality – More magnesium is now used in the camera body, and it’s obvious. The camera feels solid and reassuring in the hands, like it’s been carved out of metal. Even the buttons and control dials add to the premium feel of the camera.

*Video – The A7ii has several notable video improvements. High quality 50 Mbps XAVC S codec is now included. Built in stabilization is a HUGE help with nonstabilized lenses. Now ALL your fast primes are stabilized for video! And the camera includes a S-LOG picture profile with enhanced dynamic range that’s useful for color grading.

*Wifi – This is not a new feature, but Sony has done a nice job integrating wifi into the camera. The wifi integration really showcase Sony’s prowess as a tech company (Nikon and Canon have badly lagged behind in this department, IMHO). We are already taking this stuff for granted, but it’s really kind of incredible to remotely control your camera from your tablet or phone — with a live image view, no less. If you want to quickly share photos from your full frame camera to social media, it’s been made easy for you, no clunky adapters required. Sony needs to do a better job highlighting these features, because they are great.

*Alpha menus – Sony has now standardized the Alpha menu system across several different camera bodies. It’s a clean, logical user interface that works well. With a little practice, it’s remarkably easy to access the features you need quickly. The upshot? You spend less time “menu diving” and more time taking photos.

*EVF – The A7ii electronic viewfinder is essentially the same as the A7, but it should be noted that it’s great. The EVF is what allows Sony to squeeze down the body size of the A7 series. Once you get used to having focus assist and peaking (and the results of your shot) available inside the EVF, you will love it. What once seemed like a drawback of mirrorless cameras is now a huge advantage.

*Metal lens mount – The A7ii lens mount is more robust than that of the first gen cameras. No wiggle! Lenses mount nice and tight to the body.

*More customizable buttons – There are now four customizable “C” buttons to which you can assign your favorite functions, like eye autofocus, focus assist, white balance.

*Articulating LCD screen – The articulating LCD screen merits a mention because so many DSLRs still do not include the feature. Once you’ve shot with an articulating screen, you don;t want to go without one. The LCD screen provides a decent range of motion for high and low angle shots.

*Startup time – Startup time of the camera has been improved, which means fewer missed shots.

*Matte finish – This is a matter of taste, but I like the matte finish of the A7ii.


*Weight – Weight has increased over the original A7 by 146 grams or 5.15 ounces to 599 grams. This is no small increase (a 26% gain over the A7, to be precise). When packing camera gear, every ounce matters. If it gets much heavier, we’re losing a key advantage of mirrorless. Yet to be fair, at 599 grams the A7ii is still lighter than the Nikon Df (760g), Canon 6D (760g), Canon 5D Mark III (950g) and Nikon D800 (980g). Of course none of those competing cameras offer in body image stabilization, or many of the other features of the A7ii. So the A7ii remains lighter than the competition while offering a uniquely powerful functionality. If the added weight is a deal killer for you, there’s always the original A7. Personally, I decided that the extra features are worth the cost in weight.

*Girth- The A7ii body is not quite as svelte as the original A7. Thickness of the body itself has increased by a couple of mm. It seems more pronounced because the new grip extends a good 10mm further than the old. The A7ii is (dare I say it?) a bit chunky. The body has become more like a blend of mirrorless and DSLR. I suspect that the average non-photographer would glance at this camera and assume it is a small DSLR. Note that for some people this minus will actually be a plus. Why? Because the camera handles larger/heavier lenses with better ergonomics.

*Small control wheels – This is a nitpick, but the fore and aft control wheels are small and almost flush with the body. A larger size would provide better tactile feel.

*No 4k video – Not a major omission to me, but the lack of 4k is a disappointment. I think it would have been easy for Sony to include 4k, but the marketing department must have other plans. If you must have 4k, you want the A7S.

*No silent shutter – The shutter noise is improved over the original A7, but it’s not the dead silent shutter of the A7S.

