Sony Alpha a7S Mirrorless Digital Camera details, useful information along with costumer testimonials who previously ordered and also best price along with quite good discount.
A Mirrorless Interchangeable Lens Camera (MILC) is a digital system camera that supports multiple lenses while mentioned before the mirror reflex optical viewfinder featured on an SLR. It has become a popular choice especially among amateur photographers upgrading from point and shoot cameras. The first mirrorless camera was introduced in 2008. Since that time it has evolved greatly in the design and features offered, moving towards the better.
This product made by Sony become one of the great Mirrorless Camera since a lot of customers satisfied after using this product. In addition to its features, the best price also becomes a factor. This is a details of Sony Alpha a7S Mirrorless Digital Camera, an item favored by costumers and have a much of cool reviews. We will present to you customer reviews, product features, descriptions, and a variety of other interesting things. Happy reading.
Sony Alpha a7S Mirrorless Digital Camera Details and Reviews
317 of 342 people found the following review helpful.
This is a game changer and opens up creative possibilities that were never there before
By Love Gadgets
I do not do many Amazon reviews for cameras as I have a huge review website for this purpose. But every once in a while a special camera comes along that does almost everything so so right. It is then I feel the need to come here and write a short review on Amazon. The A7s is one of those cameras.
I have used every camera made over the past 7 years. ALL of them, even DSLRs. I only review and write about the ones that move me, the ones I like, the ones that offer something special whether that is in the form of usability, IQ, abilities, lenses, versatility, etc.
The A7s offers so much, that it is probably the favorite camera I have ever reviewed or used in 7 years. I have loved and adored many cameras for what they offer. The Olympus E-M1 is a micro 4/3 masterpiece. The lenses for that system are the best there is. The Sony RX1 and RX1r..magical and quite special once you know how to use it and exploit what it offers. The Leica M 240, again, it can provide an emotional experience while delivering class leading IQ.
But today I am talking about the virtues and benefits of the Sony A7s. I find it sad that many just look at the words “12MP” and assume it is not good for photos. NONSENSE 100%, and that is a fact.
In reality, 12MP is more than 99.8% of us will ever need (see my review at my site for more on this) ad I can make beautiful 20X30 prints from an A7s file (just got one back today) just as I used to do with my 4MP Nikon D2hs. Huge MP is NOT needed for large prints! Now if you want to shoot massively detailed landscapes, go for medium format as that will deliver what you need more than any 35mm based camera. For everything else, the A7s is plenty.
Now there are those who are “pixel peepers”, who only get enjoyment from viewing their images 100% on a computer screen (which is not a way to view a photo and has nothing to do with real photography). If this is you then you will need a 36MP monster to satisfy your needs.
The A7s has LOADS going for it over an A7 or A7r, below are a few of those things:
1. Low light abilities – I am NOT talking high ISO here, I am talking Auto Focus ability. This camera has an uncanny ability to focus in pitch blackness, even without the AF assist light. You will never be in a situation where the A7s cannot focus.
2. High ISO – As of July 2014, there is NOTHING that can touch this fro high ISO use. I have decided that I can now go up to ISO 102,000 and have a usable image. Color stays, DR stays. Amazing. ISO 6400 is like many cameras at ISO 400. This opens up all kinds of creative possibilities and things no one has ever been able to do before. It is significant just for that reason alone.
3. AF Speed. This is faster to Af than the A7 and A7s, no question.
4. Quiet – This camera is much quieter than the A7 and A7r and can even be shot in SILENCE. As in ZERO noise. I shot a scene at ISO 80k in a dark room. No one knew I took the shot and it was quiet in a room that echoed severely. No one would have believed me if I told them I took a shot as it was seemingly impossible to do without a flash.
5. Video – Amazing video capabilities even at ISO 102,000.
6. Leica M Glass friendly – The A7 and A7r and even the Leica M itself has issues with some wide angle M mount lenses (the M 240 has issues with 3rd party wides) that create colored edges and unusable color images. The A7s is the 1st full frame digital that can use a lens like the 15 Voigtlander without any real issues, IN COLOR! This is huge for those with Leica M glass. Huge. I use the 15, 35 1.2 and others and they look beautiful, in some cases beating what comes from the M240 in good light. Low light? The Leica can not compete with the A7s.
7. AWB and color – The AWB and color is improved with the A7s over the A7 and A7r, this is a fact.
So there are just 7 of the reasons the A7s is way more useful than the A7 or A7r for my tastes. Resolution, again, 12MP is plenty for any web use and any print size 99.9% of us will print. If you are a person who is into photography and NOT pixel peeping you will adore this camera without question. It opens up all kinds of possibilities that were never there before. Slap on a 50 0.95 from Mitakon or even Leica and your world will be rocked.
The camera is solid, has a great EVF and LCD and the ONLY complaint I have is that it does not have in body IS. If it had the Olympus 5 Axis IS it would be my dream camera. Really.
New lenses are on the way and even Zeiss has some amazing new offerings coming in MF lenses that will work with the Sony. For me, this 12MP beauty is all I really need but I still am emotionally attached to my Leica M and Olympus E-M1 😉
To those who gave this camera low ratings or say it is no good for photos, you are wrong. It’s superb for photo or video and beats out most cameras i have used in recent years. You can see tons of photos in my review if you just google for it.
Sure there will always be new cameras..an A7x or A7T..but for now, July 2014, this one is at the top of the Sony Heap for me.
The A7s for me gets 5 stars.
119 of 125 people found the following review helpful.
One small step for man, one giant leap for cameras
By Tanner W.
As a professional wedding photographer/videographer I’ve now gone through quite a few cameras, exploring different options and new technologies. My recent favorite was the pixel dense 36mp Nikon d800.
When I read the announcement for the upcoming Sony A7s I was both nervous and excited. 12mp would be a major drop from 36mp, but all the other improvements had me drooling. Clean, usable ISO past 10,000, 120fps 720p video, 15 steps of dynamic range, all in a body half the size of my d800. When earlier reviewers started comparing the camera’s picture quality to medium format images (in color quality and accuracy not resolution) it almost sounded all too good to be true. Especially for Sony! Maybe I wouldn’t have been so skeptical if all this was coming from Canon or Nikon, but Sony? I remember shooting with there first few generations of DSLRs and being very disappointed. Now they are claiming there little A7s can do it all and more? Well yesterday mine arrived. All the hype was true.
For yesterday’s wedding I brought a Canon 5D MKIII and this little guy, hoping to shoot with it here and there if I could figure out the menus quickly enough. This was my first mirrorless camera and it definitely handles different from a DSLR but in a very nice way. The menus and layout was all simple enough that I was able to do a lot of shooting with it yesterday. I shot video and am so happy with the results. The image came out so clean. The 50mb codec allows for so much latitude. For 120fps shooting I doubled the shutter to 1/250. Worked great during the day — worked just as good when the sun went down and I jumped past 10,000 ISO to maintain exposure.
Today I’ve delved into the menus a bit deeper and am pleasantly surprised by the amount of customization. Almost every button can be remapped to the user’s preference. If you have a set of features you regularly access, no more diving through menus, just map 1 of 3 custom buttons to do it. Or remap one of the other existing buttons. I’ve also been shooting RAW images and again, have been very impressed. Great dynamic range — great color accuracy — no noise. I guess I forgot what 12 megapixels looks like. It’s more than enough for your average print. For enlargements I’m better photoshop’s newer upscaling algorithms will handle things just fine.
Both the OLED EVF and LCD are beautiful and incredibly accurate. The camera has a little sensor in the EVF that knows when you are looking through — that way it knows when to switch from LCD to EVF. It’s nice that they let the user even turn that sensor off if you want to manually switch the display.
After 2 days of very heavy use, I’m pretty sold. I’ll post updates as I continue to use the camera, but at this rate I’ll probably buy another one in a month or two.
95 of 99 people found the following review helpful.