*Antialiasing filter – The A7ii has a low pass filter. I’d prefer they omit it.

*Poor Apps Implementation – The original idea of offering apps is a good one, but unfortunately the PlayMemories apps have been poorly implemented by Sony. The PlayMemories store has a few worthwhile offerings, but as of this writing one of the best (time lapse) isn’t compatible with the A7ii. Sony needs to open up the app store to allow outside development to make the most of this functionality. (Imagine how lame iTunes or Android would be if Apple/Google provided all the apps! That’s what we’re getting now from Sony.) Please, Sony – either do a better job with the PlayMemories app store, or just go ahead and include the app features in our cameras from day one.

*Battery charger not included – Battery life is not a strength of these cameras (rated at 350 shots per charge) so you will want extra batteries. If you want an external battery charger, you’ve got to buy your own. I have several batteries and prefer to charge the extras while still having my camera free to use.

*Questionable flash options – There’s no onboard flash, and Sony’s flash offerings are disappointing. No sync speed higher than 1/250. I don’t often do flash photography, but there are times when it is necessary. Personally I would appreciate an onboard bounceable flash like that of the a6000 (the a6000 flash works great in this respect) or even a small fill flash like the X100 series.


Whether you want an A7ii really boils down to two words : STEADYSHOT INSIDE. With the A7ii, it’s all about image stabilization. The in body stabilization is actually a big deal. That’s why you pay the premium for this camera over a first generation body. If you shoot with lenses that lack OSS (and that includes all legacy lenses) then it makes sense to get the A7ii. It’s like getting a nice across-the-board upgrade to your lens collection. It’s extremely cool to attach a 40-year old Nikkor 105mm and enjoy the benefits of stabilization. I have a host of Nikkors and some unstabilized E-mount (including the superb Zeiss FE55) that benefit.

Of course the ergonomic improvements of the A7ii are welcome. I’m sure that many professionals will upgrade to the A7ii simply for the relocated shutter release button and improved grip.

The 24MP sensor of the A7ii is basically the same as that used in the A7. If you want a high resolution mirrorless monster, you want the A7R.

If you are heavily interested in VIDEO, your decision may come down to the A7ii versus the A7S. You might think of it this way: the A7S is a video camera that takes stills, while the A7ii is a stills camera that takes great video. While “steadyshot inside” certainly helps with handheld shooting of video on the A7ii, lowlight performance trails the A7S. If you must have the King of Lowlight Video, you still want the A7S.

Because I shoot both video and stills I debated between the A7ii and the A7S. It was a difficult choice, but I ultimately decided that the superlative all around performance of the A7ii was best for me.

I have owned (and in some cases still own) cameras from Nikon, Canon, Panasonic, Fuji, and Olympus. At the moment there’s literally not an apples-for-apples competitor to this Sony camera. I buy the camera that is the best for my needs and am not loyal to one brand. Lately it seems that SONY is the company that’s delivering innovation and excitement in this space. While Nikon and Canon have gingerly tested the waters of mirrorless camera design (no doubt to protect their existing DSLR product lines), Sony has been fearlessly pushing ahead with groundbreaking technology. Sony makes the sensors, and is hungry for market share; we photographers are reaping the benefits.

Today, I find the A7ii the best general purpose full frame camera on the market. It’s compact, solidly built but not too heavy, plays nice with a huge number of lenses, and is packed full of AMAZING technology. It just does everything (stills and video) very well. And by the way, the price is quite reasonable considering all it delivers. It’s one of the most affordable full frame cameras you can buy. If you purchase one, I think you will enjoy it.

243 of 269 people found the following review helpful.
5The A7II – Best camera of 2014 hands down and I have used them ALL.
By Love Gadgets
The Sony A7II is here and I have had one for about a week before they were released and shipped. I have been using it every day and run a large camera review website where I use ALL cameras made but review only what I like and would use or recommend. I have noticed a couple of reviews here with mis information so decided to write up a short review before my huge full review on my website.

First, the A7II is built to just about pro level specs. The camera is a huge step up in build from the A7, A7R and A7s. It feels solid and hefty, much like a Leica M 240 with a grip and while the grip makes it larger than the previous A7, it is in no way as large as any Nikon DSLR. It is also smaller than the Nikon Df (as well as better with IQ).

The IQ has been improved even though it uses the same A7 sensor. There is much better AWB, Color, pop and overall quality to the files that is just about the best I have ever tested for real work photos. The camera is about 30% faster than the A7 with Af but is a little slower than my A7s. But focus is not an issue.

What makes this camera special is the fact that it is a full frame camera that is just about near Pro Level build and feel, has 5- Axis Image Stabilization which NO OTHER full frame camera has, and it is the best IS you can get. It works with EVERY lens, EVERY lens and is groundbreaking. It will also give you 3 Axis IS with Leica lenses or any adapted lens.

The buttons feel fantastic, the dials feel fantastic and compared to my A7s, it feels MUCH MUCH better, in another league better.

The images I have been getting with the A7II beat out my A7, A7r and A7s images when it comes to color, sharpness, micro contrast and overall image quality. It’s the best of the A7 lot for all out IQ though the A7s beats it in low light. This will not do what the A7s can do in low light or high ISO.

With those points out of the way, this camera with the Sony/Zeiss 35 2.8 and 55 1.8 is phenomenal. Those two lenses are must owns but I would skip the kit zoom as it is large, soft and will not show what the camera can do. Why Sony includes it is beyond me as it cripples the cameras output.

At $1698 this is the deal of the century as you are getting a camera just as capable as some $3000+ cameras all in a well made camera with loads of lenses to mount. Sony/Zess, Leica, Zeiss ZM, Voigtlander, Nikon and Canon..all of these lenses can be mounted with the correct adapter. I use Leica lenses and for me, 35mm and up are better on the A7II than my Leica M 240.

This camera is for those who value IQ, great build, fast speed, the best IS you can get, the ability to mount ANY lens you want and superb manual focus capabilities. The EVF is a joy to use and quite large and the only thing I can say negative about this camera is that its AF is not blazing for continuous or sports but it has improved greatly, and its focus accuracy is SPOT ON.

For me, this beats my Leica M 240, my Olympus E-M1, ANY Fuji on the market and even my A7s for all out IQ (though not low light). This and the A7s has become my main cameras and I bought my own A7II just hours after getting my review sample. It is that good.

If you do not like this camera then not much will please you, or you are just a fan of huge fat ugly DSLR’s.

This camera is smaller than ANY DSLR made, and much thinner. Smaller than the Nikon Df, D750, yet more capable and versatile. The video is some of the best you can get as well and with the 5 Axis IS, video footage is almost “steady shot like” – awesome.

The buttons and dials are great and in no way at all feel cheap. This is one of the most solid cameras I have seen all year and for me, takes the cake for best of 2014. This camera should have come in at $2495 but Sony put it out at $1698 to show that YES THEY CAN.

5 Stars from me on the Sony A7II. My full HUGE review with tons of samples will be up on my website. If you do not know where it is, just google my name 😉

78 of 85 people found the following review helpful.
5My own personal thoughts, as a long-time alpha/minolta user
By Kristopher A Ashton
There are plenty of places on the internet that will perform a proper review and laboratory/real-world tests (dpreview), so this will not attempt to be that. These are my personal thoughts, from a long-time alpha user, upon spending a few hours with an a7ii.

After using several alphas for many years, using a camera in Sony’s mirrorless series was not as intuitive a transition as I thought it should be. Many operations are similar or the same (and the a7ii is a little bit closer to the operation of the SLTs than the a7), but just as many are not similar enough to be a smooth transition. This isn’t a negative score on the camera by any means, but a bit of an adjustment period is required to learn the operation to the point where operating it is intuitive, and operations can be performed without looking at the camera and taking some time. This bothered me a bit, but only because I’m used to blazing through the operation of my alphas without thinking about it. If you’re going to primarily use the auto features, this won’t really be the case, and you’ll be up and running in seconds.