The Low-light / Street / Video Beast
I had little interest in this camera when it was first announced, but after reading some of the reviews I decided to give it a chance. I was hesitant for the obvious reason: 12 MP. What is this, 2008? I understand why having fewer, larger pixels results in better high-ISO performance, but the previously reigning low-light king (according to DxOMark), the Nikon Df, has 16 MP, so 12 seemed a little stingy. As a street photographer who often shoots from the hip, literally, I like to have the option to crop, and 12 MP would leave me precious little margin for error.
First, the bad: Yes, 12 MP is limiting. People who tell you otherwise are either being disingenuous or only do photography where there’s plenty of time to compose and adjust zoom or get closer as necessary. Any photography that demands capturing fleeting moments, including street and wedding, is going to suffer from the cropping constraints.
And yet, I still consider this the full-frame street photography king for two reasons: High ISO performance and the silent shutter option. I’m not interested in making night look like day, but the high-ISO performance allows me to use faster shutter speeds and greater depth of field so my subjects are neither blurry nor out of focus. I’ve never used any images above 6400 from the other cameras I’ve recently owned (D800, A7, E-M5), but with this camera I feel comfortable using 12800 and even 25600. People who say images are “usable” up to 51,200 probably have a different definition of usable than I do. Some claim the noise on this camera has a film grain quality to it; I think all digital noise is ugly, and if I want grain I can add it in post. Good thing there’s just less noise with this sensor.
You may have seen the High-ISO shootout on the famous review website that begins with DP. Of course I could always use the 36 MP images from my D800 and shrink and normalize to 12 MP and get noise that’s only a little worse than the A7S, but the D800 isn’t very discreet on the street. I could get an A7R and try the same thing, but again, the shutter noise…
And discretion is another area where the A7S shines, both in its size and its electronic silent shutter option. I love the silent shutter on my RX100 and the very quiet E-M5 and Ricoh GR shutters. The A7S silent shutter is completely silent, as advertised. This opens up new worlds of possibility for close-quarter street photography, and was decisive in my decision to keep this camera. Just note that you will get rolling shutter effects if the camera is moving fast or with things like lightning. In such cases you can switch back to the regular or electronic first curtain shutter.
Autofocus performance is as good or better than that of my A7, especially in low light. This is puzzling because the A7 has hybrid phase detection whereas the A7S only uses contrast detection. I assume the smaller number of pixels and better processing/implementation are responsible for that discrepancy.
It’s too early to say how 4K video will stack up against the GH4 since the Atomos Shogun isn’t available yet. If I were a dedicated videographer just starting out I would probably buy the GH4, but for somebody who is already invested in FE-mount lenses this A7S is the obvious way to go. If you only need 1080p this camera is overkill–the A6000 and other cameras shoot very nice 1080p for a fraction of the price.
THE BOTTOM LINE:
Speaking of price, this camera is not cheap. At current street prices it’s a full thousand dollars more than the A7 body, and the A7 is already a very good camera that has double the pixel count. So, should you buy it? I would say yes only if you need at least TWO of the three things at which it excels. Low-light video? ABSOLUTELY. Low-light street photography? YES. But if you only need excellence in ONE area, or do a different kind of photography, there are cheaper and/or better options. This will replace the A7 as my street photography staple, but I’ll hold on to my D800 for high-res applications until the next iteration of the A7R addresses some of that camera’s lingering issues, at which point I may go all in with Sony’s full-frame mirrorless system. Maintaining two systems is expensive and inefficient, and I really think Canikon are losing the future by not recognizing that mirrorless is it.
Features of this product
- Screen Size: 3″
- Screen Features: Tiltable TFT-LCD with 921K dots
- Megapixels: 12.2MP
- Image Resolution: 4240 x 2832
- Optical Zoom: Not Available
Mirrorless Cameras are Digital Cameras which provide the picture quality and versatility of professional Digital Single-Lens Reflex cameras (DSLRs), together with a mobility closer to regarding a more common “point and shoot” digital camera. They are also often called Mirrorless Interchangeable Lens Cameras simply because that, distinct from the common Digital Cameras for consumer market, they provide a mechanism to change lenses conveniently, since it’s done with professional ones.
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