The camera is wonderful. Image quality is top-notch, with improvements to the minor areas of weakness perpetually seen in sonys. It has all the potential of the a7 to be great, if sony would fix a few minor but persistent issues (I’m sure they will with firmware updates), but with several updates that I definitely felt, right away. The larger grip and shifted-forward trigger button are perfect, and feel far more like a camera of this type should, than the rearward button of the a7. More programmable buttons were added. The lens mounting plate is machined to better tolerances, which can definitely be felt when (un)mounting lenses. And of course, the on-sensor stabilization, which works great in the alphas and works just as well on the a7ii. In my own use of this, improved results were immediately noticeable in comparison to the a7, and felt like the alphas (why canon and nikon insist on putting stabilization in the lenses is beyond me). The rear nav wheel is no longer defaulted to ISO, which was nice, though easily accomplished in the menu on the a7. I never had an issue bumping the nav wheel on the a7, but some folks said they did, and sony listened.

The biggest downside to the mirrorless series is the relatively small number of lenses available, particularly full-frame lenses, as nearly all e-mount lenses have been made specifically for aps-c cameras. The selection of full-frame e-mount lenses is very small, and I like options. This of course is an issue that will dwindle with time, as the field is slowly populated. Simple, inexpensive adapters make a wide range of great legacy lenses available, such as standout mc/md lenses with the sr-mount, takumar (and other) lenses with the m42 mount, and there are adapters to use a broad spectrum of modern lenses as well. What I like about the a-mount alphas is the ability to use all minolta af lenses, and in fact this is what brought me to sony when I started into digital in the first place, because all my film lenses were minolta. These certainly can all be used on the a7ii with an adapter, though this adapter effectively turns the camera into a translucent mirror body anyway.

An attractive feature of this camera (and the previous e-mount models) is the constantly-expanding list of apps available for download to the camera, many of which perform very useful operations that would take time to accomplish in post production. Some are already available for the a7ii while others will become available as they are updated for the camera. Some of these include star trail, light trail, sound photo, time lapse, motion shot, smooth reflection, stop motion, direct upload, smartphone link, among others.

As I said, if you want a proper in-depth laboratory review, check out DPreview. Personally though, I love the camera. Sony did a great job listening to their customers and updating the camera. Mirrorless may be the future of digital photography, we’ll have to wait and see. For the foreseeable future though, sony is certainly not abandoning the SLT, and I have it on good authority they are working on what is basically an updated a99, as well as higher resolution models (one supposedly targeting the 50 MP range). I personally will continue using my legacy minolta glass as long as possible.

Features of this product

  • World’s first 5-axis in-body image stabilization in a full-frame camera.
  • Use your favorite lenses without blur from camera shake.
  • Capture stunning images with full-frame, 24.3MP resolution.
  • Fast hybrid AF with phase-detection – 30% faster than a7.
  • Compatible with Sony’s E-mount lenses, and others with adaptors.

Mirrorless Cameras are Digital Digital cameras which provide the picture quality and versatility of professional Digital Single-Lens Response cameras (DSLRs), along with a mobility closer to that of a more common “point and shoot” digital camera. They are also known as Mirrorless Interchangeable Lens Digital Cameras simply because that, unique from the common Digital Digital cameras for consumer market, they will provide a mechanism to change lenses conveniently, since it’s done with professional ones.

That’s all whatever we can give you. It truly is our hope that the data is useful enough to assist you find the appropriate product to purchase. Price is essential however it won’t be a concern once you absolutely need that product. What we should are advising for you should be to always choose affordable one. In case you don’t prefer the product, we’re recommending that you read reviews of similar product below. Thank you very much to see this review and then we are wishing you a great day.

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